Data Curation and Information Systems Design from Australasia
portes grátis
Data Curation and Information Systems Design from Australasia
Implications for Cataloguing of Vernacular Knowledge in Galleries, Libraries, Archives, and Museums
Mehra, Bharat; Nichols, Julie
Emerald Publishing Limited
01/2024
360
Dura
Inglês
9781804556153
15 a 20 dias
Descrição não disponível.
POEM; Yali Leanne Windl
PREFACE; Kirsten Thorpe
INTRODUCTION: Co-design & Social Justice Opportunities in Information System Design; Julie Nichols and Bharat Mehra
PART 1: INFRASTRUCTURE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 1. The Ethics and Cultural Sensitivities of Data Management: Some Considerations; Anna Leditschke, Julie Nichols, Karl Farrow, and Quenten Agius
Chapter 2. Enhanced Material Management: Application of Natural Language Processing and Rule Based Modelling for Simplifying Storage Requirements in a Museum; Georg Grossmann, Alice Beale, Harkaran Singh, Ben Smith, and Julie Nichols
Chapter 3. Reflections from the Field: Country in a Plastic Bag; Stephen Nova
Chapter 4. Galleries, Libraries, Archives, Museums [GLAM]-focused Games and Gamification; Erik Champion and Susannah Emery
PART 2: BODIES OF KNOWLEDGE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 5. Entwined Vernaculars: Heritages of Tolerances, Reconciliation and Resistance; Julie Nichols and Quenten Agius
Chapter 6. Working to Improve the Fire Exhibit of the Australian Aboriginal Cultures Gallery (AACG); Jared Thomas
Chapter 7. An Exploration of Digital Representation of Australian Aboriginal Art in Museums for Immersive Engagement; Rui Zhang and Fanke Peng
Chapter 8. Clapsticks: Investigating Curatorial Opportunities; Eloise Labaz, Julie Nichols, Rebecca Agius, and Quenten Agius
Chapter 9. Alternate Worldviews: Implications for Design, Architecture, and Cultural Records; Subook Samridhi and Yali Leanne Windl
Chapter 10. More Than an Exhibition: Finding Voice, Tiati (truth) and New Perspectives; Julia Garnaut, Lynette Crocker, Jeffrey Newchurch, and Merle Simpson
PART 3: BODIES OF EXPERIENCE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 11. Yarning Journeys: Ngadjuri Perspectives on Cultural Heritage; Julie Nichols, Jeffrey Newchurch, Robert Rigney, Bonita Sansbury, and Tinesha Miller
Chapter 12. The Significance of Country: Ngadjuri Voices and Cultural Heritage; Julie Nichols, Lynette Newchurch, Rebecca Agius, Ann Newchurch, and David Weetra
Chapter 13. Agency and Authority in Intangible Cultural Heritage; Brye Marshall and Julie Nichols
Chapter 14. Aboriginal Cultural Heritage in South Australia: Where to Next?; Deanne Hanchant-Nichols
PART 4. REPRESENTATION [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 15. 'Inter-sites of Knowledge': Jules Janssen's Nineteenth-century Astronomical Apparatus and a Contemporary Moving Image System; Deirdre Feeney
Chapter 16. AR Storytelling for the Galleries, Libraries, Archives, Museum [GLAM] Sector: A case Study with the South Australian Museum Fire Exhibit and Megafauna Displays; Ben Stubbs
Chapter 17. Can the Transdisciplinary Co-creation of Extended Reality Experience (XR) Artworks Help Decolonise the GLAM Sector?; Mairi Gunn, Irene Hancy, and Tanya Remana
Chapter 18. Beyond the Inanimate Line: Expanding Narratives of Drawings in Contemporary Creative Practice and Architectural Education; Katica Pedisic
CONCLUSION; Julie Nichols and Bharat Mehra
PREFACE; Kirsten Thorpe
INTRODUCTION: Co-design & Social Justice Opportunities in Information System Design; Julie Nichols and Bharat Mehra
PART 1: INFRASTRUCTURE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 1. The Ethics and Cultural Sensitivities of Data Management: Some Considerations; Anna Leditschke, Julie Nichols, Karl Farrow, and Quenten Agius
Chapter 2. Enhanced Material Management: Application of Natural Language Processing and Rule Based Modelling for Simplifying Storage Requirements in a Museum; Georg Grossmann, Alice Beale, Harkaran Singh, Ben Smith, and Julie Nichols
Chapter 3. Reflections from the Field: Country in a Plastic Bag; Stephen Nova
Chapter 4. Galleries, Libraries, Archives, Museums [GLAM]-focused Games and Gamification; Erik Champion and Susannah Emery
PART 2: BODIES OF KNOWLEDGE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 5. Entwined Vernaculars: Heritages of Tolerances, Reconciliation and Resistance; Julie Nichols and Quenten Agius
Chapter 6. Working to Improve the Fire Exhibit of the Australian Aboriginal Cultures Gallery (AACG); Jared Thomas
Chapter 7. An Exploration of Digital Representation of Australian Aboriginal Art in Museums for Immersive Engagement; Rui Zhang and Fanke Peng
Chapter 8. Clapsticks: Investigating Curatorial Opportunities; Eloise Labaz, Julie Nichols, Rebecca Agius, and Quenten Agius
Chapter 9. Alternate Worldviews: Implications for Design, Architecture, and Cultural Records; Subook Samridhi and Yali Leanne Windl
Chapter 10. More Than an Exhibition: Finding Voice, Tiati (truth) and New Perspectives; Julia Garnaut, Lynette Crocker, Jeffrey Newchurch, and Merle Simpson
PART 3: BODIES OF EXPERIENCE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 11. Yarning Journeys: Ngadjuri Perspectives on Cultural Heritage; Julie Nichols, Jeffrey Newchurch, Robert Rigney, Bonita Sansbury, and Tinesha Miller
Chapter 12. The Significance of Country: Ngadjuri Voices and Cultural Heritage; Julie Nichols, Lynette Newchurch, Rebecca Agius, Ann Newchurch, and David Weetra
Chapter 13. Agency and Authority in Intangible Cultural Heritage; Brye Marshall and Julie Nichols
Chapter 14. Aboriginal Cultural Heritage in South Australia: Where to Next?; Deanne Hanchant-Nichols
PART 4. REPRESENTATION [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 15. 'Inter-sites of Knowledge': Jules Janssen's Nineteenth-century Astronomical Apparatus and a Contemporary Moving Image System; Deirdre Feeney
Chapter 16. AR Storytelling for the Galleries, Libraries, Archives, Museum [GLAM] Sector: A case Study with the South Australian Museum Fire Exhibit and Megafauna Displays; Ben Stubbs
Chapter 17. Can the Transdisciplinary Co-creation of Extended Reality Experience (XR) Artworks Help Decolonise the GLAM Sector?; Mairi Gunn, Irene Hancy, and Tanya Remana
Chapter 18. Beyond the Inanimate Line: Expanding Narratives of Drawings in Contemporary Creative Practice and Architectural Education; Katica Pedisic
CONCLUSION; Julie Nichols and Bharat Mehra
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
GLAM infrastructure; Archiving Indigenous knowledge; Cultural heritage materials for GLAM; Visualising digital humanities; Australasian Indigenous data sovereignty; Data governance
POEM; Yali Leanne Windl
PREFACE; Kirsten Thorpe
INTRODUCTION: Co-design & Social Justice Opportunities in Information System Design; Julie Nichols and Bharat Mehra
PART 1: INFRASTRUCTURE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 1. The Ethics and Cultural Sensitivities of Data Management: Some Considerations; Anna Leditschke, Julie Nichols, Karl Farrow, and Quenten Agius
Chapter 2. Enhanced Material Management: Application of Natural Language Processing and Rule Based Modelling for Simplifying Storage Requirements in a Museum; Georg Grossmann, Alice Beale, Harkaran Singh, Ben Smith, and Julie Nichols
Chapter 3. Reflections from the Field: Country in a Plastic Bag; Stephen Nova
Chapter 4. Galleries, Libraries, Archives, Museums [GLAM]-focused Games and Gamification; Erik Champion and Susannah Emery
PART 2: BODIES OF KNOWLEDGE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 5. Entwined Vernaculars: Heritages of Tolerances, Reconciliation and Resistance; Julie Nichols and Quenten Agius
Chapter 6. Working to Improve the Fire Exhibit of the Australian Aboriginal Cultures Gallery (AACG); Jared Thomas
Chapter 7. An Exploration of Digital Representation of Australian Aboriginal Art in Museums for Immersive Engagement; Rui Zhang and Fanke Peng
Chapter 8. Clapsticks: Investigating Curatorial Opportunities; Eloise Labaz, Julie Nichols, Rebecca Agius, and Quenten Agius
Chapter 9. Alternate Worldviews: Implications for Design, Architecture, and Cultural Records; Subook Samridhi and Yali Leanne Windl
Chapter 10. More Than an Exhibition: Finding Voice, Tiati (truth) and New Perspectives; Julia Garnaut, Lynette Crocker, Jeffrey Newchurch, and Merle Simpson
PART 3: BODIES OF EXPERIENCE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 11. Yarning Journeys: Ngadjuri Perspectives on Cultural Heritage; Julie Nichols, Jeffrey Newchurch, Robert Rigney, Bonita Sansbury, and Tinesha Miller
Chapter 12. The Significance of Country: Ngadjuri Voices and Cultural Heritage; Julie Nichols, Lynette Newchurch, Rebecca Agius, Ann Newchurch, and David Weetra
Chapter 13. Agency and Authority in Intangible Cultural Heritage; Brye Marshall and Julie Nichols
Chapter 14. Aboriginal Cultural Heritage in South Australia: Where to Next?; Deanne Hanchant-Nichols
PART 4. REPRESENTATION [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 15. 'Inter-sites of Knowledge': Jules Janssen's Nineteenth-century Astronomical Apparatus and a Contemporary Moving Image System; Deirdre Feeney
Chapter 16. AR Storytelling for the Galleries, Libraries, Archives, Museum [GLAM] Sector: A case Study with the South Australian Museum Fire Exhibit and Megafauna Displays; Ben Stubbs
Chapter 17. Can the Transdisciplinary Co-creation of Extended Reality Experience (XR) Artworks Help Decolonise the GLAM Sector?; Mairi Gunn, Irene Hancy, and Tanya Remana
Chapter 18. Beyond the Inanimate Line: Expanding Narratives of Drawings in Contemporary Creative Practice and Architectural Education; Katica Pedisic
CONCLUSION; Julie Nichols and Bharat Mehra
PREFACE; Kirsten Thorpe
INTRODUCTION: Co-design & Social Justice Opportunities in Information System Design; Julie Nichols and Bharat Mehra
PART 1: INFRASTRUCTURE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 1. The Ethics and Cultural Sensitivities of Data Management: Some Considerations; Anna Leditschke, Julie Nichols, Karl Farrow, and Quenten Agius
Chapter 2. Enhanced Material Management: Application of Natural Language Processing and Rule Based Modelling for Simplifying Storage Requirements in a Museum; Georg Grossmann, Alice Beale, Harkaran Singh, Ben Smith, and Julie Nichols
Chapter 3. Reflections from the Field: Country in a Plastic Bag; Stephen Nova
Chapter 4. Galleries, Libraries, Archives, Museums [GLAM]-focused Games and Gamification; Erik Champion and Susannah Emery
PART 2: BODIES OF KNOWLEDGE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 5. Entwined Vernaculars: Heritages of Tolerances, Reconciliation and Resistance; Julie Nichols and Quenten Agius
Chapter 6. Working to Improve the Fire Exhibit of the Australian Aboriginal Cultures Gallery (AACG); Jared Thomas
Chapter 7. An Exploration of Digital Representation of Australian Aboriginal Art in Museums for Immersive Engagement; Rui Zhang and Fanke Peng
Chapter 8. Clapsticks: Investigating Curatorial Opportunities; Eloise Labaz, Julie Nichols, Rebecca Agius, and Quenten Agius
Chapter 9. Alternate Worldviews: Implications for Design, Architecture, and Cultural Records; Subook Samridhi and Yali Leanne Windl
Chapter 10. More Than an Exhibition: Finding Voice, Tiati (truth) and New Perspectives; Julia Garnaut, Lynette Crocker, Jeffrey Newchurch, and Merle Simpson
PART 3: BODIES OF EXPERIENCE [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 11. Yarning Journeys: Ngadjuri Perspectives on Cultural Heritage; Julie Nichols, Jeffrey Newchurch, Robert Rigney, Bonita Sansbury, and Tinesha Miller
Chapter 12. The Significance of Country: Ngadjuri Voices and Cultural Heritage; Julie Nichols, Lynette Newchurch, Rebecca Agius, Ann Newchurch, and David Weetra
Chapter 13. Agency and Authority in Intangible Cultural Heritage; Brye Marshall and Julie Nichols
Chapter 14. Aboriginal Cultural Heritage in South Australia: Where to Next?; Deanne Hanchant-Nichols
PART 4. REPRESENTATION [SECTIONAL SYNOPSIS]; Julie Nichols and Bharat Mehra
Chapter 15. 'Inter-sites of Knowledge': Jules Janssen's Nineteenth-century Astronomical Apparatus and a Contemporary Moving Image System; Deirdre Feeney
Chapter 16. AR Storytelling for the Galleries, Libraries, Archives, Museum [GLAM] Sector: A case Study with the South Australian Museum Fire Exhibit and Megafauna Displays; Ben Stubbs
Chapter 17. Can the Transdisciplinary Co-creation of Extended Reality Experience (XR) Artworks Help Decolonise the GLAM Sector?; Mairi Gunn, Irene Hancy, and Tanya Remana
Chapter 18. Beyond the Inanimate Line: Expanding Narratives of Drawings in Contemporary Creative Practice and Architectural Education; Katica Pedisic
CONCLUSION; Julie Nichols and Bharat Mehra
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
