Origins of Chinese Literary Hermeneutics
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Origins of Chinese Literary Hermeneutics
A Study of the Shijing and the Mao School of Confucian Exegesis
Svensson Ekstroem, Martin
State University of New York Press
03/2024
504
Dura
Inglês
9781438495392
15 a 20 dias
Descrição não disponível.
Abbreviations
Introduction: The Shepherd Dreams-The Great Man Divines
Part I: Metaphor's Other: The Discourse on "Imagery" in Modern Shijing Scholarship and Sinography
1. The Concept and Conceptuality of Xing
2. Intertextuality and Orality in C. H. Wang's The Bell and the Drum
3. Chen Shih-hsiang and the Primal Scene
4. The Totemic Xing
5. Rhyme without Reason
6. Xing and the Art of Quoting the Odes
7. Marcel Granet and the Poetics of the Primeval Scene
8. Nature Is Metaphorical, Poetry Literal
9. Discipline and Comfort: The comparatisme de la difference
10. Dichotomy Reenforced
11. Uncomfortable Sinology: Confucian Exegesis as a Performative Mode of Reading
12. Primary Metapoetics, Authorial Intent, and Textual Integrity in the Odes
Part II: Xing and the Origins of Chinese Literary Hermeneutics
13. The Metaphor: A Return to Richards
14. The Commentary versus the Minor Preface
15. The Great Preface, a Rereading
16. The Minor Prefaces
17. In Service to Two Masters
18. Mao's "Canonical" Xing
19. Analogy and Instrumentality: The "Analogical Xing"
20. Xing, Ironically
21. Mao's Pragmatic Hermeneutics
22. Intertextuality and Repetition
23. Crisis-Causality
24. Reorientation and Conclusion
Appendix A. The Xing: Supporting Evidence
Appendix B. Inconclusive Commentaries
Appendix C. Inconclusive Odes about Confucian Hierarchy
Afterword and Acknowledgments
Notes
Bibliography
Index I
Index II
Introduction: The Shepherd Dreams-The Great Man Divines
Part I: Metaphor's Other: The Discourse on "Imagery" in Modern Shijing Scholarship and Sinography
1. The Concept and Conceptuality of Xing
2. Intertextuality and Orality in C. H. Wang's The Bell and the Drum
3. Chen Shih-hsiang and the Primal Scene
4. The Totemic Xing
5. Rhyme without Reason
6. Xing and the Art of Quoting the Odes
7. Marcel Granet and the Poetics of the Primeval Scene
8. Nature Is Metaphorical, Poetry Literal
9. Discipline and Comfort: The comparatisme de la difference
10. Dichotomy Reenforced
11. Uncomfortable Sinology: Confucian Exegesis as a Performative Mode of Reading
12. Primary Metapoetics, Authorial Intent, and Textual Integrity in the Odes
Part II: Xing and the Origins of Chinese Literary Hermeneutics
13. The Metaphor: A Return to Richards
14. The Commentary versus the Minor Preface
15. The Great Preface, a Rereading
16. The Minor Prefaces
17. In Service to Two Masters
18. Mao's "Canonical" Xing
19. Analogy and Instrumentality: The "Analogical Xing"
20. Xing, Ironically
21. Mao's Pragmatic Hermeneutics
22. Intertextuality and Repetition
23. Crisis-Causality
24. Reorientation and Conclusion
Appendix A. The Xing: Supporting Evidence
Appendix B. Inconclusive Commentaries
Appendix C. Inconclusive Odes about Confucian Hierarchy
Afterword and Acknowledgments
Notes
Bibliography
Index I
Index II
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Abbreviations
Introduction: The Shepherd Dreams-The Great Man Divines
Part I: Metaphor's Other: The Discourse on "Imagery" in Modern Shijing Scholarship and Sinography
1. The Concept and Conceptuality of Xing
2. Intertextuality and Orality in C. H. Wang's The Bell and the Drum
3. Chen Shih-hsiang and the Primal Scene
4. The Totemic Xing
5. Rhyme without Reason
6. Xing and the Art of Quoting the Odes
7. Marcel Granet and the Poetics of the Primeval Scene
8. Nature Is Metaphorical, Poetry Literal
9. Discipline and Comfort: The comparatisme de la difference
10. Dichotomy Reenforced
11. Uncomfortable Sinology: Confucian Exegesis as a Performative Mode of Reading
12. Primary Metapoetics, Authorial Intent, and Textual Integrity in the Odes
Part II: Xing and the Origins of Chinese Literary Hermeneutics
13. The Metaphor: A Return to Richards
14. The Commentary versus the Minor Preface
15. The Great Preface, a Rereading
16. The Minor Prefaces
17. In Service to Two Masters
18. Mao's "Canonical" Xing
19. Analogy and Instrumentality: The "Analogical Xing"
20. Xing, Ironically
21. Mao's Pragmatic Hermeneutics
22. Intertextuality and Repetition
23. Crisis-Causality
24. Reorientation and Conclusion
Appendix A. The Xing: Supporting Evidence
Appendix B. Inconclusive Commentaries
Appendix C. Inconclusive Odes about Confucian Hierarchy
Afterword and Acknowledgments
Notes
Bibliography
Index I
Index II
Introduction: The Shepherd Dreams-The Great Man Divines
Part I: Metaphor's Other: The Discourse on "Imagery" in Modern Shijing Scholarship and Sinography
1. The Concept and Conceptuality of Xing
2. Intertextuality and Orality in C. H. Wang's The Bell and the Drum
3. Chen Shih-hsiang and the Primal Scene
4. The Totemic Xing
5. Rhyme without Reason
6. Xing and the Art of Quoting the Odes
7. Marcel Granet and the Poetics of the Primeval Scene
8. Nature Is Metaphorical, Poetry Literal
9. Discipline and Comfort: The comparatisme de la difference
10. Dichotomy Reenforced
11. Uncomfortable Sinology: Confucian Exegesis as a Performative Mode of Reading
12. Primary Metapoetics, Authorial Intent, and Textual Integrity in the Odes
Part II: Xing and the Origins of Chinese Literary Hermeneutics
13. The Metaphor: A Return to Richards
14. The Commentary versus the Minor Preface
15. The Great Preface, a Rereading
16. The Minor Prefaces
17. In Service to Two Masters
18. Mao's "Canonical" Xing
19. Analogy and Instrumentality: The "Analogical Xing"
20. Xing, Ironically
21. Mao's Pragmatic Hermeneutics
22. Intertextuality and Repetition
23. Crisis-Causality
24. Reorientation and Conclusion
Appendix A. The Xing: Supporting Evidence
Appendix B. Inconclusive Commentaries
Appendix C. Inconclusive Odes about Confucian Hierarchy
Afterword and Acknowledgments
Notes
Bibliography
Index I
Index II
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
