Poetic Images, Presence, and the Theater of Kenotic Rituals
portes grátis
Poetic Images, Presence, and the Theater of Kenotic Rituals
Sepsi, Eniko
Taylor & Francis Ltd
09/2021
238
Dura
Inglês
9780367757694
15 a 20 dias
476
Descrição não disponível.
Introduction PART I: Image and presence: two trends in contemporary French poetry 1.Predecessors: Contemporary French poets in the pages of Nyugat and Nouvelle Revue Francaise (NRF) Between 1909 and 1937 2. Yves Bonnefoy and the poetry of presence 3. The new lyricism 4. Conclusion PART II: Theatrical presence, poetic rituality, and the theater of kenotic rituals 5. Methodological considerations and the Hungarian Context of Reception 6. Kenosis in theology 7. Kenosis in Simone Weil's mysticism 8. Mysticism in the approach to theater: The "kenotic" theater 9. Figures and Disfigurations of the Human Face 10. On Bearing Witness to a Poetic Ritual. Robert Wilson's Deafman Glance as seen by Janos Pilinszky 11. Valere Novarina and Janos Pilinszky, or the Theater of Unselfed Poetry 12. Sacred or Holy? Dramaturgy in Valere Novarina's theater 13. Emptiness, Space, and time in Valere Novarina's theater 14. Rituals in Valere Novarina's works 15. The Imaginary Animal 16. Novarina's works produced in Hungary Summary 17. Appendix 1 18. Appendix 2 19. Appendix 3 20. Appendix 4
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Young Man;Blue Grass;Odin Teatret;Torgeir Wethal;La Tour;Clara Rilke;Common Language;CNRS Researcher;Twentieth Century French Poetry;Yves Bonnefoy;13e Art;Xavier Tilliette;Jules Lagneau;Act III;Deafman Glance;Theatrum Philosophicum;Contemporary French Poetry;Nationale Des Beaux Arts;Pictorial Turn;Vice Versa;Wilson Archives;Contemporary French Poets
Introduction PART I: Image and presence: two trends in contemporary French poetry 1.Predecessors: Contemporary French poets in the pages of Nyugat and Nouvelle Revue Francaise (NRF) Between 1909 and 1937 2. Yves Bonnefoy and the poetry of presence 3. The new lyricism 4. Conclusion PART II: Theatrical presence, poetic rituality, and the theater of kenotic rituals 5. Methodological considerations and the Hungarian Context of Reception 6. Kenosis in theology 7. Kenosis in Simone Weil's mysticism 8. Mysticism in the approach to theater: The "kenotic" theater 9. Figures and Disfigurations of the Human Face 10. On Bearing Witness to a Poetic Ritual. Robert Wilson's Deafman Glance as seen by Janos Pilinszky 11. Valere Novarina and Janos Pilinszky, or the Theater of Unselfed Poetry 12. Sacred or Holy? Dramaturgy in Valere Novarina's theater 13. Emptiness, Space, and time in Valere Novarina's theater 14. Rituals in Valere Novarina's works 15. The Imaginary Animal 16. Novarina's works produced in Hungary Summary 17. Appendix 1 18. Appendix 2 19. Appendix 3 20. Appendix 4
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Blue Grass;Odin Teatret;Torgeir Wethal;La Tour;Clara Rilke;Common Language;CNRS Researcher;Twentieth Century French Poetry;Yves Bonnefoy;13e Art;Xavier Tilliette;Jules Lagneau;Act III;Deafman Glance;Theatrum Philosophicum;Contemporary French Poetry;Nationale Des Beaux Arts;Pictorial Turn;Vice Versa;Wilson Archives;Contemporary French Poets
