Modern in the Making
portes grátis
Modern in the Making
MoMA and the Modern Experiment, 1929-1949
Porter, Austin; Zalman, Sandra
Bloomsbury Publishing PLC
04/2022
288
Mole
Inglês
9781350186392
15 a 20 dias
Descrição não disponível.
Introduction
Establishing the Modern: MoMA and the Modern Experiment, Austin Porter (Kenyon College, USA) and Sandra Zalman (University of Houston, USA)
Part I: Vernacular Influences
Chapter 1: Folk Surrealism, Marci Kwon (Stanford University, USA)
Chapter 2: New Rugs by American Artists: Modernism, Abstraction, and Rug Design at MoMA, Jennifer Padgett (Crystal Bridges Museum of American Art, USA)
Chapter 3: MoMA's Child Artists, John Blakinger (University of Southern California, USA)
Chapter 4: "Floor, Ceiling, Wall, Garden Market: The Curatorial Scene of Twenty Centuries of Mexican Art, Andy Campbell (University of Southern California, USA)
Part II: New Mediums for a New Museum: Photography, Dance, Architecture and Design
Chapter 5: Aesthetic versus the "Mere Historic": Civil War and Frontier Photography at MoMA, Sarah Kate Gillespie (Gettysburg College, USA)
Chapter 6: An Exact Instant in the History of the Modern, Jason Hill (University of Delaware, USA)
Chapter 7: Performance and the Dance Archives at the Museum of Modern Art, Swagato Chakravorty (Yale University, USA)
Chapter 8: Architecture on Display: Breuer's House in the Museum Garden, Catarina Schlee Flaksman (Independent Scholar)
Part III: Mobilizing Modernism
Chapter 9: Reproducing Art and the Museum: Ancestral Sources in and beyond the Museum of Modern Art, Rachel Kaplan (Los Angeles County Museum of Art, USA)
Chapter 10: The 'Great Gallery' Goes to New York: Ancient American Rock Art, MOMA, and the New York Avant-Garde, James Farmer (Virginia Commonwealth University, USA)
Chapter 11: "Toward a Happier and More Successful Life," or When Veterans Made, Art in the Modern Museum, Suzanne Hudson (University of Southern California, USA)
Part IV: MoMA's Global Vision
Chapter 12: Occidental Arrangements: MoMA's Emerging Global History of Art at Midcentury, John Ott (James Madison University, USA)
Chapter 13: Exhibiting Italian Democracy in Twentieth Century Italian Art at the Museum of Modern Art, Antje Gamble (Murray State University, USA)
Chapter 14: American Exceptionalism at the Modern, 1942-1959: Dorothy Miller's Americans, Angela Miller (Washington University, USA)
Index
Establishing the Modern: MoMA and the Modern Experiment, Austin Porter (Kenyon College, USA) and Sandra Zalman (University of Houston, USA)
Part I: Vernacular Influences
Chapter 1: Folk Surrealism, Marci Kwon (Stanford University, USA)
Chapter 2: New Rugs by American Artists: Modernism, Abstraction, and Rug Design at MoMA, Jennifer Padgett (Crystal Bridges Museum of American Art, USA)
Chapter 3: MoMA's Child Artists, John Blakinger (University of Southern California, USA)
Chapter 4: "Floor, Ceiling, Wall, Garden Market: The Curatorial Scene of Twenty Centuries of Mexican Art, Andy Campbell (University of Southern California, USA)
Part II: New Mediums for a New Museum: Photography, Dance, Architecture and Design
Chapter 5: Aesthetic versus the "Mere Historic": Civil War and Frontier Photography at MoMA, Sarah Kate Gillespie (Gettysburg College, USA)
Chapter 6: An Exact Instant in the History of the Modern, Jason Hill (University of Delaware, USA)
Chapter 7: Performance and the Dance Archives at the Museum of Modern Art, Swagato Chakravorty (Yale University, USA)
Chapter 8: Architecture on Display: Breuer's House in the Museum Garden, Catarina Schlee Flaksman (Independent Scholar)
Part III: Mobilizing Modernism
Chapter 9: Reproducing Art and the Museum: Ancestral Sources in and beyond the Museum of Modern Art, Rachel Kaplan (Los Angeles County Museum of Art, USA)
Chapter 10: The 'Great Gallery' Goes to New York: Ancient American Rock Art, MOMA, and the New York Avant-Garde, James Farmer (Virginia Commonwealth University, USA)
Chapter 11: "Toward a Happier and More Successful Life," or When Veterans Made, Art in the Modern Museum, Suzanne Hudson (University of Southern California, USA)
Part IV: MoMA's Global Vision
Chapter 12: Occidental Arrangements: MoMA's Emerging Global History of Art at Midcentury, John Ott (James Madison University, USA)
Chapter 13: Exhibiting Italian Democracy in Twentieth Century Italian Art at the Museum of Modern Art, Antje Gamble (Murray State University, USA)
Chapter 14: American Exceptionalism at the Modern, 1942-1959: Dorothy Miller's Americans, Angela Miller (Washington University, USA)
Index
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Introduction
Establishing the Modern: MoMA and the Modern Experiment, Austin Porter (Kenyon College, USA) and Sandra Zalman (University of Houston, USA)
Part I: Vernacular Influences
Chapter 1: Folk Surrealism, Marci Kwon (Stanford University, USA)
Chapter 2: New Rugs by American Artists: Modernism, Abstraction, and Rug Design at MoMA, Jennifer Padgett (Crystal Bridges Museum of American Art, USA)
Chapter 3: MoMA's Child Artists, John Blakinger (University of Southern California, USA)
Chapter 4: "Floor, Ceiling, Wall, Garden Market: The Curatorial Scene of Twenty Centuries of Mexican Art, Andy Campbell (University of Southern California, USA)
Part II: New Mediums for a New Museum: Photography, Dance, Architecture and Design
Chapter 5: Aesthetic versus the "Mere Historic": Civil War and Frontier Photography at MoMA, Sarah Kate Gillespie (Gettysburg College, USA)
Chapter 6: An Exact Instant in the History of the Modern, Jason Hill (University of Delaware, USA)
Chapter 7: Performance and the Dance Archives at the Museum of Modern Art, Swagato Chakravorty (Yale University, USA)
Chapter 8: Architecture on Display: Breuer's House in the Museum Garden, Catarina Schlee Flaksman (Independent Scholar)
Part III: Mobilizing Modernism
Chapter 9: Reproducing Art and the Museum: Ancestral Sources in and beyond the Museum of Modern Art, Rachel Kaplan (Los Angeles County Museum of Art, USA)
Chapter 10: The 'Great Gallery' Goes to New York: Ancient American Rock Art, MOMA, and the New York Avant-Garde, James Farmer (Virginia Commonwealth University, USA)
Chapter 11: "Toward a Happier and More Successful Life," or When Veterans Made, Art in the Modern Museum, Suzanne Hudson (University of Southern California, USA)
Part IV: MoMA's Global Vision
Chapter 12: Occidental Arrangements: MoMA's Emerging Global History of Art at Midcentury, John Ott (James Madison University, USA)
Chapter 13: Exhibiting Italian Democracy in Twentieth Century Italian Art at the Museum of Modern Art, Antje Gamble (Murray State University, USA)
Chapter 14: American Exceptionalism at the Modern, 1942-1959: Dorothy Miller's Americans, Angela Miller (Washington University, USA)
Index
Establishing the Modern: MoMA and the Modern Experiment, Austin Porter (Kenyon College, USA) and Sandra Zalman (University of Houston, USA)
Part I: Vernacular Influences
Chapter 1: Folk Surrealism, Marci Kwon (Stanford University, USA)
Chapter 2: New Rugs by American Artists: Modernism, Abstraction, and Rug Design at MoMA, Jennifer Padgett (Crystal Bridges Museum of American Art, USA)
Chapter 3: MoMA's Child Artists, John Blakinger (University of Southern California, USA)
Chapter 4: "Floor, Ceiling, Wall, Garden Market: The Curatorial Scene of Twenty Centuries of Mexican Art, Andy Campbell (University of Southern California, USA)
Part II: New Mediums for a New Museum: Photography, Dance, Architecture and Design
Chapter 5: Aesthetic versus the "Mere Historic": Civil War and Frontier Photography at MoMA, Sarah Kate Gillespie (Gettysburg College, USA)
Chapter 6: An Exact Instant in the History of the Modern, Jason Hill (University of Delaware, USA)
Chapter 7: Performance and the Dance Archives at the Museum of Modern Art, Swagato Chakravorty (Yale University, USA)
Chapter 8: Architecture on Display: Breuer's House in the Museum Garden, Catarina Schlee Flaksman (Independent Scholar)
Part III: Mobilizing Modernism
Chapter 9: Reproducing Art and the Museum: Ancestral Sources in and beyond the Museum of Modern Art, Rachel Kaplan (Los Angeles County Museum of Art, USA)
Chapter 10: The 'Great Gallery' Goes to New York: Ancient American Rock Art, MOMA, and the New York Avant-Garde, James Farmer (Virginia Commonwealth University, USA)
Chapter 11: "Toward a Happier and More Successful Life," or When Veterans Made, Art in the Modern Museum, Suzanne Hudson (University of Southern California, USA)
Part IV: MoMA's Global Vision
Chapter 12: Occidental Arrangements: MoMA's Emerging Global History of Art at Midcentury, John Ott (James Madison University, USA)
Chapter 13: Exhibiting Italian Democracy in Twentieth Century Italian Art at the Museum of Modern Art, Antje Gamble (Murray State University, USA)
Chapter 14: American Exceptionalism at the Modern, 1942-1959: Dorothy Miller's Americans, Angela Miller (Washington University, USA)
Index
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