Architecture and Videogames
portes grátis
Architecture and Videogames
Intersecting Worlds
Scavnicky, Ryan; Hui, Vincent; Estrina, Tatiana
Taylor & Francis Ltd
12/2024
390
Dura
9781032528878
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Part 1: Cultural Artifacts 1.1. Baby, What's ROM? The Architectural Historian as Retro-Gamer 1.2. The Interplay of Architecture and Gameplay in Dark Fantasy, Urban Open-World and Post-Apocalyptic Videogames 1.3. On his roles as founder of Molleindustria and Experiential Game Design Instructor at Carnegie Mellon 1.4. Foundational Pixels: How Architecture First Entered Videogames 1.5. Architecture Manifesting Videogames Manifesting Architecture: A Cultural Artifact Loop 1.6. Newest Basilica of Guadalupe Part 2: Historic Reproduction 2.1. Visualizing the Indigenous Architectural Past through Virtual Reality & Gaming 2.2. On his role as World-Design Director at Ubisoft 2.3. Restorative Heritage: Videogames as Participatory Storytelling 2.4. On his roles as Professor and Research Fellow 2.5. Mantle Site Workflow Part 3: Production Technologies 3.1. Past Present Future: The emerging use of digital tools for heritage architecture in the creation of alternate realities 3.2. On their roles as Architect and Design Computation Specialist and Associate Director at Arup Architecture 3.3. On his role as Computer Graphics Supervisor at Proximodo, a Visual Effects House 3.4. Full Circle: Leveling Up Building Digital Twins with Videogames 3.5. ERA Production Workflow Part 4: Design Pedagogies 4.1. Infinite Play: Video Games as Teaching Tools 4.2. Past Present Future: The emerging use of digital tools for heritage architecture in the creation of alternate realities 4.3. Rik Eberhardt: On his role as Program Manager for the MIT Game Lab 4.4. Comparing Pedagogies of the Architectural and Game Design Classrooms 4.5. Design Pedagogy Example Projects Part 5: Proxies and Representation 5.1. Game Worlds as Real Worlds 5.2. Building Black Joy in a SIMulated Realm 5.3. On her role as architecture professor and critic at MIT and director of the Critical Broadcasting Lab 5.4. Unraveling the Challenges of Reimagining Historical Virtual 3D Game Environments 5.5. Be.longing XR Part 6: Bridging Worlds 6.1. Oh Shit I Took Both Pills, and Now Architecture is NO LONGER Frozen Music!! 6.2. Court Sin, Peter Marshall: On their roles as Creative Director and Studio Director of Architecture at FORREC 6.3. Virtually Reality: "Viva las [Videogame] Vegas" 6.4. Games of Deletion Part 7: Project Futures 7.1. On the Possibility of Enaction within Synthetic Worlds 7.2. Reversibility and Atmosphere: The Shared Philosophical Implications of Architecture and Video Games 7.3. Paper Visions: Theorizing Virtual Architecture 7.4. Liam Young: On his roles as MS Fiction and Entertainment Coordinator at Sci Arc, Designer, Director and Producer
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architecture;videogames;interactive proxy;historic reproduction;proxies and representation;game designers;cultural artifacts;design pedagogy;bridging worlds
Part 1: Cultural Artifacts 1.1. Baby, What's ROM? The Architectural Historian as Retro-Gamer 1.2. The Interplay of Architecture and Gameplay in Dark Fantasy, Urban Open-World and Post-Apocalyptic Videogames 1.3. On his roles as founder of Molleindustria and Experiential Game Design Instructor at Carnegie Mellon 1.4. Foundational Pixels: How Architecture First Entered Videogames 1.5. Architecture Manifesting Videogames Manifesting Architecture: A Cultural Artifact Loop 1.6. Newest Basilica of Guadalupe Part 2: Historic Reproduction 2.1. Visualizing the Indigenous Architectural Past through Virtual Reality & Gaming 2.2. On his role as World-Design Director at Ubisoft 2.3. Restorative Heritage: Videogames as Participatory Storytelling 2.4. On his roles as Professor and Research Fellow 2.5. Mantle Site Workflow Part 3: Production Technologies 3.1. Past Present Future: The emerging use of digital tools for heritage architecture in the creation of alternate realities 3.2. On their roles as Architect and Design Computation Specialist and Associate Director at Arup Architecture 3.3. On his role as Computer Graphics Supervisor at Proximodo, a Visual Effects House 3.4. Full Circle: Leveling Up Building Digital Twins with Videogames 3.5. ERA Production Workflow Part 4: Design Pedagogies 4.1. Infinite Play: Video Games as Teaching Tools 4.2. Past Present Future: The emerging use of digital tools for heritage architecture in the creation of alternate realities 4.3. Rik Eberhardt: On his role as Program Manager for the MIT Game Lab 4.4. Comparing Pedagogies of the Architectural and Game Design Classrooms 4.5. Design Pedagogy Example Projects Part 5: Proxies and Representation 5.1. Game Worlds as Real Worlds 5.2. Building Black Joy in a SIMulated Realm 5.3. On her role as architecture professor and critic at MIT and director of the Critical Broadcasting Lab 5.4. Unraveling the Challenges of Reimagining Historical Virtual 3D Game Environments 5.5. Be.longing XR Part 6: Bridging Worlds 6.1. Oh Shit I Took Both Pills, and Now Architecture is NO LONGER Frozen Music!! 6.2. Court Sin, Peter Marshall: On their roles as Creative Director and Studio Director of Architecture at FORREC 6.3. Virtually Reality: "Viva las [Videogame] Vegas" 6.4. Games of Deletion Part 7: Project Futures 7.1. On the Possibility of Enaction within Synthetic Worlds 7.2. Reversibility and Atmosphere: The Shared Philosophical Implications of Architecture and Video Games 7.3. Paper Visions: Theorizing Virtual Architecture 7.4. Liam Young: On his roles as MS Fiction and Entertainment Coordinator at Sci Arc, Designer, Director and Producer
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
