Indigenous African Popular Music, Volume 2

Part I Indigenous African Popular Music, Democracy, Politics and Social Crusade.- 1 Extra-Mundane Communication in Ayinla Omowura's Music: Exploring Connections Between a Tool and an Agent.- 2 The Role of Politicians in Democratizing Musical Production in Northern Nigeria.- 3 Popular Music, Political Mobilisation and Grandstanding: An Analysis of Maskandi in Legitimisation of Jacob Zuma (2008-2018).- 4 Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe.- 5 Indigenous African Popular Music, Democracy and Politics6 Music and Political Protests in Africa: Analysis of Selected Fela Anikulapo-Kuti's Songs in Nigeria.- 7 Singing Democracy and Politics in Post-Independence Zimbabwe: A Critical Discourse Analysis of Selfcensorship in Zimbabwean Indigenous Theological-Sungura Music.- 8 Indigenous African Artistes as Social Critics: A Study of Evangelist Bayo Adegboyega of Yoruba Extraction.- 9 State-Minded Praise Music Culture Through Electoral Nigeria.- 10 Beyond Mere Entertainment: Moral Reorientation in Ogundare Foyanmu's Ijala Song-Texts.- 11 Nigerian Indigenous Music as an Instrument of Social Crusade and Enlightenment: An Appraisal of Selected Albums of Sikiru Ayinde Barrister, Dauda Epo Akara and Odolaye Aremu.- Part II Indigenous African Popular Music and Environmental Health Communication.- 12 Yoruba Indigenous Musical Jingles on COVID-19: A Content Appraisal.-13 Promotion of Food Sovereignty in Africa Through Yoruba's Indigenous Music.- 14 Mainstreaming Afro-hip-hop Music in Redressing the Spread of Infodemics on COVID-19.- Part III Indigenous African Popular Music and Gender Empowerment.- 15 Why Not Call a Spade a Spade? Unpacking Paul Matavire's Gender Philosophy.- 16 The Communicativeness of Select Nigerian Afro-hip-hop Lyrics and Sociological Perception of Women.- 17 Content and Reception of Eswatini's Indigenous and Popular Music on Women Empowerment .- Part IV Indigenous African Popular Music, African Youths and African Future.- 18 Ngoma Songs as Tanzanian Youths' Third Space for Political Participation.- 19 The Future of the Indigenous African Popular Music.- 20 The Popular Cultural Practice of Hip-Hop Among The Indigenous !Xun and Khwe Youth of Platfontein, South Africa.- 21 Zimdancehall Music as Rules ofSexual Engagement.- Part V Indigenous African Popular Music, Advanced Broadcast Technologies and the Digital Media.- 22 Tradi-Modern Musical Genres Amidst Neo-Colonial Western Digital Recording Towards Development in Benue State.- 23 The Evolution of the Roles of Producers in the Zimbabwe Recording Industry.-24 Topic: Indigenous African Music Economics: Survival Strategies in the Face of Web Technologies .- 25 Commodification of Music in the Digital Age: Locating Namibia's Oviritje Popular Music Genre in the Capitalist Music Economy.- 26 The Role of Sound Archiving of Indigenous Popular Music in the Conflict Zones of North-Eastern Nigeria.

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• Estudos cultirais
• Idioma: referência e geral
• Estudos de comunicação
• Migração de imigração, emigração e
• História africana
• Audição descontraída, música MOR

African indigenous language media;African philosophies;African artists;dissidence;democracy;Afro-hiphop;Yoruba;Eswantini;Zimdancehall