Hybridity in Early Modern Art

Introduction: Hybridity in Early Modern Art

Ashley Elston and Madeline Rislow

Part 1: Hybrid Media

1. Connecting Human and Divine: Carlo Crivelli's Hybrid Media

Amanda Hilliam

2. Collaboration and Dissonance in Siena's Bichi Altarpiece

Ashley Elston

3. Emblems and Hybridity in a Southern German Epitaph Sculpture

Catharine Ingersoll

4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints

Michelle Moseley-Christian

5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries

Larisa Grollemond

Part 2: Hybrid Time

6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages

Kirstin Noreen

7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across Time

Madeline Rislow

8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari's Pieve Altarpieces

Sally J. Cornelison

9. Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism

Christa Irwin

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• Sociedade e cultura: geral
• Início da história moderna: c 1450/1500 a c 1700
• Artes: temas gerais
• Formas de arte
• Estudos regionais
• Estilos de arte não definido por data
• Teoria da arqueologia
• Antropologia
• História da Europa

early modern;art history;objects;time;medium;Michael Baxandall;period eye;Europe;material;visual culture;Alexander Nagel;Christopher Wood;Renaissance;anachronic;materiality;Della;Christ Child;Nicholas III;Nationale De France;Giorgio Vasari;Vice Versa;Leo III;Wild Woman;Julius III;Early Modern European Art;Hagiographic Scenes;Emblem Books;Wild Folk;Santo Sepolcro;Illuminated Books;Giulio Bonasone;City's Patron Saint;Single Sheet Prints;Imitation Gems;Early Modern Art;Henri II;Rhetorica Ad Herennium;Sixteenth Century Peru;Guillaume Rouille;Mannerist Paintings