Visage, Voice and Void in the Community
Visage, Voice and Void in the Community
Art, Senses and (e-)Spaces of Contemporary Semiosis
Barbotto, Silvia
Taylor & Francis Ltd
04/2026
152
Dura
Inglês
9781041026686
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Prologo Ugo Volli
Introduction
Part 1: From Phisical To (q)Face
1. Mutable topography: physiognomy and pathognomy
2. Of faces and traces: a mutable topography
3. (q)field, synthetic data and hallucinated portraits
Part 2: From Masking To Enacting Face
4. Wearing the self: performativity and masks
5. Care, memory and intersubjective transmission
Part 3: From Body To Space Face
6. Carving emptiness: on breath and wave
7. Intra-action, proto-voice and art
8. Carving emptiness: on space and wave
Conclusion
Epilogue
Index
Introduction
Part 1: From Phisical To (q)Face
1. Mutable topography: physiognomy and pathognomy
2. Of faces and traces: a mutable topography
3. (q)field, synthetic data and hallucinated portraits
Part 2: From Masking To Enacting Face
4. Wearing the self: performativity and masks
5. Care, memory and intersubjective transmission
Part 3: From Body To Space Face
6. Carving emptiness: on breath and wave
7. Intra-action, proto-voice and art
8. Carving emptiness: on space and wave
Conclusion
Epilogue
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
visual semiotics;qualitative analysis;performativity theory;digital humanities;intersubjectivity;cultural iconography;qualitative semiotic analysis of faces
Prologo Ugo Volli
Introduction
Part 1: From Phisical To (q)Face
1. Mutable topography: physiognomy and pathognomy
2. Of faces and traces: a mutable topography
3. (q)field, synthetic data and hallucinated portraits
Part 2: From Masking To Enacting Face
4. Wearing the self: performativity and masks
5. Care, memory and intersubjective transmission
Part 3: From Body To Space Face
6. Carving emptiness: on breath and wave
7. Intra-action, proto-voice and art
8. Carving emptiness: on space and wave
Conclusion
Epilogue
Index
Introduction
Part 1: From Phisical To (q)Face
1. Mutable topography: physiognomy and pathognomy
2. Of faces and traces: a mutable topography
3. (q)field, synthetic data and hallucinated portraits
Part 2: From Masking To Enacting Face
4. Wearing the self: performativity and masks
5. Care, memory and intersubjective transmission
Part 3: From Body To Space Face
6. Carving emptiness: on breath and wave
7. Intra-action, proto-voice and art
8. Carving emptiness: on space and wave
Conclusion
Epilogue
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.