Cinematic Representations of Women in Modern Celebrity Culture, 1900-1950
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Cinematic Representations of Women in Modern Celebrity Culture, 1900-1950
Alonso, Leticia Perez; Mabrey, Maria Cristina C.
Taylor & Francis Ltd
05/2024
310
Mole
9781032004303
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Part 1: Women, Vanguardism and the Film/Advertising Industries 1. Silent Cinema and the Avant-Garde (1910-1939): The Provocative Advent of Mass Culture and Women's Reformulation of Visual Arts 2. Women Behind the Camera: How Lucia Schulz and Hortense Ribbentrop-Leudesdorff Changed the History of Photography and Cinematography 3. On-Screen Femininity Deconstructed: Garbo's Greta, Khokhlova's Edith and H.D.'s Astrid Part 2: Archetypal Femininity and Its Contradictions in Mexican, Italian and Hindi Cinema 4. The Representation of Women and the Racial Problem in La Llorona (1933) by Ramon Peon 5. Shady Women in Post-War Italian Cinema 6. Deconstructing Femininity and Progression of Women in Twentieth-Century Bollywood Films Part 3: Cultural Icons: Problematizing the New Woman Narratives 7. Female Celebrity and the New Woman: Artistic and Gendered Reflexivity in Greta Garbo, Concha Mendez and Maruja Mallo 8. Blue Angel as Red Nurse: Nazis' Infatuation with Marlene Dietrich 9. Carole Lombard, Katharine Hepburn, Barbara Stanwyck and the Gendered Agency of Screwball Comedies Part 4: Visual Pleasure and the Counter-Gaze 10. To Have and Not Have Lauren Bacall 11. Fetishism and the Male Gaze in Jaime Torres Bodet's Day Star 12. Mina Loy, Vachel Lindsay and Hollywood Celebrity Culture: Responses to the Male Gaze in Modernist Poetry. Epilogue
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Italian Neorealist Cinema;Kanan Devi;Young Man;Modern Celebrity Culture;Alla Nazimova;La Llorona;Independent Women;Torres Bodet;Violate;Dolores Del;Mexican Cinema;Lady Eve;Lauren Bacall;Barbara Stanwyck;Media History Digital Library;Die Sinfonie Der;Screwball Comedies;La Malinche;Classical Mexican Cinema;Tillie's Punctured Romance;Italian Early Cinema;Early Film Spectatorship;Mae Marsh;Blanche Sweet;Absent Wife
Part 1: Women, Vanguardism and the Film/Advertising Industries 1. Silent Cinema and the Avant-Garde (1910-1939): The Provocative Advent of Mass Culture and Women's Reformulation of Visual Arts 2. Women Behind the Camera: How Lucia Schulz and Hortense Ribbentrop-Leudesdorff Changed the History of Photography and Cinematography 3. On-Screen Femininity Deconstructed: Garbo's Greta, Khokhlova's Edith and H.D.'s Astrid Part 2: Archetypal Femininity and Its Contradictions in Mexican, Italian and Hindi Cinema 4. The Representation of Women and the Racial Problem in La Llorona (1933) by Ramon Peon 5. Shady Women in Post-War Italian Cinema 6. Deconstructing Femininity and Progression of Women in Twentieth-Century Bollywood Films Part 3: Cultural Icons: Problematizing the New Woman Narratives 7. Female Celebrity and the New Woman: Artistic and Gendered Reflexivity in Greta Garbo, Concha Mendez and Maruja Mallo 8. Blue Angel as Red Nurse: Nazis' Infatuation with Marlene Dietrich 9. Carole Lombard, Katharine Hepburn, Barbara Stanwyck and the Gendered Agency of Screwball Comedies Part 4: Visual Pleasure and the Counter-Gaze 10. To Have and Not Have Lauren Bacall 11. Fetishism and the Male Gaze in Jaime Torres Bodet's Day Star 12. Mina Loy, Vachel Lindsay and Hollywood Celebrity Culture: Responses to the Male Gaze in Modernist Poetry. Epilogue
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Italian Neorealist Cinema;Kanan Devi;Young Man;Modern Celebrity Culture;Alla Nazimova;La Llorona;Independent Women;Torres Bodet;Violate;Dolores Del;Mexican Cinema;Lady Eve;Lauren Bacall;Barbara Stanwyck;Media History Digital Library;Die Sinfonie Der;Screwball Comedies;La Malinche;Classical Mexican Cinema;Tillie's Punctured Romance;Italian Early Cinema;Early Film Spectatorship;Mae Marsh;Blanche Sweet;Absent Wife
