Innovation in Music: Technology and Creativity
portes grátis
Innovation in Music: Technology and Creativity
Gulloe, Jan-Olof; Toulson, Rob; Paterson, Justin; Marrington, Mark; Hepworth-Sawyer, Russ
Taylor & Francis Ltd
03/2024
342
Dura
Inglês
9780367633370
15 a 20 dias
Descrição não disponível.
Part 1: Composition and Performance 1. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music 2. Timin consistency in live EDM: The 'Performable Recordings' Model 3. The Space is the Place: Interplay and Interaction in an Extreme Location 4. Composing Without Keys: The LFO as a Composition Tool 5. Exploring a Network Setup for Music Experimentation 6. Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State 7. Hacking the Concert Experience: Exploring Co-Creative Audience Interaction at a Chiptune Live Performance 8. Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works 9. A Deepened 'Sense of Place': Ecologies of Sound and Vibration in Urban Settings and Domesticated Landscapes Part 2: Technology and Innovation 10. "Yesterday's Charm, Today's Precision": Martin B. Kantola and the Design of a New 'Classic' Microphone (Nordic Audio Labs NU-100K) 11. Audio Beyond Demand: Creative Reinventions of the Broadcast Listening Experience 12. Towards a Standard for Interactive Music 13. Transforming Performance with HASGS: Research-led Artistic Practice with an Augmented Instrument 14. Waveforms as Means of Time Tinkering 15. Levelling up Chiptune: Nostalgic Retro Games Console Sounds for the ROLI Seaboard 16. Forceful Action and Interaction in Non-Haptic Music Interfaces 17. Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI 18. From Digital Assistant to Digital Collaborator 19. Analyse! Development and Integration of Software-Based Tools for Musicology and Music Theory 20. A New Morphology: Strategies for Innovation in Live Electronics Performance
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electronic music performance;interactive sound systems;live audio engineering;creative music interfaces;artificial intelligence music;audience participation research;dynamic composition techniques
Part 1: Composition and Performance 1. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music 2. Timin consistency in live EDM: The 'Performable Recordings' Model 3. The Space is the Place: Interplay and Interaction in an Extreme Location 4. Composing Without Keys: The LFO as a Composition Tool 5. Exploring a Network Setup for Music Experimentation 6. Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State 7. Hacking the Concert Experience: Exploring Co-Creative Audience Interaction at a Chiptune Live Performance 8. Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works 9. A Deepened 'Sense of Place': Ecologies of Sound and Vibration in Urban Settings and Domesticated Landscapes Part 2: Technology and Innovation 10. "Yesterday's Charm, Today's Precision": Martin B. Kantola and the Design of a New 'Classic' Microphone (Nordic Audio Labs NU-100K) 11. Audio Beyond Demand: Creative Reinventions of the Broadcast Listening Experience 12. Towards a Standard for Interactive Music 13. Transforming Performance with HASGS: Research-led Artistic Practice with an Augmented Instrument 14. Waveforms as Means of Time Tinkering 15. Levelling up Chiptune: Nostalgic Retro Games Console Sounds for the ROLI Seaboard 16. Forceful Action and Interaction in Non-Haptic Music Interfaces 17. Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI 18. From Digital Assistant to Digital Collaborator 19. Analyse! Development and Integration of Software-Based Tools for Musicology and Music Theory 20. A New Morphology: Strategies for Innovation in Live Electronics Performance
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
