Japan/America Film Wars

Part 1. The Call to Cinematic Arms 1. Feeling in Tune - Perhaps Inspired... John Grierson Part 2. The Japan-America Film War 2. War and Cinema in Japan Shimizu Akira 3. The United States Government and the Use of Motion Pictures during World War II William T. Murphy Part 3. Manufacturing the Enemy 4. The Other and the Machine Ueno Toshiya 5. Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 Michael Renov Part 4. Violent Images and their Various Pleasures 6. Cinema / Nihilism / Freedom Nibuya Takashi 7. Chery Trees and Corpses: Representations of Violence from WWII Abe Mark Nornes Part 5. When the Human Beings Are Gone... 8. Tsurami Shunsuke and Kogawa Tetsuo Discuss the Effects of the Atomic Bomb on Hiroshima and Nagasaki 9. Discussion Afterword Abe Mark Nornes Part 6. The Films: From Mukden to Tokyo Bay 10. Film Essays by Yamane Sadao, Abe Mark Nornes and Komatsuzawa Hajime 11. Pearl Harbor 12. Japan in Time of Crisis 13. China 14. The Homefront 15. Manufacturing the Enemy 16. Violence 17. Banned Classics 18. In the Wake of Hiroshima and Nagasaki

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• História geral e do mundo
• Estudos cultirais
• História moderna para o século 20: c1700 a c 1900
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• Segunda Guerra Mundial
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World War Ii Propaganda;War films;Mark Nornes;Military strategy;Kamei Fumio;Military studies;Wartime;Racism;Miki Shigeru;Propaganda;Manchurian Incident;Japanese War Films;Princess Iron Fan;Held;Motion Picture Law;Battle Of San Pietro;Greater East Asia War;Violating;Signal Corps;Postwar;Follow;Sacred Soldiers;PCL;Young Men;Iwasaki Akira;China Incident;Army;Japanese Filmmakers;Tezuka Osamu;Human Suffering