Women in Hollywood's Dream Factory

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• História social e cultural
• Teoria e crítica de filmes
• Estudos de gênero: as mulheres

#MeToo; abuse; actor training; agency; ageism; Amber Heard; American film and television industries; blacklisting; Clara Bow; ethics; Arthur Freed; Freed Unit; believability; Bill Cosby; casting couch; celebrity; docudrama; Doris Day; Eleanor Powell; exploitation; fan magazines; Fred Astaire; female experience; feminist; feminism; gendered; gendered economy; Gene Kelly; inequality; Harvey Weinstein; history of women; historical narrative; Hollywood wolves; horror; integrated musical; Johnny Depp; Jennifer’s Body; Karina Longworth; Kenneth Anger; Lady Be Good; Lana Turner; Lillian Gish; lived experience; Louise Brooks; MGM; Malague; Mae Marsh; Marilyn Monroe; Megan Fox; memoirs; mistreatment; musical; Pam & Tommy; Pamela Anderson; online comicality; performativity; Photoplay; producer; press reception; resistance; revisionist history; rhetorical violence; scandal; screen narrative; serial fiction; Seton; sexual violence; sexual shaming; sexual harassment; silent film; speculation; stars; stardom; studio system; structures and practices; structural and systemic practices; treatment of women; television; TV; victimhood; victim-blaming; Virginia Rappe; women’s precarity; working-class; women’s film history; biopic; consent; redemption; narrative agency; comedy; humor; intersectionality; oppression; Black women filmmakers; Jacques Rancière; social activism; representation; silence; voice; ethical storytelling