Brief History of Chinese Literary Criticism

Part I. Literary Criticism in the Pre-Qin Period.- 1. Formation of the Theory That "Poetry Expresses Aspirations".- 2. Some Taoist Views on Issues of Literature.- 3. The Contribution of Confucianism to Chinese Literary Theory.- 4. The Legalist's Utilitarianist View on Literature.- Part II. Literary Criticism in the Western Han Dynasty and the Eastern Han Dynasty.- 5. The Grand Preface to The Book of Songs by Mao Heng: a Complete Collection of Poetic Theory of Confucianism in the Han Dynasty.- 6. Different Views of Scholars in the Han Dynasty on Ci-Poetry and Fu-poetry.- 7. Yang Xiong Developed Orthodox Views on Literature.- 8. Wang Chong's Criticism of the Orthodox Style of Study in the Han Dynasty.- Part III. Literary Criticism in the Wei, the Jin, the Southern and the Northern Dynasties.- 9. Cao Pi Wrote the First Monograph A Discourse on Literature.- 10. Lu Ji Summarized the Experience of Literary Creation on Literature.- 11. Ge Hong's View on Literary Evolution.- 12. Debate and Development of Literary Theory in the Southern Dynasties.- 13. Liu Xie's Monumental Masterpiece The Literary Mind and the Carving of Dragons.- 14. Grades of Poetry: Zhong Rong's Monograph on Five-Character Poems.- Part IV. Literary Criticism in the Sui, the Tang and the Five Dynasties.- 15. Literary Criticism in the Early Tang Dynasty and Du Fu's Poetics.- 16. Yuan Zhen, Bai Juyi and the New Yuefu Movement.- 17. Han Yu, Liu Zongyuan and the Ancient Literature Movement.- 18. Sikong Tu's Theory of Style and Poetic Flavor.- Part V. Literary Criticism in the Song, the Jin and the Yuan Dynasties.- 19. Development of Poetry and Prose Innovation Movement in the Early Song Dynasty.- 20. The Fallacy of Taoists Obliterating Literature.- 21. Su Shi's Exposition of Experience in Literary Creation.- 22. Huang Tingjian's Poetics and the Formation of Jiangxi School of Poetry.- 23. Criticism of Jiangxi School of Poetry from Poets in the Southern Song Dynasty.- 24. Notes on Poets and Poetry in the Song Dynasty and Canglang's Notes on Poets and Poetry by Yan Yu.- 25. Yuan Haowen's Great Work On 30 Poems.- 26. The Ci-poetry Theory on the Graceful & Restrained School and the Bold & Unconstrained School.- Part VI. Literary Criticism from the Ming Dynasty to the Middle of the Qing Dynasty.- 27. Controversy of the Archaists in the Ming Dynasty.- 28. The Innovative Theories of Li Zhi and Gong'an Literary School.- 29. Literary Opinions of the Three Great Scholars in the Late Ming and the Early Qing Dynasties.- 30. Ye Xie's Original Poems on Principles of Poetry.- 31. Disputes in the Poetic Circles in the Early Qing Dynasty.- 32. Basic Theory and Development of Tongcheng School.- 33. Comments on Folk Songs by the Literati in the Ming and the Qing Dynasties.- 34. Controversy and Development of Drama Theory in the Ming Dynasty.- 35. Li Yu's Occasional Notes with Leisure Motions About Drama Creation and Stage Performance.- 36. Theories of Fiction of Li Zhi and Jin Renrui.- 37. Commentaries on Ci-poetry of Zhejiang School and Changzhou School.- Part VII. Literary Criticism in the Middle and Late Qing Dynasty.- 38. Literary Opinions of the Landlord-Class Reformists.- 39. Literary Standpoints of the Taiping Heavenly Kingdom.- 40. Literary Theory of Bourgeois Reformists.- 41. Literary Thoughts of Bourgeois Revolutionaries.- 42. Wang Guowei's Great Collection of Aesthetics of Bourgeois.

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• História da Ásia
• Literatura: história e crítica

Chinese Literary Criticism;Chinese Literary Theory;Literary History;Schools of Literature;Chinese Literature;Ancient Chinese Poetics;Origin and Motivation of Literature;History of Literature;Literature Evaluation;Teaching and Research