Innovation in Music: Cultures and Contexts

Part 1: Creative Production Practice 1. Staging Notions of Space: Realising Compositional Intention in 3D and Stereo Record Production Through Dolby Atmos 2. Exploring Dolby Atmos: Past, Present, and Future 3. Introducing the Hyper Near-Field Dolby Atmos Tiny Studio 4. Rap as Composite Auditory Streams: Techniques and Approaches for Chimericity Through Layered Vocal Production in Hip-Hop, and their Aesthetic Implications 5. Exploring the History of Distortion in Drum and Bass 6. Dynamic Meta-Spatialization: Narrative and Recontextualization Implications of Spatial Stage Stacking 7. Vocal Chops: Another Human/Machine Hybrid 8. "Come together, right now...": Making Remote Multiparty in-the-Box Audio Mixing a Reality 9. A Creative Methodology for Self-Production 10. Two Production Strategies for Music Synchronisation: As Speculative Entrepreneurship Part 2: National and International Perspectives 11. Mobile Classical Music - Recording, Innovation, Networks and Mediatization: Three Swedish Case Studies From the 1940s to 2021 12. "Culture Produces an Industry": Production and Promotion Strategies of Campus Song Records by Taiwanese Synco Corporation 13. Business Model Innovation in the Music Industry 14. Yellow Music in Diaspora: Re-Inventing the Sound of Pre-1975 Record Production in Sai Gon 15. Innovating Music Experiences: Creativity in Pandemic Times 16. Connecting Across Borders: Communication Tools and Group Practices of Remote Music Collaborators 17. From Master Pieces to Masterpiece: Source Selection and Reformatting During the Republishing Process of Legacy Music Productions

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• Gravação e reprodução musical
• Processamento áudio
• Teoria da música e musicologia

audio engineering;spatial audio techniques;remote collaboration;hip-hop production;music industry research;sound distortion history;immersive audio production methods