Ida Lupino, Director, 2nd Edition
Ida Lupino, Director, 2nd Edition
Her Art and Resilience in Times of Transition
Grisham, Therese; Smith, Imogen Sara; Grossman, Julie
Rutgers University Press
03/2026
320
Dura
Inglês
9781978846135
15 a 20 dias
Descrição não disponível.
Foreword by Imogen Sara Smith
Preface to the 2017 edition
Note on Quotations
Part I. Introducing Ida Lupino, Director and Feminist Auteur
A Rejection of Hollywood
Lupino Directs
Director Lupino and Colleagues
The Filmakers' Films
Lupino and the Censors
Lupino as Feminist Auteur
Postwar Hollywood, American Society and Culture
Close-up on Outrage
Empathy and a Cinema of Engagement
Italian Neorealism or American Realisms?
Looking Backward? Outrage and M
Part II. Lupino's Ingenious Genres: Early Films and The Trouble with Angels (1966)
The Social Problem Film and Film Noir
Home Noir
Home Is Where the Noir Is
Doubled Dreams in Hard, Fast and Beautiful
Doubled Domesticity in The Bigamist
Doubled Trauma: Outrage
A Mighty Girl: Lupino and The Trouble with Angels
Part III: Lupino Moves to Television
Industrial Contexts: Film to Television
Directing for Television
"No. 5 Checked Out"
Ida Lupino, Television Director
On Close Readings of 1950s and 1960s Television
"The Return": Norma Desmond and Ida Lupino Haunt the Small Screen
Mr. Adams and Eve
Directed Episodes, 1956-1968
Comedies
Action, Thrillers, Mysteries
Westerns
Epilogue
Appendix
Acknowledgments
Notes
Works Cited
Index
Preface to the 2017 edition
Note on Quotations
Part I. Introducing Ida Lupino, Director and Feminist Auteur
A Rejection of Hollywood
Lupino Directs
Director Lupino and Colleagues
The Filmakers' Films
Lupino and the Censors
Lupino as Feminist Auteur
Postwar Hollywood, American Society and Culture
Close-up on Outrage
Empathy and a Cinema of Engagement
Italian Neorealism or American Realisms?
Looking Backward? Outrage and M
Part II. Lupino's Ingenious Genres: Early Films and The Trouble with Angels (1966)
The Social Problem Film and Film Noir
Home Noir
Home Is Where the Noir Is
Doubled Dreams in Hard, Fast and Beautiful
Doubled Domesticity in The Bigamist
Doubled Trauma: Outrage
A Mighty Girl: Lupino and The Trouble with Angels
Part III: Lupino Moves to Television
Industrial Contexts: Film to Television
Directing for Television
"No. 5 Checked Out"
Ida Lupino, Television Director
On Close Readings of 1950s and 1960s Television
"The Return": Norma Desmond and Ida Lupino Haunt the Small Screen
Mr. Adams and Eve
Directed Episodes, 1956-1968
Comedies
Action, Thrillers, Mysteries
Westerns
Epilogue
Appendix
Acknowledgments
Notes
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Film; Media Studies; Communications; Women's Studies; American Studies; Biography; Memoir; Ida Lupino; film director; women in film; American cinema; classic Hollywood; television history; film scholarship; Therese Grisham; Julie Grossman; Imogen Sara Smith; film noir; gender and film; feminist film theory; film history; television directing; 1950s television; 1960s television; auteur studies; cinematic innovation; Hollywood history; women filmmakers; film criticism; popular culture; media reception; American media; filmography; gender representation; classic television; cinema studies; director biography
Foreword by Imogen Sara Smith
Preface to the 2017 edition
Note on Quotations
Part I. Introducing Ida Lupino, Director and Feminist Auteur
A Rejection of Hollywood
Lupino Directs
Director Lupino and Colleagues
The Filmakers' Films
Lupino and the Censors
Lupino as Feminist Auteur
Postwar Hollywood, American Society and Culture
Close-up on Outrage
Empathy and a Cinema of Engagement
Italian Neorealism or American Realisms?
Looking Backward? Outrage and M
Part II. Lupino's Ingenious Genres: Early Films and The Trouble with Angels (1966)
The Social Problem Film and Film Noir
Home Noir
Home Is Where the Noir Is
Doubled Dreams in Hard, Fast and Beautiful
Doubled Domesticity in The Bigamist
Doubled Trauma: Outrage
A Mighty Girl: Lupino and The Trouble with Angels
Part III: Lupino Moves to Television
Industrial Contexts: Film to Television
Directing for Television
"No. 5 Checked Out"
Ida Lupino, Television Director
On Close Readings of 1950s and 1960s Television
"The Return": Norma Desmond and Ida Lupino Haunt the Small Screen
Mr. Adams and Eve
Directed Episodes, 1956-1968
Comedies
Action, Thrillers, Mysteries
Westerns
Epilogue
Appendix
Acknowledgments
Notes
Works Cited
Index
Preface to the 2017 edition
Note on Quotations
Part I. Introducing Ida Lupino, Director and Feminist Auteur
A Rejection of Hollywood
Lupino Directs
Director Lupino and Colleagues
The Filmakers' Films
Lupino and the Censors
Lupino as Feminist Auteur
Postwar Hollywood, American Society and Culture
Close-up on Outrage
Empathy and a Cinema of Engagement
Italian Neorealism or American Realisms?
Looking Backward? Outrage and M
Part II. Lupino's Ingenious Genres: Early Films and The Trouble with Angels (1966)
The Social Problem Film and Film Noir
Home Noir
Home Is Where the Noir Is
Doubled Dreams in Hard, Fast and Beautiful
Doubled Domesticity in The Bigamist
Doubled Trauma: Outrage
A Mighty Girl: Lupino and The Trouble with Angels
Part III: Lupino Moves to Television
Industrial Contexts: Film to Television
Directing for Television
"No. 5 Checked Out"
Ida Lupino, Television Director
On Close Readings of 1950s and 1960s Television
"The Return": Norma Desmond and Ida Lupino Haunt the Small Screen
Mr. Adams and Eve
Directed Episodes, 1956-1968
Comedies
Action, Thrillers, Mysteries
Westerns
Epilogue
Appendix
Acknowledgments
Notes
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Film; Media Studies; Communications; Women's Studies; American Studies; Biography; Memoir; Ida Lupino; film director; women in film; American cinema; classic Hollywood; television history; film scholarship; Therese Grisham; Julie Grossman; Imogen Sara Smith; film noir; gender and film; feminist film theory; film history; television directing; 1950s television; 1960s television; auteur studies; cinematic innovation; Hollywood history; women filmmakers; film criticism; popular culture; media reception; American media; filmography; gender representation; classic television; cinema studies; director biography