New Music and Institutional Critique
New Music and Institutional Critique
Grueny, Christian; Farnsworth, Brandon
Springer-Verlag Berlin and Heidelberg GmbH & Co. KG
10/2023
205
Mole
Inglês
9783662671306
15 a 20 dias
Descrição não disponível.
1. Introduction.- I Scholars.- 2. Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art.- 3. Gender Issues as Criticism within (New) Music Institutions.- 4. Darmstadt and its Discontents.- 5. Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research.- 6. Black Music's Institutional Critique.- II Artists.- 7. My Via Dolorosa from (Impotent) Institutional Critique to the Founding of my own Institution, the Norwegian Opra, with the Gradual Construction of the followers of o Opra-Dorf on a Meadow in the Swedish Forest, thereby (Maybe) Saving the Autonomy of Art.- 8. Sheltering Each Other from the Storms to Come. Why we need to become allies rather than critics of liberal cultural institutions.- 9. Gender Relations in New Music is Institutional Critique.- 10. Ark.- 11. On the Kunsthalle for Music and (Music-)Institutional Critique.- III Interviews.- 12. "We started expanding the 'us,' rather than including someone else" - Peter Meanwell and Tine Rude interviewed by Brandon Farnsworth.- 13. "Don't expect the wrong things from institutions." - Berno Odo Polzer interviewed by Christian Grueny.- 14. "Pockets of Obscure Skills" - Samson Young interviewed by Brandon Farnsworth.- 15. "Positioning myself between stools" - Hannes Seidl interviewed by Christian Grueny.- 16. "Framing Europe" - meLe yamomo interviewed by Theresa Beyer.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Institutional Critique;Contemporary Music;Festivals;New Music;Musical Production;Open Access
1. Introduction.- I Scholars.- 2. Institutions Against Art Music-Curation, Rehearsal, and Contemporary Art.- 3. Gender Issues as Criticism within (New) Music Institutions.- 4. Darmstadt and its Discontents.- 5. Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research.- 6. Black Music's Institutional Critique.- II Artists.- 7. My Via Dolorosa from (Impotent) Institutional Critique to the Founding of my own Institution, the Norwegian Opra, with the Gradual Construction of the followers of o Opra-Dorf on a Meadow in the Swedish Forest, thereby (Maybe) Saving the Autonomy of Art.- 8. Sheltering Each Other from the Storms to Come. Why we need to become allies rather than critics of liberal cultural institutions.- 9. Gender Relations in New Music is Institutional Critique.- 10. Ark.- 11. On the Kunsthalle for Music and (Music-)Institutional Critique.- III Interviews.- 12. "We started expanding the 'us,' rather than including someone else" - Peter Meanwell and Tine Rude interviewed by Brandon Farnsworth.- 13. "Don't expect the wrong things from institutions." - Berno Odo Polzer interviewed by Christian Grueny.- 14. "Pockets of Obscure Skills" - Samson Young interviewed by Brandon Farnsworth.- 15. "Positioning myself between stools" - Hannes Seidl interviewed by Christian Grueny.- 16. "Framing Europe" - meLe yamomo interviewed by Theresa Beyer.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.