Arden Handbook of Shakespeare and Early Modern Drama
portes grátis
Arden Handbook of Shakespeare and Early Modern Drama
Perspectives on Culture, Performance and Identity
Rutter, Tom; Dowd, Michelle M.
Bloomsbury Publishing PLC
07/2024
408
Mole
9781350462229
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Illustrations
Notes on Contributors
Series Preface
Acknowledgements
Note on the Text
1 Introduction
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
2 Material and Institutional Contexts of Early Modern Drama: an A-Z
Edward Gieskes (University of South Carolina, USA)
RESEARCH METHODS AND PROBLEMS
3.1 Did Early Modern Drama Actually Happen?
Kurt Schreyer (University of Missouri, USA)
3.2 Drama and Society in Shakespeare's England
Jean E. Howard (Columbia University, USA)
CURRENT RESEARCH AND ISSUES
4.1 Ancient and Early Modern European Contexts of Early Modern English Drama
Ton Hoenselaars (Utrecht University, Netherlands)
4.2 Playing Companies and Repertories
Elizabeth E. Tavares (University of Alabama, USA)
4.3 Playhouses and Performance
Laurie Johnson (University of Southern Queensland, Australia)
4.4 Drama Beyond the Playhouses
Tracey Hill (Bath Spa University, UK)
4.5 Material Culture
Chloe Porter (University of Sussex, UK)
4.6 Engendering the Stage: Women and Dramatic Culture
Clare McManus (Northumbria University, UK) and Lucy Munro (King's College, London, UK)
4.7 Matter, Nature, Cosmos: the Scientific Art of the Early Modern English Stage
Jean Feerick (John Carroll University, USA)
4.8 Early Modern Race-work: History, Methodology and Politics
Jane Hwang Degenhardt (University of Massachusetts, USA)
4.9 Sexualities, Emotions and Embodiment
Holly Dugan (George Washington University, USA)
4.10 Religion and Religious Cultures
Benedict S. Robinson (Stony Brook University, USA)
NEW DIRECTIONS
5.1 Diversifying Early Modern Drama
Part One: Early Modern Disability Studies and Trans Studies
Genevieve Love (Colorado College, USA)
Part Two: Gaining Perspective: Race, Diversity and Early Modern Studies
Farah Karim-Cooper (Shakespeare's Globe, UK)
5.2 Performing Shakespeare's Contemporaries
Harry McCarthy (University of Exeter, UK)
CHRONOLOGY AND RESOURCES
6 Rethinking the Early Years of the London Playhouses: An Essay in Chronology
Andy Kesson (University of Roehampton, UK)
7 Resources
Catherine Evans (University of Manchester, UK) and Amy Lidster (Jesus College, University of Oxford, UK)
8 Further Reading
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
Index
Notes on Contributors
Series Preface
Acknowledgements
Note on the Text
1 Introduction
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
2 Material and Institutional Contexts of Early Modern Drama: an A-Z
Edward Gieskes (University of South Carolina, USA)
RESEARCH METHODS AND PROBLEMS
3.1 Did Early Modern Drama Actually Happen?
Kurt Schreyer (University of Missouri, USA)
3.2 Drama and Society in Shakespeare's England
Jean E. Howard (Columbia University, USA)
CURRENT RESEARCH AND ISSUES
4.1 Ancient and Early Modern European Contexts of Early Modern English Drama
Ton Hoenselaars (Utrecht University, Netherlands)
4.2 Playing Companies and Repertories
Elizabeth E. Tavares (University of Alabama, USA)
4.3 Playhouses and Performance
Laurie Johnson (University of Southern Queensland, Australia)
4.4 Drama Beyond the Playhouses
Tracey Hill (Bath Spa University, UK)
4.5 Material Culture
Chloe Porter (University of Sussex, UK)
4.6 Engendering the Stage: Women and Dramatic Culture
Clare McManus (Northumbria University, UK) and Lucy Munro (King's College, London, UK)
4.7 Matter, Nature, Cosmos: the Scientific Art of the Early Modern English Stage
Jean Feerick (John Carroll University, USA)
4.8 Early Modern Race-work: History, Methodology and Politics
Jane Hwang Degenhardt (University of Massachusetts, USA)
4.9 Sexualities, Emotions and Embodiment
Holly Dugan (George Washington University, USA)
4.10 Religion and Religious Cultures
Benedict S. Robinson (Stony Brook University, USA)
NEW DIRECTIONS
5.1 Diversifying Early Modern Drama
Part One: Early Modern Disability Studies and Trans Studies
Genevieve Love (Colorado College, USA)
Part Two: Gaining Perspective: Race, Diversity and Early Modern Studies
Farah Karim-Cooper (Shakespeare's Globe, UK)
5.2 Performing Shakespeare's Contemporaries
Harry McCarthy (University of Exeter, UK)
CHRONOLOGY AND RESOURCES
6 Rethinking the Early Years of the London Playhouses: An Essay in Chronology
Andy Kesson (University of Roehampton, UK)
7 Resources
Catherine Evans (University of Manchester, UK) and Amy Lidster (Jesus College, University of Oxford, UK)
8 Further Reading
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
List of Illustrations
Notes on Contributors
Series Preface
Acknowledgements
Note on the Text
1 Introduction
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
2 Material and Institutional Contexts of Early Modern Drama: an A-Z
Edward Gieskes (University of South Carolina, USA)
RESEARCH METHODS AND PROBLEMS
3.1 Did Early Modern Drama Actually Happen?
Kurt Schreyer (University of Missouri, USA)
3.2 Drama and Society in Shakespeare's England
Jean E. Howard (Columbia University, USA)
CURRENT RESEARCH AND ISSUES
4.1 Ancient and Early Modern European Contexts of Early Modern English Drama
Ton Hoenselaars (Utrecht University, Netherlands)
4.2 Playing Companies and Repertories
Elizabeth E. Tavares (University of Alabama, USA)
4.3 Playhouses and Performance
Laurie Johnson (University of Southern Queensland, Australia)
4.4 Drama Beyond the Playhouses
Tracey Hill (Bath Spa University, UK)
4.5 Material Culture
Chloe Porter (University of Sussex, UK)
4.6 Engendering the Stage: Women and Dramatic Culture
Clare McManus (Northumbria University, UK) and Lucy Munro (King's College, London, UK)
4.7 Matter, Nature, Cosmos: the Scientific Art of the Early Modern English Stage
Jean Feerick (John Carroll University, USA)
4.8 Early Modern Race-work: History, Methodology and Politics
Jane Hwang Degenhardt (University of Massachusetts, USA)
4.9 Sexualities, Emotions and Embodiment
Holly Dugan (George Washington University, USA)
4.10 Religion and Religious Cultures
Benedict S. Robinson (Stony Brook University, USA)
NEW DIRECTIONS
5.1 Diversifying Early Modern Drama
Part One: Early Modern Disability Studies and Trans Studies
Genevieve Love (Colorado College, USA)
Part Two: Gaining Perspective: Race, Diversity and Early Modern Studies
Farah Karim-Cooper (Shakespeare's Globe, UK)
5.2 Performing Shakespeare's Contemporaries
Harry McCarthy (University of Exeter, UK)
CHRONOLOGY AND RESOURCES
6 Rethinking the Early Years of the London Playhouses: An Essay in Chronology
Andy Kesson (University of Roehampton, UK)
7 Resources
Catherine Evans (University of Manchester, UK) and Amy Lidster (Jesus College, University of Oxford, UK)
8 Further Reading
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
Index
Notes on Contributors
Series Preface
Acknowledgements
Note on the Text
1 Introduction
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
2 Material and Institutional Contexts of Early Modern Drama: an A-Z
Edward Gieskes (University of South Carolina, USA)
RESEARCH METHODS AND PROBLEMS
3.1 Did Early Modern Drama Actually Happen?
Kurt Schreyer (University of Missouri, USA)
3.2 Drama and Society in Shakespeare's England
Jean E. Howard (Columbia University, USA)
CURRENT RESEARCH AND ISSUES
4.1 Ancient and Early Modern European Contexts of Early Modern English Drama
Ton Hoenselaars (Utrecht University, Netherlands)
4.2 Playing Companies and Repertories
Elizabeth E. Tavares (University of Alabama, USA)
4.3 Playhouses and Performance
Laurie Johnson (University of Southern Queensland, Australia)
4.4 Drama Beyond the Playhouses
Tracey Hill (Bath Spa University, UK)
4.5 Material Culture
Chloe Porter (University of Sussex, UK)
4.6 Engendering the Stage: Women and Dramatic Culture
Clare McManus (Northumbria University, UK) and Lucy Munro (King's College, London, UK)
4.7 Matter, Nature, Cosmos: the Scientific Art of the Early Modern English Stage
Jean Feerick (John Carroll University, USA)
4.8 Early Modern Race-work: History, Methodology and Politics
Jane Hwang Degenhardt (University of Massachusetts, USA)
4.9 Sexualities, Emotions and Embodiment
Holly Dugan (George Washington University, USA)
4.10 Religion and Religious Cultures
Benedict S. Robinson (Stony Brook University, USA)
NEW DIRECTIONS
5.1 Diversifying Early Modern Drama
Part One: Early Modern Disability Studies and Trans Studies
Genevieve Love (Colorado College, USA)
Part Two: Gaining Perspective: Race, Diversity and Early Modern Studies
Farah Karim-Cooper (Shakespeare's Globe, UK)
5.2 Performing Shakespeare's Contemporaries
Harry McCarthy (University of Exeter, UK)
CHRONOLOGY AND RESOURCES
6 Rethinking the Early Years of the London Playhouses: An Essay in Chronology
Andy Kesson (University of Roehampton, UK)
7 Resources
Catherine Evans (University of Manchester, UK) and Amy Lidster (Jesus College, University of Oxford, UK)
8 Further Reading
Michelle M. Dowd (University of Alabama, USA) and Tom Rutter (University of Sheffield, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
