ReFocus: The Films of Steve McQueen

Introduction: Why Steve McQueen matters - Thomas Austin

Part One

1. From Exodus to Small Axe: Steve McQueen's filmic world of two halves - Elisabetta Fabrizi

2. Interrogating surplus liveness: Girls, Tricky - James Harvey

3. Eye witness: memorialising humanity in Steve McQueen's Hunger - Eugene McNamee

4. Shame and the City: Subverting neoliberal, New York singleton culture in Shame - Niall Richardson

5. If it is to be done, how: considering a Robeson biopic - Shana Redmond

6. The Slave narrative and filmic aesthetics: Steve McQueen, Solomon Northup, and colonial violence - Philip Kaisary

7. Working for / working with / working against: Widows and the politics and poetics of genre - Matthias Grotkopp

Part Two

8. Is Small Axe cinema or television and does it matter? Discourses of authorship and production in the publicity for Small Axe - Christine Geraghty

9. Small Axe and / as cinematic television - Hannah Andrews

10. Love in a cold climate: Lovers Rock - Thomas Austin

11. Dub, ecstasy and collective memory in Lovers Rock - Kwame Philips

12. The Burden of expectation: where are the women in Steve McQueen's Small Axe films? - Patricia Francis

13. Boy with Flag and Black British experience in Handsworth Songs and Red, White and Blue - Thomas Austin

14. Small Axe is a start: an interview with Bernard Coard

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• Teoria e crítica de filmes
• Filmes, cinema
• Realizadores e produtores de filmes individuais

Steve McQueen; race; the body; small axe; british cinema; video art; gender