Revisiting Shakespeare's Italian Resources
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Revisiting Shakespeare's Italian Resources
Memory and Reuse
Bigliazzi, Silvia
Taylor & Francis Ltd
07/2024
330
Dura
9781032294445
15 a 20 dias
Descrição não disponível.
Acknowledgments
List of Contributors
INTRODUCTION
Silvia Bigliazzi
PARTE ONE: MEMORIES
1. "Memory, Intertextuality/Interdiscursivity and Reuse"
Savina Stevanato
2. "Whose Memory? From the "Rossignuol" to Female Communities in Groto and Shakespeare"
Silvia Bigliazzi
PART TWO: MEMORY AND REUSE
3. Welcome to Padua: Female Characters, Narrative Sources, and the Commedia dell'Arte in The Two Gentlemen of Verona
Melissa Walter
4. The Source as a Resonant Halo. Italian Neoplatonism in Twelfth Night
Rocco Coronato
5. Bandello's Novellas and The Merry Wives of Windsor
Roberta Zanoni
6. "Ed ebbono bene e buona ventura." Multi-Layered Echoes of Il Pecorone in The Merchant of Venice
Alessandra Squeo
7. Boccaccio's Bernabo, Shakespeare's Cymbeline, and Other Resources: A Keyword and Co-textual Analysis
Fabio Ciambella
PART THREE: REUSE AND MEMORY
8 "What country, friends, is this?": Displaced Identity and Homoerotic Desire in Twelfth Night and its Italian Models
Jason Lawrence
9. "The story that is printed in her blood": Patriarchal Authority in Much Ado About Nothing and Its Sources
Emanuel Stelzer
10. "Most strange, but yet most truly, will I speak": Female Agency from Cinthio to Shakespeare's Measure for Measure
Cristiano Ragni
11. Reviving Past "Models": Dolce's Marianna and the Intricacies of Othello's Crux
Beatrice Righetti
12. "As I please myself." Recollections and Reconfigurations of Female Agency in Ariosto's Suppositi, Gascoigne's Supposes and Shakespeare's The Taming of the Shrew
Silvia Silvestri
13. The Ring is the Thing: All's Well That Ends Well and its Mobile Circuitry
Eric Nicholson
AFTERWORD
Robert Henke
Index
List of Contributors
INTRODUCTION
Silvia Bigliazzi
PARTE ONE: MEMORIES
1. "Memory, Intertextuality/Interdiscursivity and Reuse"
Savina Stevanato
2. "Whose Memory? From the "Rossignuol" to Female Communities in Groto and Shakespeare"
Silvia Bigliazzi
PART TWO: MEMORY AND REUSE
3. Welcome to Padua: Female Characters, Narrative Sources, and the Commedia dell'Arte in The Two Gentlemen of Verona
Melissa Walter
4. The Source as a Resonant Halo. Italian Neoplatonism in Twelfth Night
Rocco Coronato
5. Bandello's Novellas and The Merry Wives of Windsor
Roberta Zanoni
6. "Ed ebbono bene e buona ventura." Multi-Layered Echoes of Il Pecorone in The Merchant of Venice
Alessandra Squeo
7. Boccaccio's Bernabo, Shakespeare's Cymbeline, and Other Resources: A Keyword and Co-textual Analysis
Fabio Ciambella
PART THREE: REUSE AND MEMORY
8 "What country, friends, is this?": Displaced Identity and Homoerotic Desire in Twelfth Night and its Italian Models
Jason Lawrence
9. "The story that is printed in her blood": Patriarchal Authority in Much Ado About Nothing and Its Sources
Emanuel Stelzer
10. "Most strange, but yet most truly, will I speak": Female Agency from Cinthio to Shakespeare's Measure for Measure
Cristiano Ragni
11. Reviving Past "Models": Dolce's Marianna and the Intricacies of Othello's Crux
Beatrice Righetti
12. "As I please myself." Recollections and Reconfigurations of Female Agency in Ariosto's Suppositi, Gascoigne's Supposes and Shakespeare's The Taming of the Shrew
Silvia Silvestri
13. The Ring is the Thing: All's Well That Ends Well and its Mobile Circuitry
Eric Nicholson
AFTERWORD
Robert Henke
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Shakespeare;Reception Studies;Memory;Anglo-Italian;Intertextuality
Acknowledgments
List of Contributors
INTRODUCTION
Silvia Bigliazzi
PARTE ONE: MEMORIES
1. "Memory, Intertextuality/Interdiscursivity and Reuse"
Savina Stevanato
2. "Whose Memory? From the "Rossignuol" to Female Communities in Groto and Shakespeare"
Silvia Bigliazzi
PART TWO: MEMORY AND REUSE
3. Welcome to Padua: Female Characters, Narrative Sources, and the Commedia dell'Arte in The Two Gentlemen of Verona
Melissa Walter
4. The Source as a Resonant Halo. Italian Neoplatonism in Twelfth Night
Rocco Coronato
5. Bandello's Novellas and The Merry Wives of Windsor
Roberta Zanoni
6. "Ed ebbono bene e buona ventura." Multi-Layered Echoes of Il Pecorone in The Merchant of Venice
Alessandra Squeo
7. Boccaccio's Bernabo, Shakespeare's Cymbeline, and Other Resources: A Keyword and Co-textual Analysis
Fabio Ciambella
PART THREE: REUSE AND MEMORY
8 "What country, friends, is this?": Displaced Identity and Homoerotic Desire in Twelfth Night and its Italian Models
Jason Lawrence
9. "The story that is printed in her blood": Patriarchal Authority in Much Ado About Nothing and Its Sources
Emanuel Stelzer
10. "Most strange, but yet most truly, will I speak": Female Agency from Cinthio to Shakespeare's Measure for Measure
Cristiano Ragni
11. Reviving Past "Models": Dolce's Marianna and the Intricacies of Othello's Crux
Beatrice Righetti
12. "As I please myself." Recollections and Reconfigurations of Female Agency in Ariosto's Suppositi, Gascoigne's Supposes and Shakespeare's The Taming of the Shrew
Silvia Silvestri
13. The Ring is the Thing: All's Well That Ends Well and its Mobile Circuitry
Eric Nicholson
AFTERWORD
Robert Henke
Index
List of Contributors
INTRODUCTION
Silvia Bigliazzi
PARTE ONE: MEMORIES
1. "Memory, Intertextuality/Interdiscursivity and Reuse"
Savina Stevanato
2. "Whose Memory? From the "Rossignuol" to Female Communities in Groto and Shakespeare"
Silvia Bigliazzi
PART TWO: MEMORY AND REUSE
3. Welcome to Padua: Female Characters, Narrative Sources, and the Commedia dell'Arte in The Two Gentlemen of Verona
Melissa Walter
4. The Source as a Resonant Halo. Italian Neoplatonism in Twelfth Night
Rocco Coronato
5. Bandello's Novellas and The Merry Wives of Windsor
Roberta Zanoni
6. "Ed ebbono bene e buona ventura." Multi-Layered Echoes of Il Pecorone in The Merchant of Venice
Alessandra Squeo
7. Boccaccio's Bernabo, Shakespeare's Cymbeline, and Other Resources: A Keyword and Co-textual Analysis
Fabio Ciambella
PART THREE: REUSE AND MEMORY
8 "What country, friends, is this?": Displaced Identity and Homoerotic Desire in Twelfth Night and its Italian Models
Jason Lawrence
9. "The story that is printed in her blood": Patriarchal Authority in Much Ado About Nothing and Its Sources
Emanuel Stelzer
10. "Most strange, but yet most truly, will I speak": Female Agency from Cinthio to Shakespeare's Measure for Measure
Cristiano Ragni
11. Reviving Past "Models": Dolce's Marianna and the Intricacies of Othello's Crux
Beatrice Righetti
12. "As I please myself." Recollections and Reconfigurations of Female Agency in Ariosto's Suppositi, Gascoigne's Supposes and Shakespeare's The Taming of the Shrew
Silvia Silvestri
13. The Ring is the Thing: All's Well That Ends Well and its Mobile Circuitry
Eric Nicholson
AFTERWORD
Robert Henke
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.