Live Visuals
portes grátis
Live Visuals
History, Theory, Practice
Gibson, Steve; Tanaka, Atau; Leishman, Donna; Arisona, Stefan
Taylor & Francis Ltd
07/2022
458
Mole
Inglês
9781032252681
15 a 20 dias
671
Descrição não disponível.
List of contributors
Acknowledgements
Introduction - The Long History of Moving Images Becoming Alive
Steve Gibson
PART I THE HISTORY OF LIVE VISUALS
Chapter 1 - Inventing Instruments: Colour-Tone Correspondence to Colour-Music Performance (pre-1900)
Maura McDonnell
Chapter 2 - Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900-1955)
Steve Gibson
Chapter 3 - Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985)
Steve Gibson
Chapter 4 - Scratch Video and Rave: The Rise of the Live Visuals Performer (1985-2000)
Leon McCarthy and Steve Gibson
Chapter 5 - The Post-conceptual Digital Era (2000-present)
Paul Goodfellow and Steve Gibson
PART II THE THEORY OF LIVE VISUALS
Chapter 6 - Cross-Modal Theories of Sound and Image
Joseph Hyde
Chapter 7 - Live Visuals in Theory and Art
Paul Goodfellow
Chapter 8 - Live Visuals: Technology and Aesthetics
Leon McCarthy
Chapter 9 - AVUIs: Audio-Visual User Interfaces - Working with Users to Create Performance Technologies
Nuno N. Correia and Atau Tanaka
Chapter 10 - A Parametric Model for Audio-Visual Instrument Design, Composition and Performance
Adriana Sa and Atau Tanaka
Chapter 11 - Presence and Live Visuals Performance
Donna Leishman
PART III THE PRACTICE OF LIVE VISUALS
Chapter 12 - VJing, Live Audio-Visuals and Live Cinema
Steve Gibson and Stefan Arisona
Chapter 13 - Immersive Environments and Live Visuals
Steve Gibson
Chapter 14 - Architectural Projections: Changing the Perception of Architecture with Light
Simon Schubiger, Stefan Arisona, Lukas Treyer, and Gerhard Schmitt
Chapter 15 - Design and Live Visuals
Donna Leishman
PART IV INTERVIEWS WITH KEY PRACITIONERS-STEVE GIBSON
Chapter 16 - Interview 1 - Tony Hill, Expanded Cinema pioneer
Chapter 17 - Interview 2 - Christopher Thomas Allen, Founder & Director, The Light Surgeons
Chapter 18 - Interview 3 - Greg Hermanovic, CEO, Derivative
Chapter 19 - Interview 4 - Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and others.
Chapter 20 - Interview 5 - Peter Mettler, Digital and Live Cinema Artist
Afterward
Index
Acknowledgements
Introduction - The Long History of Moving Images Becoming Alive
Steve Gibson
PART I THE HISTORY OF LIVE VISUALS
Chapter 1 - Inventing Instruments: Colour-Tone Correspondence to Colour-Music Performance (pre-1900)
Maura McDonnell
Chapter 2 - Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900-1955)
Steve Gibson
Chapter 3 - Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985)
Steve Gibson
Chapter 4 - Scratch Video and Rave: The Rise of the Live Visuals Performer (1985-2000)
Leon McCarthy and Steve Gibson
Chapter 5 - The Post-conceptual Digital Era (2000-present)
Paul Goodfellow and Steve Gibson
PART II THE THEORY OF LIVE VISUALS
Chapter 6 - Cross-Modal Theories of Sound and Image
Joseph Hyde
Chapter 7 - Live Visuals in Theory and Art
Paul Goodfellow
Chapter 8 - Live Visuals: Technology and Aesthetics
Leon McCarthy
Chapter 9 - AVUIs: Audio-Visual User Interfaces - Working with Users to Create Performance Technologies
Nuno N. Correia and Atau Tanaka
Chapter 10 - A Parametric Model for Audio-Visual Instrument Design, Composition and Performance
Adriana Sa and Atau Tanaka
Chapter 11 - Presence and Live Visuals Performance
Donna Leishman
PART III THE PRACTICE OF LIVE VISUALS
Chapter 12 - VJing, Live Audio-Visuals and Live Cinema
Steve Gibson and Stefan Arisona
Chapter 13 - Immersive Environments and Live Visuals
Steve Gibson
Chapter 14 - Architectural Projections: Changing the Perception of Architecture with Light
Simon Schubiger, Stefan Arisona, Lukas Treyer, and Gerhard Schmitt
Chapter 15 - Design and Live Visuals
Donna Leishman
PART IV INTERVIEWS WITH KEY PRACITIONERS-STEVE GIBSON
Chapter 16 - Interview 1 - Tony Hill, Expanded Cinema pioneer
Chapter 17 - Interview 2 - Christopher Thomas Allen, Founder & Director, The Light Surgeons
Chapter 18 - Interview 3 - Greg Hermanovic, CEO, Derivative
Chapter 19 - Interview 4 - Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and others.
Chapter 20 - Interview 5 - Peter Mettler, Digital and Live Cinema Artist
Afterward
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Live Visuals;Scratch Video;Live Cinema;Audio Visual Relationships;Expanded Cinema;Electronic Music;Audio Visual Artists;VJ Performance;Audio Visual Culture;Tony Hill;Post-conceptual Art;Floor Film;DJ's Music;Visual Music;Colour Music;Vice Versa;Video Mixer;Image Credit;Audio Visual Systems;Smart Phone;DJ Booth;VR Headset;Interactive Art;Audio Visual Environment;AR
List of contributors
Acknowledgements
Introduction - The Long History of Moving Images Becoming Alive
Steve Gibson
PART I THE HISTORY OF LIVE VISUALS
Chapter 1 - Inventing Instruments: Colour-Tone Correspondence to Colour-Music Performance (pre-1900)
Maura McDonnell
Chapter 2 - Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900-1955)
Steve Gibson
Chapter 3 - Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985)
Steve Gibson
Chapter 4 - Scratch Video and Rave: The Rise of the Live Visuals Performer (1985-2000)
Leon McCarthy and Steve Gibson
Chapter 5 - The Post-conceptual Digital Era (2000-present)
Paul Goodfellow and Steve Gibson
PART II THE THEORY OF LIVE VISUALS
Chapter 6 - Cross-Modal Theories of Sound and Image
Joseph Hyde
Chapter 7 - Live Visuals in Theory and Art
Paul Goodfellow
Chapter 8 - Live Visuals: Technology and Aesthetics
Leon McCarthy
Chapter 9 - AVUIs: Audio-Visual User Interfaces - Working with Users to Create Performance Technologies
Nuno N. Correia and Atau Tanaka
Chapter 10 - A Parametric Model for Audio-Visual Instrument Design, Composition and Performance
Adriana Sa and Atau Tanaka
Chapter 11 - Presence and Live Visuals Performance
Donna Leishman
PART III THE PRACTICE OF LIVE VISUALS
Chapter 12 - VJing, Live Audio-Visuals and Live Cinema
Steve Gibson and Stefan Arisona
Chapter 13 - Immersive Environments and Live Visuals
Steve Gibson
Chapter 14 - Architectural Projections: Changing the Perception of Architecture with Light
Simon Schubiger, Stefan Arisona, Lukas Treyer, and Gerhard Schmitt
Chapter 15 - Design and Live Visuals
Donna Leishman
PART IV INTERVIEWS WITH KEY PRACITIONERS-STEVE GIBSON
Chapter 16 - Interview 1 - Tony Hill, Expanded Cinema pioneer
Chapter 17 - Interview 2 - Christopher Thomas Allen, Founder & Director, The Light Surgeons
Chapter 18 - Interview 3 - Greg Hermanovic, CEO, Derivative
Chapter 19 - Interview 4 - Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and others.
Chapter 20 - Interview 5 - Peter Mettler, Digital and Live Cinema Artist
Afterward
Index
Acknowledgements
Introduction - The Long History of Moving Images Becoming Alive
Steve Gibson
PART I THE HISTORY OF LIVE VISUALS
Chapter 1 - Inventing Instruments: Colour-Tone Correspondence to Colour-Music Performance (pre-1900)
Maura McDonnell
Chapter 2 - Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900-1955)
Steve Gibson
Chapter 3 - Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985)
Steve Gibson
Chapter 4 - Scratch Video and Rave: The Rise of the Live Visuals Performer (1985-2000)
Leon McCarthy and Steve Gibson
Chapter 5 - The Post-conceptual Digital Era (2000-present)
Paul Goodfellow and Steve Gibson
PART II THE THEORY OF LIVE VISUALS
Chapter 6 - Cross-Modal Theories of Sound and Image
Joseph Hyde
Chapter 7 - Live Visuals in Theory and Art
Paul Goodfellow
Chapter 8 - Live Visuals: Technology and Aesthetics
Leon McCarthy
Chapter 9 - AVUIs: Audio-Visual User Interfaces - Working with Users to Create Performance Technologies
Nuno N. Correia and Atau Tanaka
Chapter 10 - A Parametric Model for Audio-Visual Instrument Design, Composition and Performance
Adriana Sa and Atau Tanaka
Chapter 11 - Presence and Live Visuals Performance
Donna Leishman
PART III THE PRACTICE OF LIVE VISUALS
Chapter 12 - VJing, Live Audio-Visuals and Live Cinema
Steve Gibson and Stefan Arisona
Chapter 13 - Immersive Environments and Live Visuals
Steve Gibson
Chapter 14 - Architectural Projections: Changing the Perception of Architecture with Light
Simon Schubiger, Stefan Arisona, Lukas Treyer, and Gerhard Schmitt
Chapter 15 - Design and Live Visuals
Donna Leishman
PART IV INTERVIEWS WITH KEY PRACITIONERS-STEVE GIBSON
Chapter 16 - Interview 1 - Tony Hill, Expanded Cinema pioneer
Chapter 17 - Interview 2 - Christopher Thomas Allen, Founder & Director, The Light Surgeons
Chapter 18 - Interview 3 - Greg Hermanovic, CEO, Derivative
Chapter 19 - Interview 4 - Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and others.
Chapter 20 - Interview 5 - Peter Mettler, Digital and Live Cinema Artist
Afterward
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Live Visuals;Scratch Video;Live Cinema;Audio Visual Relationships;Expanded Cinema;Electronic Music;Audio Visual Artists;VJ Performance;Audio Visual Culture;Tony Hill;Post-conceptual Art;Floor Film;DJ's Music;Visual Music;Colour Music;Vice Versa;Video Mixer;Image Credit;Audio Visual Systems;Smart Phone;DJ Booth;VR Headset;Interactive Art;Audio Visual Environment;AR
