Rapa Nui Theatre
portes grátis
Rapa Nui Theatre
Staging Indigenous Identities in Easter Island
Cornejo, Moira Fortin
Taylor & Francis Ltd
05/2024
204
Mole
9781032277394
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Note on Contributor
Acknowledgements
List of Figures
Glossary Cultural Terms
Preface by David O'Donnell
Prologue
Act One: Rapa Nui Theatre and the Oceanic Context
SCENE I: Storytelling and the transmission of knowledge through the performing arts.
SCENE II: The Conceptualization of Theatre in the Pacific and its impact envisaging contemporary theatre practices.
SCENE III: Exploring the construction of the 'traditional' and the contemporary: Implications and Consequences for cultural Creativity.
Act Two: Navigating an Ongoing Colonial Relationship Between Rapa Nui and Chile and its Implications to the Rapa Nui Performing Arts
SCENE I: Rapa Nui, Social Change, and the ongoing impacts of Encounters with European Explores
SCENE II: Isla de Pascua, a Chilean Colony in the Pacific
SCENE III: The Modernisation of Rapa Nui and Influences on Rapa Nui Performing Arts
Act Three: 'A 'Amu Tuai, the Production of Rapa Nui Theatre
SCENE I: The Significance of Ceremonial Performances in the Emergence of Rapa Nui Theatre.
SCENE II: 'A'amu Tuai - the indigenous form of Rapa Nui theatre.
SCENE III: Koro - The spark igniting the production of Rapa Nui theatre.
SCENE IV: Miro O'one: performing the other from an indigenous perspective.
SCENE V: Tapati Rapa Nui, the ultimate venue for the expression, performance and re-creation of Rapa Nui indigenous identity.
SCENE VI: Mahana O Te Re'o and Ka Ta?i te Ako - celebrating and revitalising the Rapa Nui language through performance.
SCENE VII: The first theatre company of Rapa Nui - Mata Tu'u Hotu Iti.
SCENE VIII: Artistic Expressions used in the Production of Rapa Nui Theatre.
SCENE IX: The Formalisation of Rapa Nui Theatre.
SCENE X: Theatrical Performances Beyond Tapati Rapa Nui - Theatre in the Community.
Epilogue
Bibliography
Index
Acknowledgements
List of Figures
Glossary Cultural Terms
Preface by David O'Donnell
Prologue
Act One: Rapa Nui Theatre and the Oceanic Context
SCENE I: Storytelling and the transmission of knowledge through the performing arts.
SCENE II: The Conceptualization of Theatre in the Pacific and its impact envisaging contemporary theatre practices.
SCENE III: Exploring the construction of the 'traditional' and the contemporary: Implications and Consequences for cultural Creativity.
Act Two: Navigating an Ongoing Colonial Relationship Between Rapa Nui and Chile and its Implications to the Rapa Nui Performing Arts
SCENE I: Rapa Nui, Social Change, and the ongoing impacts of Encounters with European Explores
SCENE II: Isla de Pascua, a Chilean Colony in the Pacific
SCENE III: The Modernisation of Rapa Nui and Influences on Rapa Nui Performing Arts
Act Three: 'A 'Amu Tuai, the Production of Rapa Nui Theatre
SCENE I: The Significance of Ceremonial Performances in the Emergence of Rapa Nui Theatre.
SCENE II: 'A'amu Tuai - the indigenous form of Rapa Nui theatre.
SCENE III: Koro - The spark igniting the production of Rapa Nui theatre.
SCENE IV: Miro O'one: performing the other from an indigenous perspective.
SCENE V: Tapati Rapa Nui, the ultimate venue for the expression, performance and re-creation of Rapa Nui indigenous identity.
SCENE VI: Mahana O Te Re'o and Ka Ta?i te Ako - celebrating and revitalising the Rapa Nui language through performance.
SCENE VII: The first theatre company of Rapa Nui - Mata Tu'u Hotu Iti.
SCENE VIII: Artistic Expressions used in the Production of Rapa Nui Theatre.
SCENE IX: The Formalisation of Rapa Nui Theatre.
SCENE X: Theatrical Performances Beyond Tapati Rapa Nui - Theatre in the Community.
Epilogue
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Rapa Nui;Te Pito;Young Man;Easter Island;Frigate Bird;Ute;Tattoo;Padre;Kai Kai;Ongoing Colonial Relationship;Follow;Polynesian Cultures;Main Character;Vernacular Language;Oral Narratives;Theatre Practitioners;String Figure;Personal Development;Samoan Theatre;Hau Hau;Pacific Arts;Pacific Island Languages;Recent Historic Origins;Chilean Navy;Chilean Territory
Note on Contributor
Acknowledgements
List of Figures
Glossary Cultural Terms
Preface by David O'Donnell
Prologue
Act One: Rapa Nui Theatre and the Oceanic Context
SCENE I: Storytelling and the transmission of knowledge through the performing arts.
SCENE II: The Conceptualization of Theatre in the Pacific and its impact envisaging contemporary theatre practices.
SCENE III: Exploring the construction of the 'traditional' and the contemporary: Implications and Consequences for cultural Creativity.
Act Two: Navigating an Ongoing Colonial Relationship Between Rapa Nui and Chile and its Implications to the Rapa Nui Performing Arts
SCENE I: Rapa Nui, Social Change, and the ongoing impacts of Encounters with European Explores
SCENE II: Isla de Pascua, a Chilean Colony in the Pacific
SCENE III: The Modernisation of Rapa Nui and Influences on Rapa Nui Performing Arts
Act Three: 'A 'Amu Tuai, the Production of Rapa Nui Theatre
SCENE I: The Significance of Ceremonial Performances in the Emergence of Rapa Nui Theatre.
SCENE II: 'A'amu Tuai - the indigenous form of Rapa Nui theatre.
SCENE III: Koro - The spark igniting the production of Rapa Nui theatre.
SCENE IV: Miro O'one: performing the other from an indigenous perspective.
SCENE V: Tapati Rapa Nui, the ultimate venue for the expression, performance and re-creation of Rapa Nui indigenous identity.
SCENE VI: Mahana O Te Re'o and Ka Ta?i te Ako - celebrating and revitalising the Rapa Nui language through performance.
SCENE VII: The first theatre company of Rapa Nui - Mata Tu'u Hotu Iti.
SCENE VIII: Artistic Expressions used in the Production of Rapa Nui Theatre.
SCENE IX: The Formalisation of Rapa Nui Theatre.
SCENE X: Theatrical Performances Beyond Tapati Rapa Nui - Theatre in the Community.
Epilogue
Bibliography
Index
Acknowledgements
List of Figures
Glossary Cultural Terms
Preface by David O'Donnell
Prologue
Act One: Rapa Nui Theatre and the Oceanic Context
SCENE I: Storytelling and the transmission of knowledge through the performing arts.
SCENE II: The Conceptualization of Theatre in the Pacific and its impact envisaging contemporary theatre practices.
SCENE III: Exploring the construction of the 'traditional' and the contemporary: Implications and Consequences for cultural Creativity.
Act Two: Navigating an Ongoing Colonial Relationship Between Rapa Nui and Chile and its Implications to the Rapa Nui Performing Arts
SCENE I: Rapa Nui, Social Change, and the ongoing impacts of Encounters with European Explores
SCENE II: Isla de Pascua, a Chilean Colony in the Pacific
SCENE III: The Modernisation of Rapa Nui and Influences on Rapa Nui Performing Arts
Act Three: 'A 'Amu Tuai, the Production of Rapa Nui Theatre
SCENE I: The Significance of Ceremonial Performances in the Emergence of Rapa Nui Theatre.
SCENE II: 'A'amu Tuai - the indigenous form of Rapa Nui theatre.
SCENE III: Koro - The spark igniting the production of Rapa Nui theatre.
SCENE IV: Miro O'one: performing the other from an indigenous perspective.
SCENE V: Tapati Rapa Nui, the ultimate venue for the expression, performance and re-creation of Rapa Nui indigenous identity.
SCENE VI: Mahana O Te Re'o and Ka Ta?i te Ako - celebrating and revitalising the Rapa Nui language through performance.
SCENE VII: The first theatre company of Rapa Nui - Mata Tu'u Hotu Iti.
SCENE VIII: Artistic Expressions used in the Production of Rapa Nui Theatre.
SCENE IX: The Formalisation of Rapa Nui Theatre.
SCENE X: Theatrical Performances Beyond Tapati Rapa Nui - Theatre in the Community.
Epilogue
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Rapa Nui;Te Pito;Young Man;Easter Island;Frigate Bird;Ute;Tattoo;Padre;Kai Kai;Ongoing Colonial Relationship;Follow;Polynesian Cultures;Main Character;Vernacular Language;Oral Narratives;Theatre Practitioners;String Figure;Personal Development;Samoan Theatre;Hau Hau;Pacific Arts;Pacific Island Languages;Recent Historic Origins;Chilean Navy;Chilean Territory
