Fantastic Shapes: Topology and Textuality in Romantic Poetry

Introductory

i. Hyperbolic

ii. Let X(anadu) be a space

iii. At the top|ology

iv. In sum

Local Behaviours

i. Strips and bottles

ii. Zones and chequerwork

iii. Boke, ditty, sang

iv. The same but different

v. That kind of textuality

vi. Topology and topography

vii. Concluding

viii. Coda: Cylindrical

Limit Points

i. Categories of space

ii. Here and there

iii. Transhorizonal

iv. Endnotes

v. These mournful lines

Lava Urns and Connected Sums

i. Textual

ii. Curvature, excess

iii. Lava urns, connected sums

iv. Impress'd

Speech Marks

i. Shelley space

ii. Metasources

iii. To whom thou say'st

Coda: Vanishing Points

i. Refractions

ii. Projections

iii. Reflections

iv. Impressions

v. Horizons

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• História da Matemática
• Estudos literários: c 1500 a c 1800
• Teorias literárias
• Estudos literários: poesia e poetas
• Estudos literários: c 1800 a c 1900

poetic form;non-Euclidean mathematics;Keats;Shelley;Romanticism