Malevich and Interwar Modernism
portes grátis
Malevich and Interwar Modernism
Russian Art and the International of the Square
Forgacs, Eva
Bloomsbury Publishing PLC
01/2022
328
Dura
Inglês
9781350204171
15 a 20 dias
Descrição não disponível.
List of Illustrations
Acknowledgments
List of Abbreviations
Introduction
1. The sky is the limit: Malevich at the Vitebsk junction, 1919
2. The 8th Congress of the Bolshevik Party and El Lissitzky's grasp of suprematism, 1919
3. Theo van Doesburg, artist and strategist
4. The irreconcilable conflict between constructivism and suprematism in Moscow
5. The Mirage of world revolution: Post-revolution, postwar Berlin and Moscow 1918-1922
6. As many narratives as narrators: Russian accounts of the new Russian art in the west
7. The First Russian Exhibition in Berlin, 1922, and its reception
8. Respectfully challenging the master: Lissitzky and Malevich
9. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
10. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
11. The Postwar Scene and The Stedelijk Museum, Amsterdam's Malevich exhibition, 1957
12. The New Left's role in retrieving the interwar avant-gardes and reclaiming the Russian Avant-Garde in the 1960s
Notes
Bibliography
Index
Acknowledgments
List of Abbreviations
Introduction
1. The sky is the limit: Malevich at the Vitebsk junction, 1919
2. The 8th Congress of the Bolshevik Party and El Lissitzky's grasp of suprematism, 1919
3. Theo van Doesburg, artist and strategist
4. The irreconcilable conflict between constructivism and suprematism in Moscow
5. The Mirage of world revolution: Post-revolution, postwar Berlin and Moscow 1918-1922
6. As many narratives as narrators: Russian accounts of the new Russian art in the west
7. The First Russian Exhibition in Berlin, 1922, and its reception
8. Respectfully challenging the master: Lissitzky and Malevich
9. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
10. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
11. The Postwar Scene and The Stedelijk Museum, Amsterdam's Malevich exhibition, 1957
12. The New Left's role in retrieving the interwar avant-gardes and reclaiming the Russian Avant-Garde in the 1960s
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
List of Illustrations
Acknowledgments
List of Abbreviations
Introduction
1. The sky is the limit: Malevich at the Vitebsk junction, 1919
2. The 8th Congress of the Bolshevik Party and El Lissitzky's grasp of suprematism, 1919
3. Theo van Doesburg, artist and strategist
4. The irreconcilable conflict between constructivism and suprematism in Moscow
5. The Mirage of world revolution: Post-revolution, postwar Berlin and Moscow 1918-1922
6. As many narratives as narrators: Russian accounts of the new Russian art in the west
7. The First Russian Exhibition in Berlin, 1922, and its reception
8. Respectfully challenging the master: Lissitzky and Malevich
9. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
10. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
11. The Postwar Scene and The Stedelijk Museum, Amsterdam's Malevich exhibition, 1957
12. The New Left's role in retrieving the interwar avant-gardes and reclaiming the Russian Avant-Garde in the 1960s
Notes
Bibliography
Index
Acknowledgments
List of Abbreviations
Introduction
1. The sky is the limit: Malevich at the Vitebsk junction, 1919
2. The 8th Congress of the Bolshevik Party and El Lissitzky's grasp of suprematism, 1919
3. Theo van Doesburg, artist and strategist
4. The irreconcilable conflict between constructivism and suprematism in Moscow
5. The Mirage of world revolution: Post-revolution, postwar Berlin and Moscow 1918-1922
6. As many narratives as narrators: Russian accounts of the new Russian art in the west
7. The First Russian Exhibition in Berlin, 1922, and its reception
8. Respectfully challenging the master: Lissitzky and Malevich
9. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
10. The book that was not. Van Doesburg's thumbs-down on the Malevich volume
11. The Postwar Scene and The Stedelijk Museum, Amsterdam's Malevich exhibition, 1957
12. The New Left's role in retrieving the interwar avant-gardes and reclaiming the Russian Avant-Garde in the 1960s
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
