Documentation as Art
portes grátis
Documentation as Art
Expanded Digital Practices
Dekker, Annet; Giannachi, Gabriella
Taylor & Francis Ltd
05/2024
200
Mole
9780367673505
15 a 20 dias
Descrição não disponível.
Introduction; Part I: Production -- 1.The Tension Between Static Documentation and Dynamic Digital Art 2. Documentation in an Age of Photographic Hypercirculation; 3. Fifty-Two Weeks: A Year of El Paquete Semanal, the Cuban Offline Internet, and the Two Artists who Archived It; 4. In-game Photography; 5. Documentation as a Creative Act; Part II: Circulation -- 6. Challenges in the Creation, Perception and Distribution of Documentation; 7. Leaking Lands: Museum Documentation without Digitization; 8. Digital Culture: Heritage, Social Media and Documentation Practices; 9. Step-And-Repeat: The Feed as The Great Flattener; 10. One Terabyte of Documentation. The Circulation of GeoCities; Part 3: Preservation -- 11. The Use of Documentation for Preservation and Exhibition: the Cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA; 12. Rendering the Moment. Virtual Reality as Documentation Tool for Spatial Kinetic Artwork; 13. Collecting Social Photo. A Nordic Project in the Search of Sustainable Methods for Preserving Social Media as Cultural Heritage; 14. In Between Performance and Documentation; 15. How a Guitar Started to Self-Document its 'Identity'. The Future of Art Documentation.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Digital Art;Olia Lialina;Audience Documentation;Art Documentation;Documentation Framework;Digital Artworks;Google Art Project;SFMOMA;Vice Versa;Social Media Platforms;LACMA;File Names;Web Archive;Blast Theory;Museu Nacional;Visitor Photography;MENA Region;Queens Museum;Played Back;Google Image Search;Photo Modes;Light Wall;Visual Social Media;London South Bank University;Game Developers
Introduction; Part I: Production -- 1.The Tension Between Static Documentation and Dynamic Digital Art 2. Documentation in an Age of Photographic Hypercirculation; 3. Fifty-Two Weeks: A Year of El Paquete Semanal, the Cuban Offline Internet, and the Two Artists who Archived It; 4. In-game Photography; 5. Documentation as a Creative Act; Part II: Circulation -- 6. Challenges in the Creation, Perception and Distribution of Documentation; 7. Leaking Lands: Museum Documentation without Digitization; 8. Digital Culture: Heritage, Social Media and Documentation Practices; 9. Step-And-Repeat: The Feed as The Great Flattener; 10. One Terabyte of Documentation. The Circulation of GeoCities; Part 3: Preservation -- 11. The Use of Documentation for Preservation and Exhibition: the Cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA; 12. Rendering the Moment. Virtual Reality as Documentation Tool for Spatial Kinetic Artwork; 13. Collecting Social Photo. A Nordic Project in the Search of Sustainable Methods for Preserving Social Media as Cultural Heritage; 14. In Between Performance and Documentation; 15. How a Guitar Started to Self-Document its 'Identity'. The Future of Art Documentation.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Digital Art;Olia Lialina;Audience Documentation;Art Documentation;Documentation Framework;Digital Artworks;Google Art Project;SFMOMA;Vice Versa;Social Media Platforms;LACMA;File Names;Web Archive;Blast Theory;Museu Nacional;Visitor Photography;MENA Region;Queens Museum;Played Back;Google Image Search;Photo Modes;Light Wall;Visual Social Media;London South Bank University;Game Developers
