Films of Apichatpong Weerasethakul
Films of Apichatpong Weerasethakul
Sarkar, Anik; Sarkar, Jayjit
Liverpool University Press
03/2026
296
Mole
Inglês
9781805967057
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Acknowledgements
Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul
Anik Sarkar and Jayjit Sarkar
Time
1.Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul
Patricia Sequeira Bras
2.Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul's Syndromes and a Century and Cemetery of Splendour
Francesco Quario
Non-human
3.Stray Dogs and Strange Beasts: Apichatpong Weerasethakul's Queer Animal Ethics
Duncan Caillard
4.Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul
Cagatay Emre Dogan
Mind
5.The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul's Primitive Project
Elizabeth Sikes
6.Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul's Films and Videos
Alessandro Ferraro
7.EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul
Jeffner Allen
Forms and Representations
8.Transmedia Plot in Apichatpong Weerasethakul's Primitive
Jade de Cock de Rameyen
9.Home Away From Home: Apichatpong Weerasethakul's Filmed Images of Home and Homeland Envisioned
Palita Chunsaengchan
10.Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul
Sivaranjini
11.Post-Interstitial Authorship in Apichatpong Weerasethakul's Cinema
Anchalee Chaiworaporn
Note on the Contributors
Index
Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul
Anik Sarkar and Jayjit Sarkar
Time
1.Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul
Patricia Sequeira Bras
2.Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul's Syndromes and a Century and Cemetery of Splendour
Francesco Quario
Non-human
3.Stray Dogs and Strange Beasts: Apichatpong Weerasethakul's Queer Animal Ethics
Duncan Caillard
4.Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul
Cagatay Emre Dogan
Mind
5.The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul's Primitive Project
Elizabeth Sikes
6.Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul's Films and Videos
Alessandro Ferraro
7.EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul
Jeffner Allen
Forms and Representations
8.Transmedia Plot in Apichatpong Weerasethakul's Primitive
Jade de Cock de Rameyen
9.Home Away From Home: Apichatpong Weerasethakul's Filmed Images of Home and Homeland Envisioned
Palita Chunsaengchan
10.Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul
Sivaranjini
11.Post-Interstitial Authorship in Apichatpong Weerasethakul's Cinema
Anchalee Chaiworaporn
Note on the Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Thai cinema;Thai culture;art cinema;Thai auteur;Transnational;Queer Cinema;cultural theory;Apichatpong Weerasethakul
Acknowledgements
Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul
Anik Sarkar and Jayjit Sarkar
Time
1.Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul
Patricia Sequeira Bras
2.Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul's Syndromes and a Century and Cemetery of Splendour
Francesco Quario
Non-human
3.Stray Dogs and Strange Beasts: Apichatpong Weerasethakul's Queer Animal Ethics
Duncan Caillard
4.Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul
Cagatay Emre Dogan
Mind
5.The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul's Primitive Project
Elizabeth Sikes
6.Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul's Films and Videos
Alessandro Ferraro
7.EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul
Jeffner Allen
Forms and Representations
8.Transmedia Plot in Apichatpong Weerasethakul's Primitive
Jade de Cock de Rameyen
9.Home Away From Home: Apichatpong Weerasethakul's Filmed Images of Home and Homeland Envisioned
Palita Chunsaengchan
10.Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul
Sivaranjini
11.Post-Interstitial Authorship in Apichatpong Weerasethakul's Cinema
Anchalee Chaiworaporn
Note on the Contributors
Index
Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul
Anik Sarkar and Jayjit Sarkar
Time
1.Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul
Patricia Sequeira Bras
2.Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul's Syndromes and a Century and Cemetery of Splendour
Francesco Quario
Non-human
3.Stray Dogs and Strange Beasts: Apichatpong Weerasethakul's Queer Animal Ethics
Duncan Caillard
4.Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul
Cagatay Emre Dogan
Mind
5.The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul's Primitive Project
Elizabeth Sikes
6.Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul's Films and Videos
Alessandro Ferraro
7.EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul
Jeffner Allen
Forms and Representations
8.Transmedia Plot in Apichatpong Weerasethakul's Primitive
Jade de Cock de Rameyen
9.Home Away From Home: Apichatpong Weerasethakul's Filmed Images of Home and Homeland Envisioned
Palita Chunsaengchan
10.Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul
Sivaranjini
11.Post-Interstitial Authorship in Apichatpong Weerasethakul's Cinema
Anchalee Chaiworaporn
Note on the Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.