Tradition, Community, and Nationhood in Richard Wagner's Die Meistersinger von Nuernberg

Music examples
Acknowledgements
Introduction: Nationalism and the aesthetic periphery
1 Walther: Conservation and reinvention
2 Sachs: In pursuit of universality
3 Entr'acte: On metareference and metapolitics
4 Beckmesser: Constructions of otherness
5 Eva: Repression and autonomy
Conclusion: Towards a critical nationalism
References
Index

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• Compositores e músicos individuais, bandas e grupos específicos
• Música romântica (desde ~1830 até ~1900)
• Ópera

Wagner;Romantic Music;Opera;Music and Politics;Nationalism;German Studies