Curating Opera

Curating Opera

Reinventing the Past Through Museums of Opera and Art

Mould, Stephen

Taylor & Francis Ltd

08/2022

226

Mole

Inglês

9780367698096

15 a 20 dias

335

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Part One

Chapter 1: 'Curationism'

Chapter 2: Towards the curation of opera

Chapter 3: The rise and fall of the public art museum

Part Two

Chapter 4: The invention of opera

Chapter 5: Operatic transformations

Chapter 6: From marketplace to museum

Chapter 7: Mozart's operas during the long nineteenth century (1)

Chapter 8: Mozart's operas during the long nineteenth century (2)

Chapter 9: Boom and bust in the nineteenth century

Part Three

Chapter 10: The sociology of the opera house - insiders

Chapter 11: The operatic work and the concept of Werktreue

Chapter 12: Rossini, Rembrandt and the Werktreue debate

Chapter 13: Dramaturgy and the dramaturge in the opera house

Chapter 14: The dramaturgy of murder and madness

Chapter 15: 'Deeds of music made visible'

Chapter 16: Conclusion / Afterword
Opera House;Opera Goers;Public art museums;Mozart Opera;Aristocratic collections;Musical Dramaturgy;Communalities;Ariadne Auf Naxos;Modern opera house;Operatic Canon;Secco Recitative;Public Art Museum;Gluck's Orfeo;Insertion Aria;Opera Repertoire;Rembrandt Research Project;La Traviata;Opera Seria;Pop Stars;Opera Industry;Operatic Repertoire;Art Museum;NMA;Pietro;Mozart's Die;Allegro;Dense;Substitute Arias;Che Faro