Art of Picturing in Early Modern English Literature
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Art of Picturing in Early Modern English Literature
Sabatier, Armelle; Caporicci, Camilla
Taylor & Francis Ltd
06/2021
264
Mole
Inglês
9781032086330
15 a 20 dias
490
Descrição não disponível.
List of Figures
List of Contributors
Aknowledgements
Introduction. Camilla Caporicci and Armelle Sabatier.
PART I: To Look or not to Look at Pictures?
Chapter 1. Cristiano Ragni.
An Edifying "Pictura Loquens": Alberico Gentili's Commentatio and his Defence of Drama in Elizabethan Oxford
Chapter 2. James A. Knapp.
Looking At and Through Pictures in Donne's Lyrics
Chapter 3. Chloe Porter.
"A Painted Devil": The Matter and Making of Images in Macbeth
Chapter 4. B. J Sokol.
Mirrors, Pictures, Optics, Shakespeare
PART II: Confluences: English Texts and European Paintings
Chapter 5. Rocco Coronato.
Over the Edge: Shakespeare, Judith, and the Virtuous Use of Female Indiscretion and Deception
Chapter 6. Fiammetta Dionisio.
"Be Her Sense but as a Monument": Lost Icons and Substitutive Figures in Shakespeare's Cymbeline
Chapter 7. Raphaelle Costa de Beauregard.
The Notion of Picturing in Early Modern Literature: The Case of the Miniaturist Isaac Oliver (c.1585-1617)
PART III: Portraits on the Page and the Stage
Chapter 8. Camilla Caporicci.
"Take this picture which I heere present thee": The Art of Portraiture in the Elizabethan Sonnet Sequences
Chapter 9. Catherine Belsey.
Narrative Portraiture
Chapter 10. Armelle Sabatier.
Picturing in Little or in Stone? Miniature versus Monument in The Triall of Chevalry (Anonymous, 1605)
Chapter 11. Emanuel Stelzer.
Performing Portraits: The Portrait as Prop and Its Performative Dimension in Early Modern English Drama
PART IV: The Power of Visual and Verbal
Chapter 12. Rosanna Camerlingo.
Prospero's Rainbow: Political Miracles in The Tempest
Chapter 13. Keir Elam.
"Picture is the invention of heaven": Ben Jonson and the Paradox of the Visual
Index
List of Contributors
Aknowledgements
Introduction. Camilla Caporicci and Armelle Sabatier.
PART I: To Look or not to Look at Pictures?
Chapter 1. Cristiano Ragni.
An Edifying "Pictura Loquens": Alberico Gentili's Commentatio and his Defence of Drama in Elizabethan Oxford
Chapter 2. James A. Knapp.
Looking At and Through Pictures in Donne's Lyrics
Chapter 3. Chloe Porter.
"A Painted Devil": The Matter and Making of Images in Macbeth
Chapter 4. B. J Sokol.
Mirrors, Pictures, Optics, Shakespeare
PART II: Confluences: English Texts and European Paintings
Chapter 5. Rocco Coronato.
Over the Edge: Shakespeare, Judith, and the Virtuous Use of Female Indiscretion and Deception
Chapter 6. Fiammetta Dionisio.
"Be Her Sense but as a Monument": Lost Icons and Substitutive Figures in Shakespeare's Cymbeline
Chapter 7. Raphaelle Costa de Beauregard.
The Notion of Picturing in Early Modern Literature: The Case of the Miniaturist Isaac Oliver (c.1585-1617)
PART III: Portraits on the Page and the Stage
Chapter 8. Camilla Caporicci.
"Take this picture which I heere present thee": The Art of Portraiture in the Elizabethan Sonnet Sequences
Chapter 9. Catherine Belsey.
Narrative Portraiture
Chapter 10. Armelle Sabatier.
Picturing in Little or in Stone? Miniature versus Monument in The Triall of Chevalry (Anonymous, 1605)
Chapter 11. Emanuel Stelzer.
Performing Portraits: The Portrait as Prop and Its Performative Dimension in Early Modern English Drama
PART IV: The Power of Visual and Verbal
Chapter 12. Rosanna Camerlingo.
Prospero's Rainbow: Political Miracles in The Tempest
Chapter 13. Keir Elam.
"Picture is the invention of heaven": Ben Jonson and the Paradox of the Visual
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;King Ship;Richard III;Cristofano Allori;Elisabetta Sirani;Salmacida Spolia;A3 Poster;Vice Versa;Liliane Louvel;Funerary Effigy;Early Modern English;Inigo Jones's Designs;Artemisia Gentileschi;Early Modern Visual Culture;Petrarchan Topoi;Devil's Law Case;Judith Beheading Holofernes;Prospero's Masque;Imogen's Bedroom;Ut Pictura Poesis;Holofernes's Head;Academic Drama;Portrait Miniatures;Barthel Beham;Draw Back
List of Figures
List of Contributors
Aknowledgements
Introduction. Camilla Caporicci and Armelle Sabatier.
PART I: To Look or not to Look at Pictures?
Chapter 1. Cristiano Ragni.
An Edifying "Pictura Loquens": Alberico Gentili's Commentatio and his Defence of Drama in Elizabethan Oxford
Chapter 2. James A. Knapp.
Looking At and Through Pictures in Donne's Lyrics
Chapter 3. Chloe Porter.
"A Painted Devil": The Matter and Making of Images in Macbeth
Chapter 4. B. J Sokol.
Mirrors, Pictures, Optics, Shakespeare
PART II: Confluences: English Texts and European Paintings
Chapter 5. Rocco Coronato.
Over the Edge: Shakespeare, Judith, and the Virtuous Use of Female Indiscretion and Deception
Chapter 6. Fiammetta Dionisio.
"Be Her Sense but as a Monument": Lost Icons and Substitutive Figures in Shakespeare's Cymbeline
Chapter 7. Raphaelle Costa de Beauregard.
The Notion of Picturing in Early Modern Literature: The Case of the Miniaturist Isaac Oliver (c.1585-1617)
PART III: Portraits on the Page and the Stage
Chapter 8. Camilla Caporicci.
"Take this picture which I heere present thee": The Art of Portraiture in the Elizabethan Sonnet Sequences
Chapter 9. Catherine Belsey.
Narrative Portraiture
Chapter 10. Armelle Sabatier.
Picturing in Little or in Stone? Miniature versus Monument in The Triall of Chevalry (Anonymous, 1605)
Chapter 11. Emanuel Stelzer.
Performing Portraits: The Portrait as Prop and Its Performative Dimension in Early Modern English Drama
PART IV: The Power of Visual and Verbal
Chapter 12. Rosanna Camerlingo.
Prospero's Rainbow: Political Miracles in The Tempest
Chapter 13. Keir Elam.
"Picture is the invention of heaven": Ben Jonson and the Paradox of the Visual
Index
List of Contributors
Aknowledgements
Introduction. Camilla Caporicci and Armelle Sabatier.
PART I: To Look or not to Look at Pictures?
Chapter 1. Cristiano Ragni.
An Edifying "Pictura Loquens": Alberico Gentili's Commentatio and his Defence of Drama in Elizabethan Oxford
Chapter 2. James A. Knapp.
Looking At and Through Pictures in Donne's Lyrics
Chapter 3. Chloe Porter.
"A Painted Devil": The Matter and Making of Images in Macbeth
Chapter 4. B. J Sokol.
Mirrors, Pictures, Optics, Shakespeare
PART II: Confluences: English Texts and European Paintings
Chapter 5. Rocco Coronato.
Over the Edge: Shakespeare, Judith, and the Virtuous Use of Female Indiscretion and Deception
Chapter 6. Fiammetta Dionisio.
"Be Her Sense but as a Monument": Lost Icons and Substitutive Figures in Shakespeare's Cymbeline
Chapter 7. Raphaelle Costa de Beauregard.
The Notion of Picturing in Early Modern Literature: The Case of the Miniaturist Isaac Oliver (c.1585-1617)
PART III: Portraits on the Page and the Stage
Chapter 8. Camilla Caporicci.
"Take this picture which I heere present thee": The Art of Portraiture in the Elizabethan Sonnet Sequences
Chapter 9. Catherine Belsey.
Narrative Portraiture
Chapter 10. Armelle Sabatier.
Picturing in Little or in Stone? Miniature versus Monument in The Triall of Chevalry (Anonymous, 1605)
Chapter 11. Emanuel Stelzer.
Performing Portraits: The Portrait as Prop and Its Performative Dimension in Early Modern English Drama
PART IV: The Power of Visual and Verbal
Chapter 12. Rosanna Camerlingo.
Prospero's Rainbow: Political Miracles in The Tempest
Chapter 13. Keir Elam.
"Picture is the invention of heaven": Ben Jonson and the Paradox of the Visual
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;King Ship;Richard III;Cristofano Allori;Elisabetta Sirani;Salmacida Spolia;A3 Poster;Vice Versa;Liliane Louvel;Funerary Effigy;Early Modern English;Inigo Jones's Designs;Artemisia Gentileschi;Early Modern Visual Culture;Petrarchan Topoi;Devil's Law Case;Judith Beheading Holofernes;Prospero's Masque;Imogen's Bedroom;Ut Pictura Poesis;Holofernes's Head;Academic Drama;Portrait Miniatures;Barthel Beham;Draw Back
