Artistic Research in Jazz
Artistic Research in Jazz
Positions, Theories, Methods
Kahr, Michael
Taylor & Francis Ltd
07/2021
202
Dura
Inglês
9780367225957
15 a 20 dias
453
Michael Kahr
Part I: Improvisation, Theory, and History
1. Improvising Artistic Research
Marcel Cobussen
2. Improvising Touch: Musical Improvisation Considered as a Tactile Practice
Vincent Meelberg
3. Mapping Jazz's Affect: Implications for Music Theory and Analysis
Chris Stover
4. Artistic Research in Jazz: Historical Contexts
Michael Kahr
Part II: Institutional and Pedagogical Considerations
5. Wordplay: Negotiating the Conservatory 'Culture Clash'
Petter Frost Fadnes
6. The Lessons of Jazz: What We Teach When We Teach Jazz in College
Tracy McMullen
7. It Don't Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture Today
William C. Banfield
Part III: Specific Projects
8. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves": Practice-led Research Beckons to Research-led Practice
Roger T. Dean
9. Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in Jazz
Robert L. Burke
10. Articulating Musical Practice and Research: Notes on a South African Recording Project
Marc Duby
11. Embodied Hope: An Empathically Creative Approach to Contemporary Jazz
Andrew Bain
Michael Kahr
Part I: Improvisation, Theory, and History
1. Improvising Artistic Research
Marcel Cobussen
2. Improvising Touch: Musical Improvisation Considered as a Tactile Practice
Vincent Meelberg
3. Mapping Jazz's Affect: Implications for Music Theory and Analysis
Chris Stover
4. Artistic Research in Jazz: Historical Contexts
Michael Kahr
Part II: Institutional and Pedagogical Considerations
5. Wordplay: Negotiating the Conservatory 'Culture Clash'
Petter Frost Fadnes
6. The Lessons of Jazz: What We Teach When We Teach Jazz in College
Tracy McMullen
7. It Don't Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture Today
William C. Banfield
Part III: Specific Projects
8. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves": Practice-led Research Beckons to Research-led Practice
Roger T. Dean
9. Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in Jazz
Robert L. Burke
10. Articulating Musical Practice and Research: Notes on a South African Recording Project
Marc Duby
11. Embodied Hope: An Empathically Creative Approach to Contemporary Jazz
Andrew Bain