Displaying Art in the Early Modern Period

PART 1. Introduction

1. Reason for a Research

Pamela Bianchi

PART 2. Public Spaces

2. Trading Spaces: the display practices of an early modern auction in Edinburgh

Antonia Laurence-Allen

3. The Discourse of the Salon

Isabelle Piquet

4. Royal Spectacles & Social Networks: Early 18th-Century Salon Exhibition Practices

Mandy Paige-Lovingood

PART 3. Domestic Spaces

5. Exhibition Design, Display Strategies, and Aesthetic Promenades to the Court of Gonzaga

Pamela Bianchi

6. 'A Treasure of Riches and Curiosities' Politics of Display at the Garde-meuble de la Couronne, 1680-1789

Barbara Lasic

7. The Display of Metalwork in North European Domestic Spaces in the Fifteenth and Sixteenth Centuries

Hila Manor

PART 4. Religious and Political Spaces

8. Displaying Art in a Sacred Space: The Artworks for the Triunfo of St. Ferdinand in Seville Cathedral (1671)

Carmen Gonzalez-Roman

9. The Ephemeral Facade of Cardinal de Solis's Palace: Aesthetics and Politics in 18th Century Rome

Ginevra Odone

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museum studies;art history;display;architecture;space;Edinburgh;France;Scotland;Rome;Italy;Gonzaga;Cardinal de Solis;palace;Sevilla;Seville;cathedral;Spain;salon;Paris;design;auction;art market;Garde Meuble;collectors;Henry IV;Charles III;Mantua;objects;painting;objet d'art;Jacques Andre Portail;Royal Academie;visual studies;Renaissance;sculpture;La Font De Saint Yenne;Exhibition Space;Della;Grand Galerie;Place Louis XV;Gladstone's Land;Seville Cathedral;Van Loo's Paintings;Jules Hardouin Mansart;Donneau De;Clement XIV;Back Tenement;Pope Clement XIV;Fiestas De La;Salon Exhibition;Ducal Palace;Royal Manufactures;Ephemeral Installations;Cardinal De;Place De La Concorde;Exhibition Layout;Triumph Monument;Fore Tenement