Aotearoa New Zealand in the Global Theatre Marketplace
portes grátis
Aotearoa New Zealand in the Global Theatre Marketplace
Travelling Theatre
Wenley, James
Taylor & Francis Ltd
04/2022
236
Mole
Inglês
9780367553098
15 a 20 dias
340
Descrição não disponível.
List of illustrations
Acknowledgements
Introduction
Chapter 1: National Travels in an International World: Overseas Performances 1940-1990
Chapter 2: A Kiwi Hedda Gabler: Downstage on the Festival Stage
Chapter 3: Performing Mana: Taking Maori Theatre to the Globe
Chapter 4: Skin Tight's World Flight: The Production of New Zealand Plays by International Companies
Chapter 5: Beyond Biculturalism: Touring Pasifika and Transnational Theatre
Chapter 6: Exporting Culture: Indian Ink Theatre Company
Chapter 7: Selling the Nation at the Edinburgh Festival Fringe
Chapter 8: Making Meaning: Responses to Aotearoa New Zealand at the Edinburgh Festival Fringe 2019
Chapter 9: Cultural Apocalypse: The Generation of Z: Apocalypse in London
Conclusion: Departure, Arrival, Return
Appendix: Aotearoa New Zealand Theatre Productions Performed Overseas
Acknowledgements
Introduction
Chapter 1: National Travels in an International World: Overseas Performances 1940-1990
Chapter 2: A Kiwi Hedda Gabler: Downstage on the Festival Stage
Chapter 3: Performing Mana: Taking Maori Theatre to the Globe
Chapter 4: Skin Tight's World Flight: The Production of New Zealand Plays by International Companies
Chapter 5: Beyond Biculturalism: Touring Pasifika and Transnational Theatre
Chapter 6: Exporting Culture: Indian Ink Theatre Company
Chapter 7: Selling the Nation at the Edinburgh Festival Fringe
Chapter 8: Making Meaning: Responses to Aotearoa New Zealand at the Edinburgh Festival Fringe 2019
Chapter 9: Cultural Apocalypse: The Generation of Z: Apocalypse in London
Conclusion: Departure, Arrival, Return
Appendix: Aotearoa New Zealand Theatre Productions Performed Overseas
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Zealand Theatre;New Zealand theatre;Zealand Identity;indigenous Maori;Edinburgh Festival Fringe;Pakeha;Zealand Drama;global theatre;Kapa Haka;cultural identity;Night Moves;Cosmopolitanism;Edinburgh International Festival;Colonial Mimicry;Edinburgh Fringe;New Zealand theatre 1940-1990;Zealand Work;Toroihi raua ko Kahira;Queen Elizabeth II Art Council;Aotearoa New Zealand's theatre;USA Tour;Global marketplace;Bruce Mason;Transnationalism;Speaking Te Reo;Zombie Apocalypse;Zealand Artists;Rocky Horror;MFAT;Zealand's Involvement;Red Mole;Immersive Theatre;Ladies Night;Te Reo;Skin Tight;Wild Duck;Ibsen's Text
List of illustrations
Acknowledgements
Introduction
Chapter 1: National Travels in an International World: Overseas Performances 1940-1990
Chapter 2: A Kiwi Hedda Gabler: Downstage on the Festival Stage
Chapter 3: Performing Mana: Taking Maori Theatre to the Globe
Chapter 4: Skin Tight's World Flight: The Production of New Zealand Plays by International Companies
Chapter 5: Beyond Biculturalism: Touring Pasifika and Transnational Theatre
Chapter 6: Exporting Culture: Indian Ink Theatre Company
Chapter 7: Selling the Nation at the Edinburgh Festival Fringe
Chapter 8: Making Meaning: Responses to Aotearoa New Zealand at the Edinburgh Festival Fringe 2019
Chapter 9: Cultural Apocalypse: The Generation of Z: Apocalypse in London
Conclusion: Departure, Arrival, Return
Appendix: Aotearoa New Zealand Theatre Productions Performed Overseas
Acknowledgements
Introduction
Chapter 1: National Travels in an International World: Overseas Performances 1940-1990
Chapter 2: A Kiwi Hedda Gabler: Downstage on the Festival Stage
Chapter 3: Performing Mana: Taking Maori Theatre to the Globe
Chapter 4: Skin Tight's World Flight: The Production of New Zealand Plays by International Companies
Chapter 5: Beyond Biculturalism: Touring Pasifika and Transnational Theatre
Chapter 6: Exporting Culture: Indian Ink Theatre Company
Chapter 7: Selling the Nation at the Edinburgh Festival Fringe
Chapter 8: Making Meaning: Responses to Aotearoa New Zealand at the Edinburgh Festival Fringe 2019
Chapter 9: Cultural Apocalypse: The Generation of Z: Apocalypse in London
Conclusion: Departure, Arrival, Return
Appendix: Aotearoa New Zealand Theatre Productions Performed Overseas
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Zealand Theatre;New Zealand theatre;Zealand Identity;indigenous Maori;Edinburgh Festival Fringe;Pakeha;Zealand Drama;global theatre;Kapa Haka;cultural identity;Night Moves;Cosmopolitanism;Edinburgh International Festival;Colonial Mimicry;Edinburgh Fringe;New Zealand theatre 1940-1990;Zealand Work;Toroihi raua ko Kahira;Queen Elizabeth II Art Council;Aotearoa New Zealand's theatre;USA Tour;Global marketplace;Bruce Mason;Transnationalism;Speaking Te Reo;Zombie Apocalypse;Zealand Artists;Rocky Horror;MFAT;Zealand's Involvement;Red Mole;Immersive Theatre;Ladies Night;Te Reo;Skin Tight;Wild Duck;Ibsen's Text
