Whistler and Artistic Exchange between Japan and the West

Whistler and Artistic Exchange between Japan and the West

After Japonisme in Britain

Ono, Ayako

Taylor & Francis Ltd

10/2024

138

Mole

9781032380254

Pré-lançamento - envio 15 a 20 dias após a sua edição

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Introduction 1. An Introduction to James McNeill Whistler's Work and Art Theory in Japan - from the Perspective of East-West Exchange, with Special Reference to Hayashi Tadamasa, Iwamura Toru, and Kume Keiichiro 2. James McNeill Whistler's Introduction in Japan - Focusing on the Modern Japanese Literary World 3. Spread of Universal Beauty: James McNeill Whistler, Ernest F. Fenollosa, Kaneko Kentaro, and Charles Lang Freer 4. James McNeill Whistler's Tonal Painting and morotai 5. Conclusion: Nihonga for the World: Modern 'nihonga' and the 'West (seiyo)' and 'Western Europe (seio)' as Relative Concepts 6. Postcript: Japanese Art Exhibitions in Britain from the Mid-Nineteenth Century to the Early-Twentieth Century
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Universal Beauty;Tonal Painting;Meiji Restoration;Nihong;Taisho;Victorian;Aestheticism;Japanese Art;Whistler's Work;Japanese Paintings;Traditional Japanese Painting;Japanese Style Painting;Tokyo Geijutsu Daigaku;Edmond De Goncourt;Common Language;Goncourt;Jules De Goncourt;Burlington Fine Arts Club;Yokoyama Taikan;Japan British Exhibition;Battersea Bridge;Sumida River;Waseda Bungaku;Freer Gallery;Cool Japan;Charles Pierre Baudelaire;Rembrandt Harmenszoon Van Rijn;Tokyo School;Whistler's Aestheticism;Intangible Cultural Heritage;Exhibition Catalogue;Young Japanese Artists