Thunder on the Stage
portes grátis
Thunder on the Stage
The Dramatic Vision of Richard Wright
Dick, Bruce Allen
University of Illinois Press
03/2024
296
Dura
Inglês
9780252045684
15 a 20 dias
Descrição não disponível.
Foreword Preface
Acknowledgements
Introduction
Part I. Thunder on the Stage: The American Years
1 The Ethics of Acting Jim Crow
2 From Minstrelsy to Shakespeare to Authentic Black Theater: Playwrights, Writers, Critics, and Inter-textual Play
3 Distant Thunder: Wright, the Federal Theatre, and Early Attempts at Writing Plays
4 Native Son on Stage
5 Orator, Performer, and Stage Writer Pursuing Social Change
6 Boxing Jim Crow
Part II. The Last Lampoon: Years Abroad
7 Reconstructing Identity: The Influence of Sartre, de Beauvoir, Camus, and Others
8 Acting Bigger Thomas
9 "Daddy Goodness": Richard Wright's Last Lampoon
Conclusion
Notes
Index
Acknowledgements
Introduction
Part I. Thunder on the Stage: The American Years
1 The Ethics of Acting Jim Crow
2 From Minstrelsy to Shakespeare to Authentic Black Theater: Playwrights, Writers, Critics, and Inter-textual Play
3 Distant Thunder: Wright, the Federal Theatre, and Early Attempts at Writing Plays
4 Native Son on Stage
5 Orator, Performer, and Stage Writer Pursuing Social Change
6 Boxing Jim Crow
Part II. The Last Lampoon: Years Abroad
7 Reconstructing Identity: The Influence of Sartre, de Beauvoir, Camus, and Others
8 Acting Bigger Thomas
9 "Daddy Goodness": Richard Wright's Last Lampoon
Conclusion
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
John Reed Club theatrical performances; Shakespeare; Theodore Ward; Jean-Paul Sartre; existentialists; Native Son the first film; Wright as actor; Wright's one-act plays; WWII coming-home plays; The Burkes as an influence on Native Son the novel; Native Son on Broadway; Orson Welles; John Houseman; Paul Green; Canada Lee; United We Stand Divided We Fall; boxing as theatre; Daddy Goodness; Louis Sapin
Foreword Preface
Acknowledgements
Introduction
Part I. Thunder on the Stage: The American Years
1 The Ethics of Acting Jim Crow
2 From Minstrelsy to Shakespeare to Authentic Black Theater: Playwrights, Writers, Critics, and Inter-textual Play
3 Distant Thunder: Wright, the Federal Theatre, and Early Attempts at Writing Plays
4 Native Son on Stage
5 Orator, Performer, and Stage Writer Pursuing Social Change
6 Boxing Jim Crow
Part II. The Last Lampoon: Years Abroad
7 Reconstructing Identity: The Influence of Sartre, de Beauvoir, Camus, and Others
8 Acting Bigger Thomas
9 "Daddy Goodness": Richard Wright's Last Lampoon
Conclusion
Notes
Index
Acknowledgements
Introduction
Part I. Thunder on the Stage: The American Years
1 The Ethics of Acting Jim Crow
2 From Minstrelsy to Shakespeare to Authentic Black Theater: Playwrights, Writers, Critics, and Inter-textual Play
3 Distant Thunder: Wright, the Federal Theatre, and Early Attempts at Writing Plays
4 Native Son on Stage
5 Orator, Performer, and Stage Writer Pursuing Social Change
6 Boxing Jim Crow
Part II. The Last Lampoon: Years Abroad
7 Reconstructing Identity: The Influence of Sartre, de Beauvoir, Camus, and Others
8 Acting Bigger Thomas
9 "Daddy Goodness": Richard Wright's Last Lampoon
Conclusion
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
John Reed Club theatrical performances; Shakespeare; Theodore Ward; Jean-Paul Sartre; existentialists; Native Son the first film; Wright as actor; Wright's one-act plays; WWII coming-home plays; The Burkes as an influence on Native Son the novel; Native Son on Broadway; Orson Welles; John Houseman; Paul Green; Canada Lee; United We Stand Divided We Fall; boxing as theatre; Daddy Goodness; Louis Sapin
