Sonic Engagement
portes grátis
Sonic Engagement
The Ethics and Aesthetics of Community Engaged Audio Practice
Vachon, Wolfgang; Woodland, Sarah
Taylor & Francis Ltd
12/2022
332
Mole
Inglês
9780367758370
15 a 20 dias
639
Descrição não disponível.
List of Figures
List of Contributors
Introduction: Distilling an Interdisciplinary Approach
Sarah Woodland and Wolfgang Vachon
PART 1
First Knowledges First
Introduction
1. Bu'ra'nga'man | Dadirri | Yimbilli: Echoes of Listening to Country
Bianca Beetson, Vicki Saunders, Sarah Woodland, and Leah Barclay
PART 2
Sonic Knowing: Meaning and Resonance
Introduction
2. Audio drama inquiry: A telling method of research
Wolfgang Vachon
3. What does a cellphilm (cellphone + film production + intention) sound like? The ethics and aesthetics of cellphilm method
Casey Burkholder and Katie MacEntee
4. Composing place: Creating participatory sound portraits and compilations
Maureen Flint, Morgan Shiver and Ryanne Whyte
5. The radio play as restorative justice education: A creative collaboration between a grassroots organisation and artists
Tanyss Knowles and Frank J. Tester
PART 3
Sonic Assembly: Building Communities and Publics
Introduction
6. More-than-social listening: Undercover engagements and undoing auditory norms
Jill Halstead and Brandon LaBelle
7. Reinscribing the noise: New media walk technologies and the politics of community engagement
Christos Carras and Eric Lewis
8. Hyper-listening and co-listening: Reflections on sound, selfhood, and solidarity
Budhaditya Chattopadhyay
9. I make noise therefore I am: Aesthetics of sonic experimentation in participatory art and culture
Vadim Keylin
PART 4
Sonic Disruptions: Creating Auditory Counter-Narratives
Introduction
10. Sound travels faster over water: Sonically re-designing institutional aural architecture with The Verbatim Formula
Maggie Inchley and Sylvan Baker
11. Yellow Couch Convos Podcast series: Navigating identity politics through collective voices and counternarratives
Rosemary (Rosa) Cisneros
12. Many Worlds in One Place: Composition as a Site of Encounter
Toby Young
13. Odyssey on the airwaves: A journey from HMP to hope
Gary Anderson and Niamh Malone
PART 5
Sonic Resistance: Soundscapes of Protest and Activism
Introduction
14. Engaging communities in listening to ecosystems: Case studies from acoustic ecology research in Australia and Mexico
Leah Barclay
15. Aural counterpublic resistance: Noise, silence, and acoustical agency in protest tactics
Nimalan Yoganathan
16. Street hassle: Noise, art, and activism
Mitchell Akiyama, in conversation with Don't Rhine and Syrus Marcus Ware
Concluding Acknowledgement
Index
List of Contributors
Introduction: Distilling an Interdisciplinary Approach
Sarah Woodland and Wolfgang Vachon
PART 1
First Knowledges First
Introduction
1. Bu'ra'nga'man | Dadirri | Yimbilli: Echoes of Listening to Country
Bianca Beetson, Vicki Saunders, Sarah Woodland, and Leah Barclay
PART 2
Sonic Knowing: Meaning and Resonance
Introduction
2. Audio drama inquiry: A telling method of research
Wolfgang Vachon
3. What does a cellphilm (cellphone + film production + intention) sound like? The ethics and aesthetics of cellphilm method
Casey Burkholder and Katie MacEntee
4. Composing place: Creating participatory sound portraits and compilations
Maureen Flint, Morgan Shiver and Ryanne Whyte
5. The radio play as restorative justice education: A creative collaboration between a grassroots organisation and artists
Tanyss Knowles and Frank J. Tester
PART 3
Sonic Assembly: Building Communities and Publics
Introduction
6. More-than-social listening: Undercover engagements and undoing auditory norms
Jill Halstead and Brandon LaBelle
7. Reinscribing the noise: New media walk technologies and the politics of community engagement
Christos Carras and Eric Lewis
8. Hyper-listening and co-listening: Reflections on sound, selfhood, and solidarity
Budhaditya Chattopadhyay
9. I make noise therefore I am: Aesthetics of sonic experimentation in participatory art and culture
Vadim Keylin
PART 4
Sonic Disruptions: Creating Auditory Counter-Narratives
Introduction
10. Sound travels faster over water: Sonically re-designing institutional aural architecture with The Verbatim Formula
Maggie Inchley and Sylvan Baker
11. Yellow Couch Convos Podcast series: Navigating identity politics through collective voices and counternarratives
Rosemary (Rosa) Cisneros
12. Many Worlds in One Place: Composition as a Site of Encounter
Toby Young
13. Odyssey on the airwaves: A journey from HMP to hope
Gary Anderson and Niamh Malone
PART 5
Sonic Resistance: Soundscapes of Protest and Activism
Introduction
14. Engaging communities in listening to ecosystems: Case studies from acoustic ecology research in Australia and Mexico
Leah Barclay
15. Aural counterpublic resistance: Noise, silence, and acoustical agency in protest tactics
Nimalan Yoganathan
16. Street hassle: Noise, art, and activism
Mitchell Akiyama, in conversation with Don't Rhine and Syrus Marcus Ware
Concluding Acknowledgement
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sound Walks;Acoustic Ecology;Playback;Sound Studies;Restorative Justice;Audio Drama;Held;Follow;Sonic Colour Line;Media Walks;Sound Studies Scholars;Clips;Sound Art;Protest Aesthetics;Youth Care Practitioners;UK Prison;Applied Theatre Projects;Michael Bull;Youth Care;Participatory Sound;Community Engaged;USA;Unique Affordances;UNESCO Biosphere Reserve;DIY Aesthetics
List of Figures
List of Contributors
Introduction: Distilling an Interdisciplinary Approach
Sarah Woodland and Wolfgang Vachon
PART 1
First Knowledges First
Introduction
1. Bu'ra'nga'man | Dadirri | Yimbilli: Echoes of Listening to Country
Bianca Beetson, Vicki Saunders, Sarah Woodland, and Leah Barclay
PART 2
Sonic Knowing: Meaning and Resonance
Introduction
2. Audio drama inquiry: A telling method of research
Wolfgang Vachon
3. What does a cellphilm (cellphone + film production + intention) sound like? The ethics and aesthetics of cellphilm method
Casey Burkholder and Katie MacEntee
4. Composing place: Creating participatory sound portraits and compilations
Maureen Flint, Morgan Shiver and Ryanne Whyte
5. The radio play as restorative justice education: A creative collaboration between a grassroots organisation and artists
Tanyss Knowles and Frank J. Tester
PART 3
Sonic Assembly: Building Communities and Publics
Introduction
6. More-than-social listening: Undercover engagements and undoing auditory norms
Jill Halstead and Brandon LaBelle
7. Reinscribing the noise: New media walk technologies and the politics of community engagement
Christos Carras and Eric Lewis
8. Hyper-listening and co-listening: Reflections on sound, selfhood, and solidarity
Budhaditya Chattopadhyay
9. I make noise therefore I am: Aesthetics of sonic experimentation in participatory art and culture
Vadim Keylin
PART 4
Sonic Disruptions: Creating Auditory Counter-Narratives
Introduction
10. Sound travels faster over water: Sonically re-designing institutional aural architecture with The Verbatim Formula
Maggie Inchley and Sylvan Baker
11. Yellow Couch Convos Podcast series: Navigating identity politics through collective voices and counternarratives
Rosemary (Rosa) Cisneros
12. Many Worlds in One Place: Composition as a Site of Encounter
Toby Young
13. Odyssey on the airwaves: A journey from HMP to hope
Gary Anderson and Niamh Malone
PART 5
Sonic Resistance: Soundscapes of Protest and Activism
Introduction
14. Engaging communities in listening to ecosystems: Case studies from acoustic ecology research in Australia and Mexico
Leah Barclay
15. Aural counterpublic resistance: Noise, silence, and acoustical agency in protest tactics
Nimalan Yoganathan
16. Street hassle: Noise, art, and activism
Mitchell Akiyama, in conversation with Don't Rhine and Syrus Marcus Ware
Concluding Acknowledgement
Index
List of Contributors
Introduction: Distilling an Interdisciplinary Approach
Sarah Woodland and Wolfgang Vachon
PART 1
First Knowledges First
Introduction
1. Bu'ra'nga'man | Dadirri | Yimbilli: Echoes of Listening to Country
Bianca Beetson, Vicki Saunders, Sarah Woodland, and Leah Barclay
PART 2
Sonic Knowing: Meaning and Resonance
Introduction
2. Audio drama inquiry: A telling method of research
Wolfgang Vachon
3. What does a cellphilm (cellphone + film production + intention) sound like? The ethics and aesthetics of cellphilm method
Casey Burkholder and Katie MacEntee
4. Composing place: Creating participatory sound portraits and compilations
Maureen Flint, Morgan Shiver and Ryanne Whyte
5. The radio play as restorative justice education: A creative collaboration between a grassroots organisation and artists
Tanyss Knowles and Frank J. Tester
PART 3
Sonic Assembly: Building Communities and Publics
Introduction
6. More-than-social listening: Undercover engagements and undoing auditory norms
Jill Halstead and Brandon LaBelle
7. Reinscribing the noise: New media walk technologies and the politics of community engagement
Christos Carras and Eric Lewis
8. Hyper-listening and co-listening: Reflections on sound, selfhood, and solidarity
Budhaditya Chattopadhyay
9. I make noise therefore I am: Aesthetics of sonic experimentation in participatory art and culture
Vadim Keylin
PART 4
Sonic Disruptions: Creating Auditory Counter-Narratives
Introduction
10. Sound travels faster over water: Sonically re-designing institutional aural architecture with The Verbatim Formula
Maggie Inchley and Sylvan Baker
11. Yellow Couch Convos Podcast series: Navigating identity politics through collective voices and counternarratives
Rosemary (Rosa) Cisneros
12. Many Worlds in One Place: Composition as a Site of Encounter
Toby Young
13. Odyssey on the airwaves: A journey from HMP to hope
Gary Anderson and Niamh Malone
PART 5
Sonic Resistance: Soundscapes of Protest and Activism
Introduction
14. Engaging communities in listening to ecosystems: Case studies from acoustic ecology research in Australia and Mexico
Leah Barclay
15. Aural counterpublic resistance: Noise, silence, and acoustical agency in protest tactics
Nimalan Yoganathan
16. Street hassle: Noise, art, and activism
Mitchell Akiyama, in conversation with Don't Rhine and Syrus Marcus Ware
Concluding Acknowledgement
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sound Walks;Acoustic Ecology;Playback;Sound Studies;Restorative Justice;Audio Drama;Held;Follow;Sonic Colour Line;Media Walks;Sound Studies Scholars;Clips;Sound Art;Protest Aesthetics;Youth Care Practitioners;UK Prison;Applied Theatre Projects;Michael Bull;Youth Care;Participatory Sound;Community Engaged;USA;Unique Affordances;UNESCO Biosphere Reserve;DIY Aesthetics