Opera in Transnational Contexts
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Opera in Transnational Contexts
Circulating Identities and Cultures
Rowden, Clair; Gentili, Barbara; Kuehl, Paulo M.
Taylor & Francis Ltd
03/2026
272
Dura
Inglês
9781032861111
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IntroductionSection One: Identity, Adaptation, Genre
1. Opera and Modernity in Independent Latin America (1820-1825), 2. Reception and Creation of Musical Theatre in the Arab World: A Decolonial Approach, 3. Nation and Adaptation in Eighteenth-Century Swedish Opera
Section Two: Networks and Impresarios: The Mechanics of the Business
4. Consuming Operetta: Gender, Genre and the Bandmann Opera Company in Early Twentieth-Century Japan, 5. A Global History of the Italian Opera Industry: from Milan to South America (1840s), 6. Importing and Adapting between Milan and Paris: The Case of Edoardo Sonzogno, 7. Theatre and Soft Power in Fascist Italy: A Place for Opera in the International Arena
Section Three: The Transnational Reception of Singing and Singers
8. Continuities and Fissures in the Cultural Reception of Italian Opera and Singers in Early Twentieth-Century Buenos Aires, 9. Translating Opera in Brazil (Rio de Janeiro) and Colombia (Bogota) in the Nineteenth Century, 10. The Diva and Transnational Singing: Anne Charton-Demeur
Section Four: Repertoires, Production and Localities
11. Transnational Italian Opera Production in Nineteenth-Century Vienna: Aida, a case study, 12. Dreaming of Wagner: Performing Gluck and the Aspiration for a National Theatre in Japan, 13. Adjoe Mimi! Margit Rosengren and the Transfer of Popular Musical Theatre to Sweden in the 1920s, 14. Constructing Opera: Transnational Forces in Opera in Australia (1955-1985): A Building, a Diva and Three Musical Directors
1. Opera and Modernity in Independent Latin America (1820-1825), 2. Reception and Creation of Musical Theatre in the Arab World: A Decolonial Approach, 3. Nation and Adaptation in Eighteenth-Century Swedish Opera
Section Two: Networks and Impresarios: The Mechanics of the Business
4. Consuming Operetta: Gender, Genre and the Bandmann Opera Company in Early Twentieth-Century Japan, 5. A Global History of the Italian Opera Industry: from Milan to South America (1840s), 6. Importing and Adapting between Milan and Paris: The Case of Edoardo Sonzogno, 7. Theatre and Soft Power in Fascist Italy: A Place for Opera in the International Arena
Section Three: The Transnational Reception of Singing and Singers
8. Continuities and Fissures in the Cultural Reception of Italian Opera and Singers in Early Twentieth-Century Buenos Aires, 9. Translating Opera in Brazil (Rio de Janeiro) and Colombia (Bogota) in the Nineteenth Century, 10. The Diva and Transnational Singing: Anne Charton-Demeur
Section Four: Repertoires, Production and Localities
11. Transnational Italian Opera Production in Nineteenth-Century Vienna: Aida, a case study, 12. Dreaming of Wagner: Performing Gluck and the Aspiration for a National Theatre in Japan, 13. Adjoe Mimi! Margit Rosengren and the Transfer of Popular Musical Theatre to Sweden in the 1920s, 14. Constructing Opera: Transnational Forces in Opera in Australia (1955-1985): A Building, a Diva and Three Musical Directors
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opera studies;cultural exchange;music and voice;postcolonial studies
IntroductionSection One: Identity, Adaptation, Genre
1. Opera and Modernity in Independent Latin America (1820-1825), 2. Reception and Creation of Musical Theatre in the Arab World: A Decolonial Approach, 3. Nation and Adaptation in Eighteenth-Century Swedish Opera
Section Two: Networks and Impresarios: The Mechanics of the Business
4. Consuming Operetta: Gender, Genre and the Bandmann Opera Company in Early Twentieth-Century Japan, 5. A Global History of the Italian Opera Industry: from Milan to South America (1840s), 6. Importing and Adapting between Milan and Paris: The Case of Edoardo Sonzogno, 7. Theatre and Soft Power in Fascist Italy: A Place for Opera in the International Arena
Section Three: The Transnational Reception of Singing and Singers
8. Continuities and Fissures in the Cultural Reception of Italian Opera and Singers in Early Twentieth-Century Buenos Aires, 9. Translating Opera in Brazil (Rio de Janeiro) and Colombia (Bogota) in the Nineteenth Century, 10. The Diva and Transnational Singing: Anne Charton-Demeur
Section Four: Repertoires, Production and Localities
11. Transnational Italian Opera Production in Nineteenth-Century Vienna: Aida, a case study, 12. Dreaming of Wagner: Performing Gluck and the Aspiration for a National Theatre in Japan, 13. Adjoe Mimi! Margit Rosengren and the Transfer of Popular Musical Theatre to Sweden in the 1920s, 14. Constructing Opera: Transnational Forces in Opera in Australia (1955-1985): A Building, a Diva and Three Musical Directors
1. Opera and Modernity in Independent Latin America (1820-1825), 2. Reception and Creation of Musical Theatre in the Arab World: A Decolonial Approach, 3. Nation and Adaptation in Eighteenth-Century Swedish Opera
Section Two: Networks and Impresarios: The Mechanics of the Business
4. Consuming Operetta: Gender, Genre and the Bandmann Opera Company in Early Twentieth-Century Japan, 5. A Global History of the Italian Opera Industry: from Milan to South America (1840s), 6. Importing and Adapting between Milan and Paris: The Case of Edoardo Sonzogno, 7. Theatre and Soft Power in Fascist Italy: A Place for Opera in the International Arena
Section Three: The Transnational Reception of Singing and Singers
8. Continuities and Fissures in the Cultural Reception of Italian Opera and Singers in Early Twentieth-Century Buenos Aires, 9. Translating Opera in Brazil (Rio de Janeiro) and Colombia (Bogota) in the Nineteenth Century, 10. The Diva and Transnational Singing: Anne Charton-Demeur
Section Four: Repertoires, Production and Localities
11. Transnational Italian Opera Production in Nineteenth-Century Vienna: Aida, a case study, 12. Dreaming of Wagner: Performing Gluck and the Aspiration for a National Theatre in Japan, 13. Adjoe Mimi! Margit Rosengren and the Transfer of Popular Musical Theatre to Sweden in the 1920s, 14. Constructing Opera: Transnational Forces in Opera in Australia (1955-1985): A Building, a Diva and Three Musical Directors
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
