Visualizing Genocide
portes grátis
Visualizing Genocide
Indigenous Interventions in Art, Archives, and Museums
Chavez, Yve; Mithlo, Nancy Marie; Black, Charlene Villasenor
University of Arizona Press
11/2022
296
Mole
Inglês
9780816542307
15 a 20 dias
Descrição não disponível.
Contents
Foreword by Charlene VillaseNor Black
Acknowledgments
Introduction: The Unknowable Known Past
Yve Chavez and Nancy Marie Mithlo
Dialogue with Sons of the Sun
Richard Ray Whitman
Part I. Reclaiming Space Through Presence Making
1. Remembering Our Ancestors: Photographing Mission San Gabriel's Cemetery
Yve Chavez
2. The Aftermath: Visualizing Genocide
Stephen Gilchrist
3. SAmi DAiddamusea Is Not a Metaphor
JErEmie Mcgowan and Anne May Olli
4. Maria Hupfield's Nine Years Towards the Sun: Reflections on Survival and Other Acts of Defiance in Performative Art Practice
Michelle J. Lanteri
PART II. Control of Historical Resources, Reappropriation
5. Owning Hate, Owning Hurt: The Aesthetics of Violence in American Indian Contemporary Art Nancy Marie Mithlo
6. Translations / Reanimations / Presences: Omaha Tribal Historical Research Project and the Remaking of Umon hon Archives
Emily L. Voelker
7. Probing the Surface: Artist Chris Pappan's Material and Conceptual Work with Ledger Art
Iris Colburn
8. Marwin Begaye: End of the Trail as Native Humor
Nancy Marie Mithlo
PART III. EMBODIMENT AND PERFORMANCE
9. Emily Arthur: Final Determinations: "Cherokee by Blood"
Nancy Marie Mithlo
10. Dying to Know You: Critical Insights from a Case Study of Indigenous Representations in Museums of the Early Republic
Ellen Fernandez-Sacco
11. Oklahome
T. Christopher Aplin and Nancy Marie Mithlo
12. Richard Ray Whitman: Street Chiefs Revisited
Nancy Marie Mithlo
Contributors
Index
Foreword by Charlene VillaseNor Black
Acknowledgments
Introduction: The Unknowable Known Past
Yve Chavez and Nancy Marie Mithlo
Dialogue with Sons of the Sun
Richard Ray Whitman
Part I. Reclaiming Space Through Presence Making
1. Remembering Our Ancestors: Photographing Mission San Gabriel's Cemetery
Yve Chavez
2. The Aftermath: Visualizing Genocide
Stephen Gilchrist
3. SAmi DAiddamusea Is Not a Metaphor
JErEmie Mcgowan and Anne May Olli
4. Maria Hupfield's Nine Years Towards the Sun: Reflections on Survival and Other Acts of Defiance in Performative Art Practice
Michelle J. Lanteri
PART II. Control of Historical Resources, Reappropriation
5. Owning Hate, Owning Hurt: The Aesthetics of Violence in American Indian Contemporary Art Nancy Marie Mithlo
6. Translations / Reanimations / Presences: Omaha Tribal Historical Research Project and the Remaking of Umon hon Archives
Emily L. Voelker
7. Probing the Surface: Artist Chris Pappan's Material and Conceptual Work with Ledger Art
Iris Colburn
8. Marwin Begaye: End of the Trail as Native Humor
Nancy Marie Mithlo
PART III. EMBODIMENT AND PERFORMANCE
9. Emily Arthur: Final Determinations: "Cherokee by Blood"
Nancy Marie Mithlo
10. Dying to Know You: Critical Insights from a Case Study of Indigenous Representations in Museums of the Early Republic
Ellen Fernandez-Sacco
11. Oklahome
T. Christopher Aplin and Nancy Marie Mithlo
12. Richard Ray Whitman: Street Chiefs Revisited
Nancy Marie Mithlo
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Indigenous artists; Sami; Norway; Australia; museums; art history; aboriginal; Native American; Indian; colonization; violence; memory; history; performance art; contemporary art; Chris Pappin; ledger art; Marwin Begaye; Cherokee; Richard Ray Whitman; Omaha; Heard Museum; College Art Association; NAGPRA; appropriation; National Gallery of Australia; Field Museum; San Diego Museum of Man
Contents
Foreword by Charlene VillaseNor Black
Acknowledgments
Introduction: The Unknowable Known Past
Yve Chavez and Nancy Marie Mithlo
Dialogue with Sons of the Sun
Richard Ray Whitman
Part I. Reclaiming Space Through Presence Making
1. Remembering Our Ancestors: Photographing Mission San Gabriel's Cemetery
Yve Chavez
2. The Aftermath: Visualizing Genocide
Stephen Gilchrist
3. SAmi DAiddamusea Is Not a Metaphor
JErEmie Mcgowan and Anne May Olli
4. Maria Hupfield's Nine Years Towards the Sun: Reflections on Survival and Other Acts of Defiance in Performative Art Practice
Michelle J. Lanteri
PART II. Control of Historical Resources, Reappropriation
5. Owning Hate, Owning Hurt: The Aesthetics of Violence in American Indian Contemporary Art Nancy Marie Mithlo
6. Translations / Reanimations / Presences: Omaha Tribal Historical Research Project and the Remaking of Umon hon Archives
Emily L. Voelker
7. Probing the Surface: Artist Chris Pappan's Material and Conceptual Work with Ledger Art
Iris Colburn
8. Marwin Begaye: End of the Trail as Native Humor
Nancy Marie Mithlo
PART III. EMBODIMENT AND PERFORMANCE
9. Emily Arthur: Final Determinations: "Cherokee by Blood"
Nancy Marie Mithlo
10. Dying to Know You: Critical Insights from a Case Study of Indigenous Representations in Museums of the Early Republic
Ellen Fernandez-Sacco
11. Oklahome
T. Christopher Aplin and Nancy Marie Mithlo
12. Richard Ray Whitman: Street Chiefs Revisited
Nancy Marie Mithlo
Contributors
Index
Foreword by Charlene VillaseNor Black
Acknowledgments
Introduction: The Unknowable Known Past
Yve Chavez and Nancy Marie Mithlo
Dialogue with Sons of the Sun
Richard Ray Whitman
Part I. Reclaiming Space Through Presence Making
1. Remembering Our Ancestors: Photographing Mission San Gabriel's Cemetery
Yve Chavez
2. The Aftermath: Visualizing Genocide
Stephen Gilchrist
3. SAmi DAiddamusea Is Not a Metaphor
JErEmie Mcgowan and Anne May Olli
4. Maria Hupfield's Nine Years Towards the Sun: Reflections on Survival and Other Acts of Defiance in Performative Art Practice
Michelle J. Lanteri
PART II. Control of Historical Resources, Reappropriation
5. Owning Hate, Owning Hurt: The Aesthetics of Violence in American Indian Contemporary Art Nancy Marie Mithlo
6. Translations / Reanimations / Presences: Omaha Tribal Historical Research Project and the Remaking of Umon hon Archives
Emily L. Voelker
7. Probing the Surface: Artist Chris Pappan's Material and Conceptual Work with Ledger Art
Iris Colburn
8. Marwin Begaye: End of the Trail as Native Humor
Nancy Marie Mithlo
PART III. EMBODIMENT AND PERFORMANCE
9. Emily Arthur: Final Determinations: "Cherokee by Blood"
Nancy Marie Mithlo
10. Dying to Know You: Critical Insights from a Case Study of Indigenous Representations in Museums of the Early Republic
Ellen Fernandez-Sacco
11. Oklahome
T. Christopher Aplin and Nancy Marie Mithlo
12. Richard Ray Whitman: Street Chiefs Revisited
Nancy Marie Mithlo
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Indigenous artists; Sami; Norway; Australia; museums; art history; aboriginal; Native American; Indian; colonization; violence; memory; history; performance art; contemporary art; Chris Pappin; ledger art; Marwin Begaye; Cherokee; Richard Ray Whitman; Omaha; Heard Museum; College Art Association; NAGPRA; appropriation; National Gallery of Australia; Field Museum; San Diego Museum of Man
