Performance and Knowledge
portes grátis
Performance and Knowledge
Devy, G. N.; Davis, Geoffrey V.
Taylor & Francis Ltd
02/2021
142
Dura
Inglês
9780367252977
15 a 20 dias
358
Descrição não disponível.
Introduction 1. Indigeneity and national celebrations in Latin America: performative practices and identity politics 2. Performance in native North America: music and dance 3. Indigenous performing arts in Southeast Asia 4. Performance in Australia, Aotearoa and the Pacific 5. "Theory Coming Through Story": indigenous knowledges and Western academia 6. Performance among adivasis and nomads in India
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Young Men;UN;Adivasi;Jaw Harp;Anata Andino;Intangible Cultural Heritage;Aotearoa;Whare Tapere;Apache;Devil Dance;Australia;West Papua;Aymara nation;Orang Asli;Babo Pithoro;Tamil Nadu;Baduy;Kapa Haka;Bolivia;Solomon Islands;Chhara;Green Corn Ceremony;Christianity;Yolngu People;Coloniasation;Te Reo;Culture-Area Theory;Bali Ajeg;Dance;Green Corn;Denotified Tribes;Mahasweta Devi;Enlightenment;Carnival Parade;Ethnomusicology;Eurocentric knowledge;Long Houses;First Peoples;Richard Atleo;folklore;Nose Flute;Garasiya;Bali Aga;Hmong;Andean Deities;Lahu;West Java;Iban;Igorot;India;Indigenous;Inuit;Lakota;Mahabharat;Malaysia;Maori;Mexico;Migration;Music;nation-making;Native North America;Navajo;New Zealand;Orality;Oruro Carnival;Pacific;Painting;Performance;Post-colonial;Pow-wow songs;Racism;Rathwa;Science;South-East Asia;Theatre;Academic insights;Indigenous peoples;Oral traditions;Cultural anthropology
Introduction 1. Indigeneity and national celebrations in Latin America: performative practices and identity politics 2. Performance in native North America: music and dance 3. Indigenous performing arts in Southeast Asia 4. Performance in Australia, Aotearoa and the Pacific 5. "Theory Coming Through Story": indigenous knowledges and Western academia 6. Performance among adivasis and nomads in India
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;UN;Adivasi;Jaw Harp;Anata Andino;Intangible Cultural Heritage;Aotearoa;Whare Tapere;Apache;Devil Dance;Australia;West Papua;Aymara nation;Orang Asli;Babo Pithoro;Tamil Nadu;Baduy;Kapa Haka;Bolivia;Solomon Islands;Chhara;Green Corn Ceremony;Christianity;Yolngu People;Coloniasation;Te Reo;Culture-Area Theory;Bali Ajeg;Dance;Green Corn;Denotified Tribes;Mahasweta Devi;Enlightenment;Carnival Parade;Ethnomusicology;Eurocentric knowledge;Long Houses;First Peoples;Richard Atleo;folklore;Nose Flute;Garasiya;Bali Aga;Hmong;Andean Deities;Lahu;West Java;Iban;Igorot;India;Indigenous;Inuit;Lakota;Mahabharat;Malaysia;Maori;Mexico;Migration;Music;nation-making;Native North America;Navajo;New Zealand;Orality;Oruro Carnival;Pacific;Painting;Performance;Post-colonial;Pow-wow songs;Racism;Rathwa;Science;South-East Asia;Theatre;Academic insights;Indigenous peoples;Oral traditions;Cultural anthropology
