Shakespearean Biofiction on the Contemporary Stage and Screen
portes grátis
Shakespearean Biofiction on the Contemporary Stage and Screen
Hatfull, Dr Ronan; Burnett, Professor Mark Thornton; Semple, Dr Edel
Bloomsbury Publishing PLC
12/2023
208
Dura
Inglês
9781350359208
15 a 20 dias
Descrição não disponível.
Notes on Contributors
Acknowledgements
Note on the Text
Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland)
Part One: Author
1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain)
2. 'I'll Drown my Book': Imagining Shakespeare's Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA)
3. 'Scarce...a Blot in his Papers': Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK)
4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple
5. 'The Thing is, You're a Douche': Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuchatel, Switzerland)
Part Two: Family
6. Shakespeare's Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland)
7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple
8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA)
9. Shakespeare and Son in All Is True and O'Farrell's Hamnet, Paul Franssen (Utrecht University, the Netherlands)
10. Interview on Writing the Play Shakespeare's Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple
Part Three: Theatre
11. Imagining the Formative Presence of Early Modern Women in Shakespeare's Circle, Naomi J. Miller (Smith College, USA)
12. 'That's Power': Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK)
13. Reverse Engineering Shakespeare: TNT's Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA)
14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearce's Will, Michael D. Friedman (University of Scranton, USA)
15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive, Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK)
Part Four: Afterlives
16. More 'Shakespeare' than Shakespeare: The Notion of 'Uber-Shakespeare' in The Lego Movie
Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK)
Afterword: Global Shakespearean Biofictions
Ramona Wray (Queen's University Belfast, UK)
Index
Acknowledgements
Note on the Text
Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland)
Part One: Author
1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain)
2. 'I'll Drown my Book': Imagining Shakespeare's Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA)
3. 'Scarce...a Blot in his Papers': Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK)
4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple
5. 'The Thing is, You're a Douche': Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuchatel, Switzerland)
Part Two: Family
6. Shakespeare's Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland)
7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple
8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA)
9. Shakespeare and Son in All Is True and O'Farrell's Hamnet, Paul Franssen (Utrecht University, the Netherlands)
10. Interview on Writing the Play Shakespeare's Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple
Part Three: Theatre
11. Imagining the Formative Presence of Early Modern Women in Shakespeare's Circle, Naomi J. Miller (Smith College, USA)
12. 'That's Power': Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK)
13. Reverse Engineering Shakespeare: TNT's Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA)
14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearce's Will, Michael D. Friedman (University of Scranton, USA)
15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive, Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK)
Part Four: Afterlives
16. More 'Shakespeare' than Shakespeare: The Notion of 'Uber-Shakespeare' in The Lego Movie
Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK)
Afterword: Global Shakespearean Biofictions
Ramona Wray (Queen's University Belfast, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
William Shakespeare; Shakespeare in Love; Upstart Crow; All is True; Maggie O'Farrell; Hamnet; Christopher Marlowe; Ben Elton; Black Tudors; Kenneth Branagh; LGBTQ+; feminisim; queer studies; biopic; Shakespeare biopic; Laurence Rickard; literary criticism; cinema; adaptation studies; film and TV criticism; race studies; trans studies; adaptation; appropriation; Shakespeare on film; Shakespeare television; biography; Shakespeare biopics; Jane Austen; Shakespeare fan fiction; Shakespeare parody; First Folio; Romeo and Juliet; Julius Caesar; The Tempest; Bill Film; Horrible Histories; Shakespeare's lost years; Emilia play; & Juliet; Fourth-wave feminism; Rebecca Solnit; Morgan Lloyd Malcolm; Emilia Lanier
Notes on Contributors
Acknowledgements
Note on the Text
Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland)
Part One: Author
1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain)
2. 'I'll Drown my Book': Imagining Shakespeare's Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA)
3. 'Scarce...a Blot in his Papers': Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK)
4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple
5. 'The Thing is, You're a Douche': Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuchatel, Switzerland)
Part Two: Family
6. Shakespeare's Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland)
7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple
8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA)
9. Shakespeare and Son in All Is True and O'Farrell's Hamnet, Paul Franssen (Utrecht University, the Netherlands)
10. Interview on Writing the Play Shakespeare's Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple
Part Three: Theatre
11. Imagining the Formative Presence of Early Modern Women in Shakespeare's Circle, Naomi J. Miller (Smith College, USA)
12. 'That's Power': Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK)
13. Reverse Engineering Shakespeare: TNT's Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA)
14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearce's Will, Michael D. Friedman (University of Scranton, USA)
15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive, Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK)
Part Four: Afterlives
16. More 'Shakespeare' than Shakespeare: The Notion of 'Uber-Shakespeare' in The Lego Movie
Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK)
Afterword: Global Shakespearean Biofictions
Ramona Wray (Queen's University Belfast, UK)
Index
Acknowledgements
Note on the Text
Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland)
Part One: Author
1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain)
2. 'I'll Drown my Book': Imagining Shakespeare's Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA)
3. 'Scarce...a Blot in his Papers': Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK)
4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple
5. 'The Thing is, You're a Douche': Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuchatel, Switzerland)
Part Two: Family
6. Shakespeare's Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland)
7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple
8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA)
9. Shakespeare and Son in All Is True and O'Farrell's Hamnet, Paul Franssen (Utrecht University, the Netherlands)
10. Interview on Writing the Play Shakespeare's Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple
Part Three: Theatre
11. Imagining the Formative Presence of Early Modern Women in Shakespeare's Circle, Naomi J. Miller (Smith College, USA)
12. 'That's Power': Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK)
13. Reverse Engineering Shakespeare: TNT's Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA)
14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearce's Will, Michael D. Friedman (University of Scranton, USA)
15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive, Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK)
Part Four: Afterlives
16. More 'Shakespeare' than Shakespeare: The Notion of 'Uber-Shakespeare' in The Lego Movie
Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK)
Afterword: Global Shakespearean Biofictions
Ramona Wray (Queen's University Belfast, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
William Shakespeare; Shakespeare in Love; Upstart Crow; All is True; Maggie O'Farrell; Hamnet; Christopher Marlowe; Ben Elton; Black Tudors; Kenneth Branagh; LGBTQ+; feminisim; queer studies; biopic; Shakespeare biopic; Laurence Rickard; literary criticism; cinema; adaptation studies; film and TV criticism; race studies; trans studies; adaptation; appropriation; Shakespeare on film; Shakespeare television; biography; Shakespeare biopics; Jane Austen; Shakespeare fan fiction; Shakespeare parody; First Folio; Romeo and Juliet; Julius Caesar; The Tempest; Bill Film; Horrible Histories; Shakespeare's lost years; Emilia play; & Juliet; Fourth-wave feminism; Rebecca Solnit; Morgan Lloyd Malcolm; Emilia Lanier
