Portuguese Artists in London
portes grátis
Portuguese Artists in London
Shaping Identities in Post-War Europe
de Oliveira, Leonor
Taylor & Francis Ltd
10/2024
162
Mole
9781032930350
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction: Britain and Portugal - Universalism and Modernity at the Crossroads of the Mid-Twentieth Century 1. Images of Resistance: Artistic Apprenticeship and Experimentalism at the Slade School 2. Expressions of Contemporaneity: Dealing with Dictatorship and Colonialism in the Post-War Period 3. Travelling Images: Exposing Identity on the International Stage 4. Collective Imagery: A New Iconography for New Generations Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Portuguese Artists;Portugal;Young Men;United Kingdom;Calouste Gulbenkian Museum;England;International Monetary Fund;Great Britain;Solid Waters;post-war;Pauline Boty;Europe;St Martin's School;artists;London Film School;creativity;Almada Negreiros;transnational;Unknown Political Prisoner;Iberian Peninsula;Slade School;politics;Colonial Administration;London;Lisbon School;Paula Rego;Eduardo Paolozzi;Barto dos Santos;Portuguese Pavilion;Spain;Paulo Biennial;dictatorship;Portuguese Colonial War;Hanover Gallery;regime;Portuguese Reality;modernity;Ecological Art;twentieth century;Portuguese Dictatorship;colonialism;RTP;art history;Henry Moore;iconography;Portuguese Poetry;intercultural;dialogue;center;centre;periphery;identity;Portuguese;Joao Cutileiro;Jorge Vieira;Portuguese identity;Portuguese artists' journeys;London's artistic context;artistic interaction;post-war Europe
Introduction: Britain and Portugal - Universalism and Modernity at the Crossroads of the Mid-Twentieth Century 1. Images of Resistance: Artistic Apprenticeship and Experimentalism at the Slade School 2. Expressions of Contemporaneity: Dealing with Dictatorship and Colonialism in the Post-War Period 3. Travelling Images: Exposing Identity on the International Stage 4. Collective Imagery: A New Iconography for New Generations Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Portuguese Artists;Portugal;Young Men;United Kingdom;Calouste Gulbenkian Museum;England;International Monetary Fund;Great Britain;Solid Waters;post-war;Pauline Boty;Europe;St Martin's School;artists;London Film School;creativity;Almada Negreiros;transnational;Unknown Political Prisoner;Iberian Peninsula;Slade School;politics;Colonial Administration;London;Lisbon School;Paula Rego;Eduardo Paolozzi;Barto dos Santos;Portuguese Pavilion;Spain;Paulo Biennial;dictatorship;Portuguese Colonial War;Hanover Gallery;regime;Portuguese Reality;modernity;Ecological Art;twentieth century;Portuguese Dictatorship;colonialism;RTP;art history;Henry Moore;iconography;Portuguese Poetry;intercultural;dialogue;center;centre;periphery;identity;Portuguese;Joao Cutileiro;Jorge Vieira;Portuguese identity;Portuguese artists' journeys;London's artistic context;artistic interaction;post-war Europe
