Circus and the Avant-Gardes
portes grátis
Circus and the Avant-Gardes
History, Imaginary, Innovation
Juergens, Anna-Sophie; Hildbrand, Mirjam
Taylor & Francis Ltd
03/2022
268
Dura
Inglês
9780367757281
15 a 20 dias
453
Descrição não disponível.
Preface
Acknowledgements
List of Illustrations
Chapter 1
Arts for all Senses: Circus and the Avant-Gardes - Introduction
Anna-Sophie Juergens and Mirjam Hildbrand
PART 1
HISTORICAL CIRCUS, POPULAR ENTERTAINMENT AND AVANT-GARDES - INFLUENCES AND INTERRELATIONS
Chapter 2
A Treasure Trove for Avant-garde Artists? Metropolitan Circus Performances around 1900
Mirjam Hildbrand
Chapter 3
Circus, Dada, Vaudeville: Historical Avant-Garde - Between Popular and Experimental Theatre
Martina Gross
Chapter 4
'Attractive Novelties': Spectacular Innovation and the Making of a New Kind of Audience within Colonial Modernity
Martyn Jolly
PART 2
STAGING CIRCUS OUTSIDE THE RING: AVANT-GARDE EXPERIMENTS IN THE EARLY TWENTIETH CENTURY
Chapter 5
Typocircus and the Czech Avant-Gardes
Anne Hultsch
Chapter 6
The Present as a Trick or the Assault on the Spectator's Psyche: Circus and the Soviet Avant-Garde
Oksana Bulgakowa
PART 3
STAGES OF TECHNOLOGY: CIRCUS, AVANT-GARDES AND (NEW) MEDIA
Chapter 7
'Like a Three-ring Circus': The Avant-garde Appropriates the Circus in the Battle between Distraction and Attractions
Tom Gunning
Chapter 8
The Animated Circus and New Arts of Motion
Kristian Moen
PART 4
CIRCUS-AVANT-GARDE BODIES: CONTEMPORARY ARTISTIC PHYSICALITIES
Chapter 9
'Glitter and Broken Bones': Professional Wrestling, Circus, Avant-Garde and the Radical Participatory Body
Claire Warden
Chapter 10
Glam Clowning: From Dada to Gaga - A Conversation with Le Pustra
Anna-Sophie Juergens and Le Pustra
Chapter 11
The Aesthetics of Queer Work: Loie Fuller's Exhausting Life as Performance Art in Stephanie Di Giusto's The Dancer (2016)
Wesley Lim
PART 5
CIRCUS AND AVANT-GARDES REIMAGINED SINCE THE LATE TWENTIETH CENTURY
Chapter 12
Political Clowns, Thrilling Strong Women and Animal-Free Excitement: Circus Reimagined through 1970s Avant-Garde Political Theatre
Jane Mullett and Peta Tait
Chapter 13
Avant-Garde Gestures and Contemporaneity in Today's Circus
Louis Patrick Leroux
Chapter 14
'Today for the last time'? On the Cultural Meanings of Circus and the Avant-Gardes - Some Final Provocations
Mirjam Hildbrand, Anna-Sophie Juergens and Aiden Essery
Notes on Contributors
Index
Acknowledgements
List of Illustrations
Chapter 1
Arts for all Senses: Circus and the Avant-Gardes - Introduction
Anna-Sophie Juergens and Mirjam Hildbrand
PART 1
HISTORICAL CIRCUS, POPULAR ENTERTAINMENT AND AVANT-GARDES - INFLUENCES AND INTERRELATIONS
Chapter 2
A Treasure Trove for Avant-garde Artists? Metropolitan Circus Performances around 1900
Mirjam Hildbrand
Chapter 3
Circus, Dada, Vaudeville: Historical Avant-Garde - Between Popular and Experimental Theatre
Martina Gross
Chapter 4
'Attractive Novelties': Spectacular Innovation and the Making of a New Kind of Audience within Colonial Modernity
Martyn Jolly
PART 2
STAGING CIRCUS OUTSIDE THE RING: AVANT-GARDE EXPERIMENTS IN THE EARLY TWENTIETH CENTURY
Chapter 5
Typocircus and the Czech Avant-Gardes
Anne Hultsch
Chapter 6
The Present as a Trick or the Assault on the Spectator's Psyche: Circus and the Soviet Avant-Garde
Oksana Bulgakowa
PART 3
STAGES OF TECHNOLOGY: CIRCUS, AVANT-GARDES AND (NEW) MEDIA
Chapter 7
'Like a Three-ring Circus': The Avant-garde Appropriates the Circus in the Battle between Distraction and Attractions
Tom Gunning
Chapter 8
The Animated Circus and New Arts of Motion
Kristian Moen
PART 4
CIRCUS-AVANT-GARDE BODIES: CONTEMPORARY ARTISTIC PHYSICALITIES
Chapter 9
'Glitter and Broken Bones': Professional Wrestling, Circus, Avant-Garde and the Radical Participatory Body
Claire Warden
Chapter 10
Glam Clowning: From Dada to Gaga - A Conversation with Le Pustra
Anna-Sophie Juergens and Le Pustra
Chapter 11
The Aesthetics of Queer Work: Loie Fuller's Exhausting Life as Performance Art in Stephanie Di Giusto's The Dancer (2016)
Wesley Lim
PART 5
CIRCUS AND AVANT-GARDES REIMAGINED SINCE THE LATE TWENTIETH CENTURY
Chapter 12
Political Clowns, Thrilling Strong Women and Animal-Free Excitement: Circus Reimagined through 1970s Avant-Garde Political Theatre
Jane Mullett and Peta Tait
Chapter 13
Avant-Garde Gestures and Contemporaneity in Today's Circus
Louis Patrick Leroux
Chapter 14
'Today for the last time'? On the Cultural Meanings of Circus and the Avant-Gardes - Some Final Provocations
Mirjam Hildbrand, Anna-Sophie Juergens and Aiden Essery
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
1900;Le Pustra;Tom Gunning;Popular Entertainment;Popular performance;Experiment;Modernism;Avant-garde;Traditional circus;New circus;Contemporary circus;Circus;Acrobats;Vice Versa;Tightrope Walker;Tristan Tzara;Tight Rope;Persona;Narrative Dramaturgies;Modern Circus;Follow;Nouveau Cirque;Circus Elements;Circus Practice;Nikolai Foregger;Timeless;Fratellini Brothers;Klaus Nomi;Circus Posters;Avant Garde History;Circus Performers;Vaslav Nijinsky;Aerial Performance;Ringling;Gadji Beri Bimba
Preface
Acknowledgements
List of Illustrations
Chapter 1
Arts for all Senses: Circus and the Avant-Gardes - Introduction
Anna-Sophie Juergens and Mirjam Hildbrand
PART 1
HISTORICAL CIRCUS, POPULAR ENTERTAINMENT AND AVANT-GARDES - INFLUENCES AND INTERRELATIONS
Chapter 2
A Treasure Trove for Avant-garde Artists? Metropolitan Circus Performances around 1900
Mirjam Hildbrand
Chapter 3
Circus, Dada, Vaudeville: Historical Avant-Garde - Between Popular and Experimental Theatre
Martina Gross
Chapter 4
'Attractive Novelties': Spectacular Innovation and the Making of a New Kind of Audience within Colonial Modernity
Martyn Jolly
PART 2
STAGING CIRCUS OUTSIDE THE RING: AVANT-GARDE EXPERIMENTS IN THE EARLY TWENTIETH CENTURY
Chapter 5
Typocircus and the Czech Avant-Gardes
Anne Hultsch
Chapter 6
The Present as a Trick or the Assault on the Spectator's Psyche: Circus and the Soviet Avant-Garde
Oksana Bulgakowa
PART 3
STAGES OF TECHNOLOGY: CIRCUS, AVANT-GARDES AND (NEW) MEDIA
Chapter 7
'Like a Three-ring Circus': The Avant-garde Appropriates the Circus in the Battle between Distraction and Attractions
Tom Gunning
Chapter 8
The Animated Circus and New Arts of Motion
Kristian Moen
PART 4
CIRCUS-AVANT-GARDE BODIES: CONTEMPORARY ARTISTIC PHYSICALITIES
Chapter 9
'Glitter and Broken Bones': Professional Wrestling, Circus, Avant-Garde and the Radical Participatory Body
Claire Warden
Chapter 10
Glam Clowning: From Dada to Gaga - A Conversation with Le Pustra
Anna-Sophie Juergens and Le Pustra
Chapter 11
The Aesthetics of Queer Work: Loie Fuller's Exhausting Life as Performance Art in Stephanie Di Giusto's The Dancer (2016)
Wesley Lim
PART 5
CIRCUS AND AVANT-GARDES REIMAGINED SINCE THE LATE TWENTIETH CENTURY
Chapter 12
Political Clowns, Thrilling Strong Women and Animal-Free Excitement: Circus Reimagined through 1970s Avant-Garde Political Theatre
Jane Mullett and Peta Tait
Chapter 13
Avant-Garde Gestures and Contemporaneity in Today's Circus
Louis Patrick Leroux
Chapter 14
'Today for the last time'? On the Cultural Meanings of Circus and the Avant-Gardes - Some Final Provocations
Mirjam Hildbrand, Anna-Sophie Juergens and Aiden Essery
Notes on Contributors
Index
Acknowledgements
List of Illustrations
Chapter 1
Arts for all Senses: Circus and the Avant-Gardes - Introduction
Anna-Sophie Juergens and Mirjam Hildbrand
PART 1
HISTORICAL CIRCUS, POPULAR ENTERTAINMENT AND AVANT-GARDES - INFLUENCES AND INTERRELATIONS
Chapter 2
A Treasure Trove for Avant-garde Artists? Metropolitan Circus Performances around 1900
Mirjam Hildbrand
Chapter 3
Circus, Dada, Vaudeville: Historical Avant-Garde - Between Popular and Experimental Theatre
Martina Gross
Chapter 4
'Attractive Novelties': Spectacular Innovation and the Making of a New Kind of Audience within Colonial Modernity
Martyn Jolly
PART 2
STAGING CIRCUS OUTSIDE THE RING: AVANT-GARDE EXPERIMENTS IN THE EARLY TWENTIETH CENTURY
Chapter 5
Typocircus and the Czech Avant-Gardes
Anne Hultsch
Chapter 6
The Present as a Trick or the Assault on the Spectator's Psyche: Circus and the Soviet Avant-Garde
Oksana Bulgakowa
PART 3
STAGES OF TECHNOLOGY: CIRCUS, AVANT-GARDES AND (NEW) MEDIA
Chapter 7
'Like a Three-ring Circus': The Avant-garde Appropriates the Circus in the Battle between Distraction and Attractions
Tom Gunning
Chapter 8
The Animated Circus and New Arts of Motion
Kristian Moen
PART 4
CIRCUS-AVANT-GARDE BODIES: CONTEMPORARY ARTISTIC PHYSICALITIES
Chapter 9
'Glitter and Broken Bones': Professional Wrestling, Circus, Avant-Garde and the Radical Participatory Body
Claire Warden
Chapter 10
Glam Clowning: From Dada to Gaga - A Conversation with Le Pustra
Anna-Sophie Juergens and Le Pustra
Chapter 11
The Aesthetics of Queer Work: Loie Fuller's Exhausting Life as Performance Art in Stephanie Di Giusto's The Dancer (2016)
Wesley Lim
PART 5
CIRCUS AND AVANT-GARDES REIMAGINED SINCE THE LATE TWENTIETH CENTURY
Chapter 12
Political Clowns, Thrilling Strong Women and Animal-Free Excitement: Circus Reimagined through 1970s Avant-Garde Political Theatre
Jane Mullett and Peta Tait
Chapter 13
Avant-Garde Gestures and Contemporaneity in Today's Circus
Louis Patrick Leroux
Chapter 14
'Today for the last time'? On the Cultural Meanings of Circus and the Avant-Gardes - Some Final Provocations
Mirjam Hildbrand, Anna-Sophie Juergens and Aiden Essery
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
1900;Le Pustra;Tom Gunning;Popular Entertainment;Popular performance;Experiment;Modernism;Avant-garde;Traditional circus;New circus;Contemporary circus;Circus;Acrobats;Vice Versa;Tightrope Walker;Tristan Tzara;Tight Rope;Persona;Narrative Dramaturgies;Modern Circus;Follow;Nouveau Cirque;Circus Elements;Circus Practice;Nikolai Foregger;Timeless;Fratellini Brothers;Klaus Nomi;Circus Posters;Avant Garde History;Circus Performers;Vaslav Nijinsky;Aerial Performance;Ringling;Gadji Beri Bimba
