Late Antique Portraits and Early Christian Icons

Introduction 1. The Production of Sacred Portraits (i): Techniques and Stylistic Variation 2. The Production of Sacred Portraits (ii): The Visualisation of the Prototype 3. The Reception of Sacred Portraits (i): Functions and Meanings of the Depicted Gaze 4. The Reception of Sacred Portraits (ii): Their Role in Spiritual Practice Conclusion

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• As religiões antigas e mitologias
• Religião: geral
• Artes: temas gerais
• História clássica / civilização clássica
• Pintura e obras de pintura
• Arqueologia egípcia / Egiptologia
• Estilos de arte não definido por data

Mediterranean;art history;religion;portraits;portraiture;late antiquity;devotional;sacred;icon;early Christian;St Catherine's Monastery;Sinai;Byzantine;Greco-Roman;Egypt;mummies;panel painting;Fayum;imperial;Sinai Icon;Mummy Portraits;Michigan Princeton Alexandria Expeditions;Sacred Portraits;Saint Catherine's Monastery;Portrait Mummies;Christ Blessing;Young Man;Portrait Images;Apse Mosaic;Imperial Portrait;Funerary Portraiture;Image Veneration;Mount Sinai;Tonal Modelling;Commemorative Portrait;Iconoclastic Period;Panel Paintings;Facial Type;Medallion Portraits;Santa Maria Ad Martyres;Roman Imperial Portraiture;Portrait Categories;Christian Icons;Intercessory Prayer