Phenomenology for Actors

List of Illustrations



Acknowledgements



A Note on the Text



1. Beginnings: Being There



Touching Hands with Being



What Is Phenomenology?



Performance and Phenomenology



Philosophers on Stage



Mapping the Self



2. Phenomenology: Being-in-the-World



Some Background Terms



Space and Bodies



The History of Being



Destruktion and the Text



From Theory to Practice



Observe a Walk



Observe Stillness



Scrutinize an Object



Chart a Place Well Known to You



Unpack a Place Where You Feel At Home



Dissect a Familiar Activity



Describe a Person



Recount a Time When You Struggled to Communicate



Demonstrate a Moment When You Had an Unusual Experience of Time



Stage a Life Choice



Recreate the Instant in Which Your Life Was Threatened



Text-Character-Performance



3. Being-with Others: The Cherry Orchard



Equipment



Involvement



Touch



Being Elsewhere



Other People





Authenticity and Freedom: Antigone


Falling



Nothingness



Moods and Faring



Thrownness and Projection



Fate and Destiny



5. Time and Resoluteness: Hamlet



Timeliness



Having a History



Being-a-Whole



Resoluteness



Being-towards-Death



6. Possibilities: Aletheia



On the Essence of Truth in Theatre



Poetry, Language, Theatre



Building, Dwelling, Theatre



The Question concerning Theatre Technology



Ereignis



References



Index

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• Artes
• Estudos teatrais
• Técnicas de representação
• Fenomenologia e existencialismo
• Filosofia

theatre; acting; drama; philosophy; phenomenology; Anton Chekov; The Cherry Orchard; rehearsal; anti-gone; Shakespeare; scripts; training; actor-training; performance