Music with Stanley Cavell in Mind
portes grátis
Music with Stanley Cavell in Mind
LaRocca, Dr. David
Bloomsbury Publishing Plc
03/2026
320
Mole
Inglês
9798765111086
15 a 20 dias
Descrição não disponível.
Overture: In Walked Stanley
Charles Bernstein, University of Pennsylvania, USA
Prelude: Sounds of Philosophy
David LaRocca, Cornell University, USA
Movement I / Measures
1. Critical Listening: An Understanding of Cavell's "An Understanding with Music"
Jean-Philippe Antoine, Universite Paris 8 Vincennes-Saint Denis, France
2 Impressions of Meaning in Cavell's Life Out of Music
William Day, Le Moyne College, USA
3. Cavell on Music: As Performer, as Writer
John Harbison, Massachusetts Institute of Technology, USA
Movement II / Registers
4. "A Voice Deep Inside": Cavell, Streisand, and the Reach of Song's Inner Speech
Garrett Stewart, University of Iowa, USA
5. Cavell as Halted Traveler: The Experience of Music
Richard Eldridge, Swarthmore College, USA
6. The Sound of Reality
Jocelyn Benoist, Universite of Paris 1 Pantheon-Sorbonne, France
Movement III / Recitatives
7. Something Called Perfect Pitch: Cavell and the Calling of Ordinary Language to Mind
Paul Standish, University College London Institute of Education , UK
8. Understanding Music, Understanding Persons: Cavell and the Necessity of Intentional Content
Garry L. Hagberg, Bard College, USA
9. Punk Discomposed: Staging Sincerity and Fraudulence
David LaRocca, Cornell University, USA
Movement IV / Intervals
10. Listening In: Cavell, Krenek, Cage, Reich at the Limits of Musical Meaning
Kevin C. Karnes, Emory University, USA, and John T. Lysaker, Emory University, USA
11. Cavell's Odd Couple: Schoenberg and Wittgenstein
Eran Guter, Max Stern Jezreel Valley College, Israel
12. Words Sing: Wittgenstein, Cage, and Cavell on the Poetics of Language and Music
Gordon C. F. Bearn, Lehigh University, USA
Coda: Out Waltzed Stanley
Charles Bernstein, University of Pennsylvania, USA
Acknowledgments
Contributors
Index
Charles Bernstein, University of Pennsylvania, USA
Prelude: Sounds of Philosophy
David LaRocca, Cornell University, USA
Movement I / Measures
1. Critical Listening: An Understanding of Cavell's "An Understanding with Music"
Jean-Philippe Antoine, Universite Paris 8 Vincennes-Saint Denis, France
2 Impressions of Meaning in Cavell's Life Out of Music
William Day, Le Moyne College, USA
3. Cavell on Music: As Performer, as Writer
John Harbison, Massachusetts Institute of Technology, USA
Movement II / Registers
4. "A Voice Deep Inside": Cavell, Streisand, and the Reach of Song's Inner Speech
Garrett Stewart, University of Iowa, USA
5. Cavell as Halted Traveler: The Experience of Music
Richard Eldridge, Swarthmore College, USA
6. The Sound of Reality
Jocelyn Benoist, Universite of Paris 1 Pantheon-Sorbonne, France
Movement III / Recitatives
7. Something Called Perfect Pitch: Cavell and the Calling of Ordinary Language to Mind
Paul Standish, University College London Institute of Education , UK
8. Understanding Music, Understanding Persons: Cavell and the Necessity of Intentional Content
Garry L. Hagberg, Bard College, USA
9. Punk Discomposed: Staging Sincerity and Fraudulence
David LaRocca, Cornell University, USA
Movement IV / Intervals
10. Listening In: Cavell, Krenek, Cage, Reich at the Limits of Musical Meaning
Kevin C. Karnes, Emory University, USA, and John T. Lysaker, Emory University, USA
11. Cavell's Odd Couple: Schoenberg and Wittgenstein
Eran Guter, Max Stern Jezreel Valley College, Israel
12. Words Sing: Wittgenstein, Cage, and Cavell on the Poetics of Language and Music
Gordon C. F. Bearn, Lehigh University, USA
Coda: Out Waltzed Stanley
Charles Bernstein, University of Pennsylvania, USA
Acknowledgments
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Stanley Goldstein; aesthetics of music; music and philosophy; philosophical aesthetics; contemporary American philosophy; American modernism; Ludwig Wittgenstein; Martin Heidegger; American transcendentalism
Overture: In Walked Stanley
Charles Bernstein, University of Pennsylvania, USA
Prelude: Sounds of Philosophy
David LaRocca, Cornell University, USA
Movement I / Measures
1. Critical Listening: An Understanding of Cavell's "An Understanding with Music"
Jean-Philippe Antoine, Universite Paris 8 Vincennes-Saint Denis, France
2 Impressions of Meaning in Cavell's Life Out of Music
William Day, Le Moyne College, USA
3. Cavell on Music: As Performer, as Writer
John Harbison, Massachusetts Institute of Technology, USA
Movement II / Registers
4. "A Voice Deep Inside": Cavell, Streisand, and the Reach of Song's Inner Speech
Garrett Stewart, University of Iowa, USA
5. Cavell as Halted Traveler: The Experience of Music
Richard Eldridge, Swarthmore College, USA
6. The Sound of Reality
Jocelyn Benoist, Universite of Paris 1 Pantheon-Sorbonne, France
Movement III / Recitatives
7. Something Called Perfect Pitch: Cavell and the Calling of Ordinary Language to Mind
Paul Standish, University College London Institute of Education , UK
8. Understanding Music, Understanding Persons: Cavell and the Necessity of Intentional Content
Garry L. Hagberg, Bard College, USA
9. Punk Discomposed: Staging Sincerity and Fraudulence
David LaRocca, Cornell University, USA
Movement IV / Intervals
10. Listening In: Cavell, Krenek, Cage, Reich at the Limits of Musical Meaning
Kevin C. Karnes, Emory University, USA, and John T. Lysaker, Emory University, USA
11. Cavell's Odd Couple: Schoenberg and Wittgenstein
Eran Guter, Max Stern Jezreel Valley College, Israel
12. Words Sing: Wittgenstein, Cage, and Cavell on the Poetics of Language and Music
Gordon C. F. Bearn, Lehigh University, USA
Coda: Out Waltzed Stanley
Charles Bernstein, University of Pennsylvania, USA
Acknowledgments
Contributors
Index
Charles Bernstein, University of Pennsylvania, USA
Prelude: Sounds of Philosophy
David LaRocca, Cornell University, USA
Movement I / Measures
1. Critical Listening: An Understanding of Cavell's "An Understanding with Music"
Jean-Philippe Antoine, Universite Paris 8 Vincennes-Saint Denis, France
2 Impressions of Meaning in Cavell's Life Out of Music
William Day, Le Moyne College, USA
3. Cavell on Music: As Performer, as Writer
John Harbison, Massachusetts Institute of Technology, USA
Movement II / Registers
4. "A Voice Deep Inside": Cavell, Streisand, and the Reach of Song's Inner Speech
Garrett Stewart, University of Iowa, USA
5. Cavell as Halted Traveler: The Experience of Music
Richard Eldridge, Swarthmore College, USA
6. The Sound of Reality
Jocelyn Benoist, Universite of Paris 1 Pantheon-Sorbonne, France
Movement III / Recitatives
7. Something Called Perfect Pitch: Cavell and the Calling of Ordinary Language to Mind
Paul Standish, University College London Institute of Education , UK
8. Understanding Music, Understanding Persons: Cavell and the Necessity of Intentional Content
Garry L. Hagberg, Bard College, USA
9. Punk Discomposed: Staging Sincerity and Fraudulence
David LaRocca, Cornell University, USA
Movement IV / Intervals
10. Listening In: Cavell, Krenek, Cage, Reich at the Limits of Musical Meaning
Kevin C. Karnes, Emory University, USA, and John T. Lysaker, Emory University, USA
11. Cavell's Odd Couple: Schoenberg and Wittgenstein
Eran Guter, Max Stern Jezreel Valley College, Israel
12. Words Sing: Wittgenstein, Cage, and Cavell on the Poetics of Language and Music
Gordon C. F. Bearn, Lehigh University, USA
Coda: Out Waltzed Stanley
Charles Bernstein, University of Pennsylvania, USA
Acknowledgments
Contributors
Index
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