From Heidegger to Performance
portes grátis
From Heidegger to Performance
Hay, Marie; Leach, Martin
Rowman & Littlefield
12/2024
192
Dura
Inglês
9781538168455
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction (Marie Hay and Martin Leach)
I. Heidegger and the Idea of Performativity
'Entering the fundamental occurrence: the essential step' (Stuart Grant, Monash University, Australia)
II. Performance and temporality
'Heidegger's Augenblick and the Ephemerality of the Dance' (Catherine F. Botha, University of Johannesburg, South Africa)
'Dancing and Reading Time and Being: Rethinking the performer's techne in the age of nonmimetic performance' (Kirsti Monni, University of the Arts, Helsinki, Finland)
III. Performance and entanglement
'Heideggerian Care and Relational Performance: Solicitude, Curiosity, Care and Machination' (Paul Geary, Independent scholar, UK)
IV. Performance and unconcealment
'Misfitness: Poetics of the Clown and Principles of Practice' (Marcelo de Almeida Libanio, Circo Teatro Udigrudi, Brazil)
'They Rock: Post-script for the drama of becoming unhomely' (Hester Reeve, Sheffield Hallam University, UK)
V. Performance and attunement
'Active Affection: Heidegger's Account of Performativity as Middle-Voice' (Lucilla Guidi, University of Dresden, Germany)
Conclusion: Heidegger's performative legacy
I. Heidegger and the Idea of Performativity
'Entering the fundamental occurrence: the essential step' (Stuart Grant, Monash University, Australia)
II. Performance and temporality
'Heidegger's Augenblick and the Ephemerality of the Dance' (Catherine F. Botha, University of Johannesburg, South Africa)
'Dancing and Reading Time and Being: Rethinking the performer's techne in the age of nonmimetic performance' (Kirsti Monni, University of the Arts, Helsinki, Finland)
III. Performance and entanglement
'Heideggerian Care and Relational Performance: Solicitude, Curiosity, Care and Machination' (Paul Geary, Independent scholar, UK)
IV. Performance and unconcealment
'Misfitness: Poetics of the Clown and Principles of Practice' (Marcelo de Almeida Libanio, Circo Teatro Udigrudi, Brazil)
'They Rock: Post-script for the drama of becoming unhomely' (Hester Reeve, Sheffield Hallam University, UK)
V. Performance and attunement
'Active Affection: Heidegger's Account of Performativity as Middle-Voice' (Lucilla Guidi, University of Dresden, Germany)
Conclusion: Heidegger's performative legacy
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
aesthetics, books about aesthetics;Continental philosophy, books about continental philosophy;dance, books about dance;German philosophy, books about german philosophy;heidegger, books about heidegger;installation, books about installation, art installation, books about art installation;metaphysics, books about metaphysics;performance, books about performance;performativity, books about performativity;phenomenology, books about phenomenology;theatre, books about theatre, theater; books about theater
Introduction (Marie Hay and Martin Leach)
I. Heidegger and the Idea of Performativity
'Entering the fundamental occurrence: the essential step' (Stuart Grant, Monash University, Australia)
II. Performance and temporality
'Heidegger's Augenblick and the Ephemerality of the Dance' (Catherine F. Botha, University of Johannesburg, South Africa)
'Dancing and Reading Time and Being: Rethinking the performer's techne in the age of nonmimetic performance' (Kirsti Monni, University of the Arts, Helsinki, Finland)
III. Performance and entanglement
'Heideggerian Care and Relational Performance: Solicitude, Curiosity, Care and Machination' (Paul Geary, Independent scholar, UK)
IV. Performance and unconcealment
'Misfitness: Poetics of the Clown and Principles of Practice' (Marcelo de Almeida Libanio, Circo Teatro Udigrudi, Brazil)
'They Rock: Post-script for the drama of becoming unhomely' (Hester Reeve, Sheffield Hallam University, UK)
V. Performance and attunement
'Active Affection: Heidegger's Account of Performativity as Middle-Voice' (Lucilla Guidi, University of Dresden, Germany)
Conclusion: Heidegger's performative legacy
I. Heidegger and the Idea of Performativity
'Entering the fundamental occurrence: the essential step' (Stuart Grant, Monash University, Australia)
II. Performance and temporality
'Heidegger's Augenblick and the Ephemerality of the Dance' (Catherine F. Botha, University of Johannesburg, South Africa)
'Dancing and Reading Time and Being: Rethinking the performer's techne in the age of nonmimetic performance' (Kirsti Monni, University of the Arts, Helsinki, Finland)
III. Performance and entanglement
'Heideggerian Care and Relational Performance: Solicitude, Curiosity, Care and Machination' (Paul Geary, Independent scholar, UK)
IV. Performance and unconcealment
'Misfitness: Poetics of the Clown and Principles of Practice' (Marcelo de Almeida Libanio, Circo Teatro Udigrudi, Brazil)
'They Rock: Post-script for the drama of becoming unhomely' (Hester Reeve, Sheffield Hallam University, UK)
V. Performance and attunement
'Active Affection: Heidegger's Account of Performativity as Middle-Voice' (Lucilla Guidi, University of Dresden, Germany)
Conclusion: Heidegger's performative legacy
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
aesthetics, books about aesthetics;Continental philosophy, books about continental philosophy;dance, books about dance;German philosophy, books about german philosophy;heidegger, books about heidegger;installation, books about installation, art installation, books about art installation;metaphysics, books about metaphysics;performance, books about performance;performativity, books about performativity;phenomenology, books about phenomenology;theatre, books about theatre, theater; books about theater
