Critical Approaches to Transmedia Storytelling in K-Pop
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Critical Approaches to Transmedia Storytelling in K-Pop
Miller, Nicholas E.
Bloomsbury Publishing Plc
03/2026
280
Dura
Inglês
9781666978834
15 a 20 dias
Descrição não disponível.
Acknowledgements
Introduction: Critical Approaches to Transmedia Storytelling in K-Pop
Nicholas E. Miller (Independent Scholar, USA)
Allusive Storytelling and Transtextual Strategies
1. Generative Unruliness: World-Becoming and the Transmedia Logic of K-Pop in the Billlieverse
Nicholas E. Miller
2. Recursive Transmedia and the Eternal Return in BTS's Bangtan Universe
Courtney Lazore (Independent Scholar, USA)
3. The Role of the (Un)Knowing Audience in Transmedia Storytelling: Why Seventeen's "Son Ogong" Should Not Be Called "Super" but "Monkey King" in English
CedarBough T. Saeji (Busan National University, South Korea) and Barbara Wall (University of Copenhagen, Denmark)
4. Something Borrowed: Classical Music Excerpts as Intertextual Interventions in K-Pop Restaging
Netta Huebscher (University of Gothenburg and Linnaeus University, Sweden)
Semiotic Ecosystems and Narrative Multiplicity
5. Cracks in the Universal: Local Media Practices and the Limits of Transmedia Universality in K-Pop
Olga V. Lazareva (European University at St. Petersburg, Russia)
6. Transmedia Storytelling and the Artwork Dispersed: Reviewing the Semiotic Constitution of NCT 127's Cherry Bomb
Lila S. Roussel (Universite de Montreal, Canada)
7. Breaking the Linear Timeline: ATEEZ's Moebius Strip Storytelling Across Media and Meaning
Agnese Dionisio (Waseda University, Japan)
8. Authenticity as Storytelling: Self-Production and the Transmedia Storyworld of Stray Kids
Arpita Kar (Independent Scholar, India)
Digital Architectures and Participatory Design
9. "Next Level": aespa's Storyworld and Cultural Significance
Wonseok Lee (Yale University, USA)
10. SYNK Dive into "KWANGYA": Transmedia Storytelling and Emerging Technologies in K-Pop
Qingyue Sun (Coastal Carolina University, USA)
11. (My) BTS Universe Story: Sanctioned and Unsanctioned Transmedia Immersion in BTS Universe Story
Kathryn M. Frank (Whitman College, USA)
About the Editor and Contributors
Index
Introduction: Critical Approaches to Transmedia Storytelling in K-Pop
Nicholas E. Miller (Independent Scholar, USA)
Allusive Storytelling and Transtextual Strategies
1. Generative Unruliness: World-Becoming and the Transmedia Logic of K-Pop in the Billlieverse
Nicholas E. Miller
2. Recursive Transmedia and the Eternal Return in BTS's Bangtan Universe
Courtney Lazore (Independent Scholar, USA)
3. The Role of the (Un)Knowing Audience in Transmedia Storytelling: Why Seventeen's "Son Ogong" Should Not Be Called "Super" but "Monkey King" in English
CedarBough T. Saeji (Busan National University, South Korea) and Barbara Wall (University of Copenhagen, Denmark)
4. Something Borrowed: Classical Music Excerpts as Intertextual Interventions in K-Pop Restaging
Netta Huebscher (University of Gothenburg and Linnaeus University, Sweden)
Semiotic Ecosystems and Narrative Multiplicity
5. Cracks in the Universal: Local Media Practices and the Limits of Transmedia Universality in K-Pop
Olga V. Lazareva (European University at St. Petersburg, Russia)
6. Transmedia Storytelling and the Artwork Dispersed: Reviewing the Semiotic Constitution of NCT 127's Cherry Bomb
Lila S. Roussel (Universite de Montreal, Canada)
7. Breaking the Linear Timeline: ATEEZ's Moebius Strip Storytelling Across Media and Meaning
Agnese Dionisio (Waseda University, Japan)
8. Authenticity as Storytelling: Self-Production and the Transmedia Storyworld of Stray Kids
Arpita Kar (Independent Scholar, India)
Digital Architectures and Participatory Design
9. "Next Level": aespa's Storyworld and Cultural Significance
Wonseok Lee (Yale University, USA)
10. SYNK Dive into "KWANGYA": Transmedia Storytelling and Emerging Technologies in K-Pop
Qingyue Sun (Coastal Carolina University, USA)
11. (My) BTS Universe Story: Sanctioned and Unsanctioned Transmedia Immersion in BTS Universe Story
Kathryn M. Frank (Whitman College, USA)
About the Editor and Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Cultural hybridity; Digital storytelling; Korean media studies; Korean popular culture; Narrative worldbuilding; Transmedia studies; Participatory culture; K-Pop Studies; K-pop; multimodality; branding; identity; Media and New Media Studies; Popular Music; fan; fan culture; Asian studies; reality; digital worlds; emotional investment; meaning-making; performance
Acknowledgements
Introduction: Critical Approaches to Transmedia Storytelling in K-Pop
Nicholas E. Miller (Independent Scholar, USA)
Allusive Storytelling and Transtextual Strategies
1. Generative Unruliness: World-Becoming and the Transmedia Logic of K-Pop in the Billlieverse
Nicholas E. Miller
2. Recursive Transmedia and the Eternal Return in BTS's Bangtan Universe
Courtney Lazore (Independent Scholar, USA)
3. The Role of the (Un)Knowing Audience in Transmedia Storytelling: Why Seventeen's "Son Ogong" Should Not Be Called "Super" but "Monkey King" in English
CedarBough T. Saeji (Busan National University, South Korea) and Barbara Wall (University of Copenhagen, Denmark)
4. Something Borrowed: Classical Music Excerpts as Intertextual Interventions in K-Pop Restaging
Netta Huebscher (University of Gothenburg and Linnaeus University, Sweden)
Semiotic Ecosystems and Narrative Multiplicity
5. Cracks in the Universal: Local Media Practices and the Limits of Transmedia Universality in K-Pop
Olga V. Lazareva (European University at St. Petersburg, Russia)
6. Transmedia Storytelling and the Artwork Dispersed: Reviewing the Semiotic Constitution of NCT 127's Cherry Bomb
Lila S. Roussel (Universite de Montreal, Canada)
7. Breaking the Linear Timeline: ATEEZ's Moebius Strip Storytelling Across Media and Meaning
Agnese Dionisio (Waseda University, Japan)
8. Authenticity as Storytelling: Self-Production and the Transmedia Storyworld of Stray Kids
Arpita Kar (Independent Scholar, India)
Digital Architectures and Participatory Design
9. "Next Level": aespa's Storyworld and Cultural Significance
Wonseok Lee (Yale University, USA)
10. SYNK Dive into "KWANGYA": Transmedia Storytelling and Emerging Technologies in K-Pop
Qingyue Sun (Coastal Carolina University, USA)
11. (My) BTS Universe Story: Sanctioned and Unsanctioned Transmedia Immersion in BTS Universe Story
Kathryn M. Frank (Whitman College, USA)
About the Editor and Contributors
Index
Introduction: Critical Approaches to Transmedia Storytelling in K-Pop
Nicholas E. Miller (Independent Scholar, USA)
Allusive Storytelling and Transtextual Strategies
1. Generative Unruliness: World-Becoming and the Transmedia Logic of K-Pop in the Billlieverse
Nicholas E. Miller
2. Recursive Transmedia and the Eternal Return in BTS's Bangtan Universe
Courtney Lazore (Independent Scholar, USA)
3. The Role of the (Un)Knowing Audience in Transmedia Storytelling: Why Seventeen's "Son Ogong" Should Not Be Called "Super" but "Monkey King" in English
CedarBough T. Saeji (Busan National University, South Korea) and Barbara Wall (University of Copenhagen, Denmark)
4. Something Borrowed: Classical Music Excerpts as Intertextual Interventions in K-Pop Restaging
Netta Huebscher (University of Gothenburg and Linnaeus University, Sweden)
Semiotic Ecosystems and Narrative Multiplicity
5. Cracks in the Universal: Local Media Practices and the Limits of Transmedia Universality in K-Pop
Olga V. Lazareva (European University at St. Petersburg, Russia)
6. Transmedia Storytelling and the Artwork Dispersed: Reviewing the Semiotic Constitution of NCT 127's Cherry Bomb
Lila S. Roussel (Universite de Montreal, Canada)
7. Breaking the Linear Timeline: ATEEZ's Moebius Strip Storytelling Across Media and Meaning
Agnese Dionisio (Waseda University, Japan)
8. Authenticity as Storytelling: Self-Production and the Transmedia Storyworld of Stray Kids
Arpita Kar (Independent Scholar, India)
Digital Architectures and Participatory Design
9. "Next Level": aespa's Storyworld and Cultural Significance
Wonseok Lee (Yale University, USA)
10. SYNK Dive into "KWANGYA": Transmedia Storytelling and Emerging Technologies in K-Pop
Qingyue Sun (Coastal Carolina University, USA)
11. (My) BTS Universe Story: Sanctioned and Unsanctioned Transmedia Immersion in BTS Universe Story
Kathryn M. Frank (Whitman College, USA)
About the Editor and Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Cultural hybridity; Digital storytelling; Korean media studies; Korean popular culture; Narrative worldbuilding; Transmedia studies; Participatory culture; K-Pop Studies; K-pop; multimodality; branding; identity; Media and New Media Studies; Popular Music; fan; fan culture; Asian studies; reality; digital worlds; emotional investment; meaning-making; performance
