Touring Performance and Global Exchange 1850-1960
portes grátis
Touring Performance and Global Exchange 1850-1960
Making Tracks
Bush-Bailey, Gilli; Flaherty, Kate
Taylor & Francis Ltd
12/2021
276
Dura
Inglês
9780367519506
15 a 20 dias
703
Descrição não disponível.
List of Illustrations
Contributors
Acknowledgment
Introduction: Kate Flaherty and Gilli Bush-Bailey
Vanishing cts and Making Tracks
1: Diana James and Inawinytji Williamson
Kungkarangkalpa: Travelling Women of the Seven Sisters Songline
Part 1: Ephemerality and creative methodology
2: Joanne Tompkins and Liyang Xia
Mid-Nineteenth-Century Cantonese Opera Performances in the Victorian Goldfields
3: Jacky Bratton and Gilli Bush-Bailey
Bodies of Evidence: The unremarkable history of Emma Stanley (1816-1881)
4: Anna-Sophie Juergens
Lady Clowns: Clown-Ballerinas, Dancing "Clownesses" and Female Clowns on the Popular Stage around 1900
5: Jane Woollard (University of Tasmania)
Tracks, Knots, Stage Tact and Boots: A Reflection
Part II: Peril, illness and ageing
6: Marlis Schweitzer
"It Was a Most Beautiful Moonlit Night...": Mrs. John Drew's Shipwreck Narratives
7: Peta Tait
Risk and Colonial Touring: Female Circus Performers in Aerial and Lion Acts
8: Janice Norwood
Reading Race, Repertoire and Transcontinental Reception through Madame Celeste's Colonial Encounter
9: Kerry Murphy
"Covent Garden on Wheels" Thomas Quinlan's Operatic tours of 1912-1914 and beyond
10: Laura Ginters
"Let me come to Athens [/Lamplough], shelter me, accept me in your home": Medea Transported to the Goldfields and Beyond in Nineteenth-Century Australia.
Part III: Reversing flows and Cross currents
11: Kate Flaherty
Fanny Kemble, Slavery, and Transatlantic Commodity Trade
12: Katherine K. Preston
Women Take Control: Managers of English-Language Opera Companies in Late 19th-Century America
13: Sarah Balkin
Transporting Humour: Artemus Ward and American Comedy in Britain
14: Gillian Arrighi
Australian Child Actors on Early Twentieth-century Touring Circuits
15: Mark Houlahan
Crossing the Ditch: Trans-Tasman Stages 1841-1896
16: Veronica Kelly (University of Queensland)
Between the "Theatre Game" and Anthropology: International and Indigenous Black Women Entertainers Perform Modernity in Australia 1950s-1960s
Contributors
Acknowledgment
Introduction: Kate Flaherty and Gilli Bush-Bailey
Vanishing cts and Making Tracks
1: Diana James and Inawinytji Williamson
Kungkarangkalpa: Travelling Women of the Seven Sisters Songline
Part 1: Ephemerality and creative methodology
2: Joanne Tompkins and Liyang Xia
Mid-Nineteenth-Century Cantonese Opera Performances in the Victorian Goldfields
3: Jacky Bratton and Gilli Bush-Bailey
Bodies of Evidence: The unremarkable history of Emma Stanley (1816-1881)
4: Anna-Sophie Juergens
Lady Clowns: Clown-Ballerinas, Dancing "Clownesses" and Female Clowns on the Popular Stage around 1900
5: Jane Woollard (University of Tasmania)
Tracks, Knots, Stage Tact and Boots: A Reflection
Part II: Peril, illness and ageing
6: Marlis Schweitzer
"It Was a Most Beautiful Moonlit Night...": Mrs. John Drew's Shipwreck Narratives
7: Peta Tait
Risk and Colonial Touring: Female Circus Performers in Aerial and Lion Acts
8: Janice Norwood
Reading Race, Repertoire and Transcontinental Reception through Madame Celeste's Colonial Encounter
9: Kerry Murphy
"Covent Garden on Wheels" Thomas Quinlan's Operatic tours of 1912-1914 and beyond
10: Laura Ginters
"Let me come to Athens [/Lamplough], shelter me, accept me in your home": Medea Transported to the Goldfields and Beyond in Nineteenth-Century Australia.
Part III: Reversing flows and Cross currents
11: Kate Flaherty
Fanny Kemble, Slavery, and Transatlantic Commodity Trade
12: Katherine K. Preston
Women Take Control: Managers of English-Language Opera Companies in Late 19th-Century America
13: Sarah Balkin
Transporting Humour: Artemus Ward and American Comedy in Britain
14: Gillian Arrighi
Australian Child Actors on Early Twentieth-century Touring Circuits
15: Mark Houlahan
Crossing the Ditch: Trans-Tasman Stages 1841-1896
16: Veronica Kelly (University of Queensland)
Between the "Theatre Game" and Anthropology: International and Indigenous Black Women Entertainers Perform Modernity in Australia 1950s-1960s
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Global;Travel;Theatre;Opera;Songlines;Music;Performance;Touring;Young Men;Gendered Work Cultures;National Library;Australian National University;Trial Leave;Lotte Goslar;Desley Deacon;Sullivan's Comic Operas;Van Diemen's Land;Town Hall;Cantonese Opera;Fillis's Circus;Shipwreck Narratives;Stage Tact;American Humour;Female Clowns;Fatal Wedding;Victorian Goldfields;Artemus Ward;Lion Act;Joss House;English Opera;Green Bushes;John Drew;Charters Towers
List of Illustrations
Contributors
Acknowledgment
Introduction: Kate Flaherty and Gilli Bush-Bailey
Vanishing cts and Making Tracks
1: Diana James and Inawinytji Williamson
Kungkarangkalpa: Travelling Women of the Seven Sisters Songline
Part 1: Ephemerality and creative methodology
2: Joanne Tompkins and Liyang Xia
Mid-Nineteenth-Century Cantonese Opera Performances in the Victorian Goldfields
3: Jacky Bratton and Gilli Bush-Bailey
Bodies of Evidence: The unremarkable history of Emma Stanley (1816-1881)
4: Anna-Sophie Juergens
Lady Clowns: Clown-Ballerinas, Dancing "Clownesses" and Female Clowns on the Popular Stage around 1900
5: Jane Woollard (University of Tasmania)
Tracks, Knots, Stage Tact and Boots: A Reflection
Part II: Peril, illness and ageing
6: Marlis Schweitzer
"It Was a Most Beautiful Moonlit Night...": Mrs. John Drew's Shipwreck Narratives
7: Peta Tait
Risk and Colonial Touring: Female Circus Performers in Aerial and Lion Acts
8: Janice Norwood
Reading Race, Repertoire and Transcontinental Reception through Madame Celeste's Colonial Encounter
9: Kerry Murphy
"Covent Garden on Wheels" Thomas Quinlan's Operatic tours of 1912-1914 and beyond
10: Laura Ginters
"Let me come to Athens [/Lamplough], shelter me, accept me in your home": Medea Transported to the Goldfields and Beyond in Nineteenth-Century Australia.
Part III: Reversing flows and Cross currents
11: Kate Flaherty
Fanny Kemble, Slavery, and Transatlantic Commodity Trade
12: Katherine K. Preston
Women Take Control: Managers of English-Language Opera Companies in Late 19th-Century America
13: Sarah Balkin
Transporting Humour: Artemus Ward and American Comedy in Britain
14: Gillian Arrighi
Australian Child Actors on Early Twentieth-century Touring Circuits
15: Mark Houlahan
Crossing the Ditch: Trans-Tasman Stages 1841-1896
16: Veronica Kelly (University of Queensland)
Between the "Theatre Game" and Anthropology: International and Indigenous Black Women Entertainers Perform Modernity in Australia 1950s-1960s
Contributors
Acknowledgment
Introduction: Kate Flaherty and Gilli Bush-Bailey
Vanishing cts and Making Tracks
1: Diana James and Inawinytji Williamson
Kungkarangkalpa: Travelling Women of the Seven Sisters Songline
Part 1: Ephemerality and creative methodology
2: Joanne Tompkins and Liyang Xia
Mid-Nineteenth-Century Cantonese Opera Performances in the Victorian Goldfields
3: Jacky Bratton and Gilli Bush-Bailey
Bodies of Evidence: The unremarkable history of Emma Stanley (1816-1881)
4: Anna-Sophie Juergens
Lady Clowns: Clown-Ballerinas, Dancing "Clownesses" and Female Clowns on the Popular Stage around 1900
5: Jane Woollard (University of Tasmania)
Tracks, Knots, Stage Tact and Boots: A Reflection
Part II: Peril, illness and ageing
6: Marlis Schweitzer
"It Was a Most Beautiful Moonlit Night...": Mrs. John Drew's Shipwreck Narratives
7: Peta Tait
Risk and Colonial Touring: Female Circus Performers in Aerial and Lion Acts
8: Janice Norwood
Reading Race, Repertoire and Transcontinental Reception through Madame Celeste's Colonial Encounter
9: Kerry Murphy
"Covent Garden on Wheels" Thomas Quinlan's Operatic tours of 1912-1914 and beyond
10: Laura Ginters
"Let me come to Athens [/Lamplough], shelter me, accept me in your home": Medea Transported to the Goldfields and Beyond in Nineteenth-Century Australia.
Part III: Reversing flows and Cross currents
11: Kate Flaherty
Fanny Kemble, Slavery, and Transatlantic Commodity Trade
12: Katherine K. Preston
Women Take Control: Managers of English-Language Opera Companies in Late 19th-Century America
13: Sarah Balkin
Transporting Humour: Artemus Ward and American Comedy in Britain
14: Gillian Arrighi
Australian Child Actors on Early Twentieth-century Touring Circuits
15: Mark Houlahan
Crossing the Ditch: Trans-Tasman Stages 1841-1896
16: Veronica Kelly (University of Queensland)
Between the "Theatre Game" and Anthropology: International and Indigenous Black Women Entertainers Perform Modernity in Australia 1950s-1960s
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Global;Travel;Theatre;Opera;Songlines;Music;Performance;Touring;Young Men;Gendered Work Cultures;National Library;Australian National University;Trial Leave;Lotte Goslar;Desley Deacon;Sullivan's Comic Operas;Van Diemen's Land;Town Hall;Cantonese Opera;Fillis's Circus;Shipwreck Narratives;Stage Tact;American Humour;Female Clowns;Fatal Wedding;Victorian Goldfields;Artemus Ward;Lion Act;Joss House;English Opera;Green Bushes;John Drew;Charters Towers
