Policing the beats
portes grátis
Policing the beats
Black music, racism and criminal injustice
Fatsis, Lambros
Manchester University Press
03/2026
328
Dura
Inglês
9781526171405
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction
Part I: Is it even music? Policing Black music as 'out of tune' under British colonial rule
1 Cop-italism and slavery: excavating the colonial origins of British policing
2 Crude noise of a 'vile race': the danger of Black music(s)
3 Policing 'dangerous noise' one beat at a time
4 'Salvation 'tis a joyful sound': a concluding coda
Part II: Does it belong here? Policing Black music as 'out of place' in postwar Britain
5 'If you brown, they say you can't stick around': policing and cr-immigration in postwar Britain
6 (Don't) welcome to Britain
7 Racism runs riot
8 'It gets me 'fraid when Babylon raid"'
Part III: Isn't it criminal? Black music as 'out of order' in contemporary Britain
9 To Be Black is a crime
10 Looking for 'crime' in grime
11 Blaming drill for making people kill
12 But isn't rap violent and misogynistic?
Part IV: Sounds radical: Black critique(s) of white reason
13 Who feels it, knows it: Black radical thought in sound
14 Who knows it, feels it: learning about criminal injustice from the policing of Black music(s)
15 Listen to this book: an annotated playlist
Postscript: of skinfolk and kinfolk: a rap on 'whiteness'
Index -- .
Part I: Is it even music? Policing Black music as 'out of tune' under British colonial rule
1 Cop-italism and slavery: excavating the colonial origins of British policing
2 Crude noise of a 'vile race': the danger of Black music(s)
3 Policing 'dangerous noise' one beat at a time
4 'Salvation 'tis a joyful sound': a concluding coda
Part II: Does it belong here? Policing Black music as 'out of place' in postwar Britain
5 'If you brown, they say you can't stick around': policing and cr-immigration in postwar Britain
6 (Don't) welcome to Britain
7 Racism runs riot
8 'It gets me 'fraid when Babylon raid"'
Part III: Isn't it criminal? Black music as 'out of order' in contemporary Britain
9 To Be Black is a crime
10 Looking for 'crime' in grime
11 Blaming drill for making people kill
12 But isn't rap violent and misogynistic?
Part IV: Sounds radical: Black critique(s) of white reason
13 Who feels it, knows it: Black radical thought in sound
14 Who knows it, feels it: learning about criminal injustice from the policing of Black music(s)
15 Listen to this book: an annotated playlist
Postscript: of skinfolk and kinfolk: a rap on 'whiteness'
Index -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
African dancing; African diaspora; African drumming; Afro-diasporic music; Black cultural studies; Black music; Black music as knowledge; Black radical thought; British colonial rule; Brixton riots; contemporary Britain; copitalism; criminal injustice; criminalisation of Black music genres; crimmigration; critique of white reason; dangerous noise; Dizzee Rascal; drill music; garage music; Kano; Notting Hill riots; police racism; policing Black music; postwar Britain; race relations; race, crime and policing; racial capitalism; racism; rap and violence; reggaue; Saidiya Hartman; slavery; soundsystems; Stephen Lawrence; Stormzy; Stuart Hall; There Ain't No Black in the Union Jack; UK drill; UK grime; UK hip-hop; UK R&B; Wiley; Windrush; Windrush scandal
Introduction
Part I: Is it even music? Policing Black music as 'out of tune' under British colonial rule
1 Cop-italism and slavery: excavating the colonial origins of British policing
2 Crude noise of a 'vile race': the danger of Black music(s)
3 Policing 'dangerous noise' one beat at a time
4 'Salvation 'tis a joyful sound': a concluding coda
Part II: Does it belong here? Policing Black music as 'out of place' in postwar Britain
5 'If you brown, they say you can't stick around': policing and cr-immigration in postwar Britain
6 (Don't) welcome to Britain
7 Racism runs riot
8 'It gets me 'fraid when Babylon raid"'
Part III: Isn't it criminal? Black music as 'out of order' in contemporary Britain
9 To Be Black is a crime
10 Looking for 'crime' in grime
11 Blaming drill for making people kill
12 But isn't rap violent and misogynistic?
Part IV: Sounds radical: Black critique(s) of white reason
13 Who feels it, knows it: Black radical thought in sound
14 Who knows it, feels it: learning about criminal injustice from the policing of Black music(s)
15 Listen to this book: an annotated playlist
Postscript: of skinfolk and kinfolk: a rap on 'whiteness'
Index -- .
Part I: Is it even music? Policing Black music as 'out of tune' under British colonial rule
1 Cop-italism and slavery: excavating the colonial origins of British policing
2 Crude noise of a 'vile race': the danger of Black music(s)
3 Policing 'dangerous noise' one beat at a time
4 'Salvation 'tis a joyful sound': a concluding coda
Part II: Does it belong here? Policing Black music as 'out of place' in postwar Britain
5 'If you brown, they say you can't stick around': policing and cr-immigration in postwar Britain
6 (Don't) welcome to Britain
7 Racism runs riot
8 'It gets me 'fraid when Babylon raid"'
Part III: Isn't it criminal? Black music as 'out of order' in contemporary Britain
9 To Be Black is a crime
10 Looking for 'crime' in grime
11 Blaming drill for making people kill
12 But isn't rap violent and misogynistic?
Part IV: Sounds radical: Black critique(s) of white reason
13 Who feels it, knows it: Black radical thought in sound
14 Who knows it, feels it: learning about criminal injustice from the policing of Black music(s)
15 Listen to this book: an annotated playlist
Postscript: of skinfolk and kinfolk: a rap on 'whiteness'
Index -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
African dancing; African diaspora; African drumming; Afro-diasporic music; Black cultural studies; Black music; Black music as knowledge; Black radical thought; British colonial rule; Brixton riots; contemporary Britain; copitalism; criminal injustice; criminalisation of Black music genres; crimmigration; critique of white reason; dangerous noise; Dizzee Rascal; drill music; garage music; Kano; Notting Hill riots; police racism; policing Black music; postwar Britain; race relations; race, crime and policing; racial capitalism; racism; rap and violence; reggaue; Saidiya Hartman; slavery; soundsystems; Stephen Lawrence; Stormzy; Stuart Hall; There Ain't No Black in the Union Jack; UK drill; UK grime; UK hip-hop; UK R&B; Wiley; Windrush; Windrush scandal
