Reenvisioning Histories of American Art
portes grátis
Reenvisioning Histories of American Art
Transforming Museum Practice
Powell, Jami C.; Kina, Laura; Hartman, Michael
University of Washington Press
03/2025
272
Mole
9780295753386
15 a 20 dias
Descrição não disponível.
DRAFT
Introduction. Beyond the Land Acknowledgement, by Michael W. Hartman & Jami C. Powell
Section 1: Complicating Histories: Curating Across Disciplinary Boundaries
1. Collaborative Methodologies for an Expanded American Art: This Land: American Engagement with the Natural World, by Morgan E. Freeman & Thomas H. Price
2. A Site of Struggle, A Methodology of Accord, by Janet Dees & Alisa Swindell
3. Generative Collaboration: Toward a More Expansive American Art, by Karen Kramer & Austen Barron Bailly, with Michael Hartman & Jami Powell
Section 2: Reframing Collection Practices and Care
4. Reflection and Representation: Native Art Acquisitions for the 50th Anniversary of the Smithsonian's Renwick Gallery, by Anya Montiel
5. Recontextualizing and Reckoning Historic American Art, by Mindy N. Besaw
6. Feke's Kincemoss: Collaboratively Rewriting a Colonial Painting, by Layla Bermeo & Roger Paul
Section 3: Interrupting Colonial Structures
7. "Guess Who's Coming to Dinner?": The Aesthetic and Curatorial Politics of Invitation and Interruption in Imperial Museums, by Kirsten Pai Buick
8. Imagining Otherwise, by Hazel V. Carby
9. Braiding, Stitching, Sweeping: Black Feminist Domesticity and Art History, by Alexandra M. Thomas
10. Tyrus Wong's Asian Americana, by Yinshi Lerman-Tan
Conclusion. An Invitation, by Michael W. Hartman and Jami C. Powell
Introduction. Beyond the Land Acknowledgement, by Michael W. Hartman & Jami C. Powell
Section 1: Complicating Histories: Curating Across Disciplinary Boundaries
1. Collaborative Methodologies for an Expanded American Art: This Land: American Engagement with the Natural World, by Morgan E. Freeman & Thomas H. Price
2. A Site of Struggle, A Methodology of Accord, by Janet Dees & Alisa Swindell
3. Generative Collaboration: Toward a More Expansive American Art, by Karen Kramer & Austen Barron Bailly, with Michael Hartman & Jami Powell
Section 2: Reframing Collection Practices and Care
4. Reflection and Representation: Native Art Acquisitions for the 50th Anniversary of the Smithsonian's Renwick Gallery, by Anya Montiel
5. Recontextualizing and Reckoning Historic American Art, by Mindy N. Besaw
6. Feke's Kincemoss: Collaboratively Rewriting a Colonial Painting, by Layla Bermeo & Roger Paul
Section 3: Interrupting Colonial Structures
7. "Guess Who's Coming to Dinner?": The Aesthetic and Curatorial Politics of Invitation and Interruption in Imperial Museums, by Kirsten Pai Buick
8. Imagining Otherwise, by Hazel V. Carby
9. Braiding, Stitching, Sweeping: Black Feminist Domesticity and Art History, by Alexandra M. Thomas
10. Tyrus Wong's Asian Americana, by Yinshi Lerman-Tan
Conclusion. An Invitation, by Michael W. Hartman and Jami C. Powell
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
DRAFT
Introduction. Beyond the Land Acknowledgement, by Michael W. Hartman & Jami C. Powell
Section 1: Complicating Histories: Curating Across Disciplinary Boundaries
1. Collaborative Methodologies for an Expanded American Art: This Land: American Engagement with the Natural World, by Morgan E. Freeman & Thomas H. Price
2. A Site of Struggle, A Methodology of Accord, by Janet Dees & Alisa Swindell
3. Generative Collaboration: Toward a More Expansive American Art, by Karen Kramer & Austen Barron Bailly, with Michael Hartman & Jami Powell
Section 2: Reframing Collection Practices and Care
4. Reflection and Representation: Native Art Acquisitions for the 50th Anniversary of the Smithsonian's Renwick Gallery, by Anya Montiel
5. Recontextualizing and Reckoning Historic American Art, by Mindy N. Besaw
6. Feke's Kincemoss: Collaboratively Rewriting a Colonial Painting, by Layla Bermeo & Roger Paul
Section 3: Interrupting Colonial Structures
7. "Guess Who's Coming to Dinner?": The Aesthetic and Curatorial Politics of Invitation and Interruption in Imperial Museums, by Kirsten Pai Buick
8. Imagining Otherwise, by Hazel V. Carby
9. Braiding, Stitching, Sweeping: Black Feminist Domesticity and Art History, by Alexandra M. Thomas
10. Tyrus Wong's Asian Americana, by Yinshi Lerman-Tan
Conclusion. An Invitation, by Michael W. Hartman and Jami C. Powell
Introduction. Beyond the Land Acknowledgement, by Michael W. Hartman & Jami C. Powell
Section 1: Complicating Histories: Curating Across Disciplinary Boundaries
1. Collaborative Methodologies for an Expanded American Art: This Land: American Engagement with the Natural World, by Morgan E. Freeman & Thomas H. Price
2. A Site of Struggle, A Methodology of Accord, by Janet Dees & Alisa Swindell
3. Generative Collaboration: Toward a More Expansive American Art, by Karen Kramer & Austen Barron Bailly, with Michael Hartman & Jami Powell
Section 2: Reframing Collection Practices and Care
4. Reflection and Representation: Native Art Acquisitions for the 50th Anniversary of the Smithsonian's Renwick Gallery, by Anya Montiel
5. Recontextualizing and Reckoning Historic American Art, by Mindy N. Besaw
6. Feke's Kincemoss: Collaboratively Rewriting a Colonial Painting, by Layla Bermeo & Roger Paul
Section 3: Interrupting Colonial Structures
7. "Guess Who's Coming to Dinner?": The Aesthetic and Curatorial Politics of Invitation and Interruption in Imperial Museums, by Kirsten Pai Buick
8. Imagining Otherwise, by Hazel V. Carby
9. Braiding, Stitching, Sweeping: Black Feminist Domesticity and Art History, by Alexandra M. Thomas
10. Tyrus Wong's Asian Americana, by Yinshi Lerman-Tan
Conclusion. An Invitation, by Michael W. Hartman and Jami C. Powell
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
