Gender, Cinema, Streaming Platforms
portes grátis
Gender, Cinema, Streaming Platforms
Shifting Frames in Neoliberal India
Paunksnis, Sarunas; Chakraborty Paunksnis, Runa
Springer International Publishing AG
03/2024
285
Mole
Inglês
9783031167027
15 a 20 dias
Descrição não disponível.
Chapter 1. Introduction.- Chapter 2. Biopolitics of Hindutva: Masculinity and Violence in Leila and Aashram.- Chapter 3. Questioning the "Great" in "The Great Indian Wedding": Streaming Feminism through Band Baaja Baaraat and Made in Heaven.- Chapter 4. Questioning the "Great" in "The Great Indian Wedding": Streaming Feminism through Band Baaja Baaraat and Made in Heaven.- Chapter 5. Lust Stories and the Politics of Private Viewing on SVOD Platforms.- Chapter 6. New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-fulfilment in Mainstream Hindi Cinema.- Chapter 7. Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinema.- Chapter 8. Gender and Nationalism: The Journey of Sehmat in Meghna Gulzar's Raazi.- Chapter 9. India's Daughter: The Banality of Rape.- Chapter 10. The Deeply Personal Is Deeply Political: New Voices in Women's Documentary Practice in Indian Subcontinent.- Chapter 11. On Cinematic Transformation, Gender and Religion.An Interview with Ashish Avikunthak.
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Indian cinema;SVOD;new media;gender;neoliberalism;patriarchy;feminism;postfeminism;violence;digital culture
Chapter 1. Introduction.- Chapter 2. Biopolitics of Hindutva: Masculinity and Violence in Leila and Aashram.- Chapter 3. Questioning the "Great" in "The Great Indian Wedding": Streaming Feminism through Band Baaja Baaraat and Made in Heaven.- Chapter 4. Questioning the "Great" in "The Great Indian Wedding": Streaming Feminism through Band Baaja Baaraat and Made in Heaven.- Chapter 5. Lust Stories and the Politics of Private Viewing on SVOD Platforms.- Chapter 6. New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-fulfilment in Mainstream Hindi Cinema.- Chapter 7. Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinema.- Chapter 8. Gender and Nationalism: The Journey of Sehmat in Meghna Gulzar's Raazi.- Chapter 9. India's Daughter: The Banality of Rape.- Chapter 10. The Deeply Personal Is Deeply Political: New Voices in Women's Documentary Practice in Indian Subcontinent.- Chapter 11. On Cinematic Transformation, Gender and Religion.An Interview with Ashish Avikunthak.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
