European Theatre Performance Practice, 1580-1750
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European Theatre Performance Practice, 1580-1750
Katritzky, M.A.; Henke, Robert
Taylor & Francis Ltd
10/2024
610
Mole
9781032918235
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Contents: Introduction. Part I Playing Spaces: The changing scene: plays and playhouses in the Italian Renaissance, Michael Anderson; The theatres, John Orrell; Staging and performance, Jonathan Thacker; The material conditions of Moliere's stage, Jan Clarke. Part II Staging: Shakespeare's stage, J.L. Styan; Shakespeare's theater: tradition and experiment, Robert Weimann; Women at the windows: commedia dell' arte and theatrical practice in early modern Italy, Jane Tylus; The circulation of clothes and the making of the English theater, Ann Rosalind Jones and Peter Stallybrass; Absorbing interests: Kyd's bloody handkerchief as palimpsest, Andrew Sofer; Insubstantial pageants: women's work and the (im)material culture of the early modern stage, Natasha Korda. Part III Acting: Ruzante and the evolution of acting practice in Renaissance Italy, Ronnie Ferguson; Arte dialogue structures in the comedies of Moliere, Richard Andrews; Rogues and rhetoricians: acting styles in early English drama, Peter Thomson; Rehearsal, performance and plays, Tiffany Stern; Comic stage routines in Guarinonius' medical treatise of 1610, M.A. Katritzky; 'La virtu et la volupte': models for the actress in early modern Italy and France, Virginia Scott; Acting, Gerry McCarthy. Part IV Audiences: The audiences, Andrew Gurr; Theaters and audiences, Stephen Orgel; Women as spectators, spectacles, and paying customers, Jean E. Howard; Toward reconstructing the audiences of the commedia dell' arte, Robert Henke; The audience, W.L. Wiley; The actors and their audience, N.D. Shergold. Name index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;hotel;Moliere;bourgogne;Commedia Dell;isabella;Isabella Andreini;andreini;Della;commedia;Commedia Erudita;dell;Richard III;erudita;Teatro Olimpico;marais;Confer;edward;Acrobats;alleyn;Le Bourgeois Gentilhomme;Vice Versa;Spanish Tragedy;Act III;Le Malade Imaginaire;Giorgio Padoan;Shakespeare's Richard III;Delle Commedie;Pastor Fido;Moliere Play;Lope De Vega;Theatre Du Marais;Jacques Callot;Vincenza Armani;Piazza
Contents: Introduction. Part I Playing Spaces: The changing scene: plays and playhouses in the Italian Renaissance, Michael Anderson; The theatres, John Orrell; Staging and performance, Jonathan Thacker; The material conditions of Moliere's stage, Jan Clarke. Part II Staging: Shakespeare's stage, J.L. Styan; Shakespeare's theater: tradition and experiment, Robert Weimann; Women at the windows: commedia dell' arte and theatrical practice in early modern Italy, Jane Tylus; The circulation of clothes and the making of the English theater, Ann Rosalind Jones and Peter Stallybrass; Absorbing interests: Kyd's bloody handkerchief as palimpsest, Andrew Sofer; Insubstantial pageants: women's work and the (im)material culture of the early modern stage, Natasha Korda. Part III Acting: Ruzante and the evolution of acting practice in Renaissance Italy, Ronnie Ferguson; Arte dialogue structures in the comedies of Moliere, Richard Andrews; Rogues and rhetoricians: acting styles in early English drama, Peter Thomson; Rehearsal, performance and plays, Tiffany Stern; Comic stage routines in Guarinonius' medical treatise of 1610, M.A. Katritzky; 'La virtu et la volupte': models for the actress in early modern Italy and France, Virginia Scott; Acting, Gerry McCarthy. Part IV Audiences: The audiences, Andrew Gurr; Theaters and audiences, Stephen Orgel; Women as spectators, spectacles, and paying customers, Jean E. Howard; Toward reconstructing the audiences of the commedia dell' arte, Robert Henke; The audience, W.L. Wiley; The actors and their audience, N.D. Shergold. Name index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;hotel;Moliere;bourgogne;Commedia Dell;isabella;Isabella Andreini;andreini;Della;commedia;Commedia Erudita;dell;Richard III;erudita;Teatro Olimpico;marais;Confer;edward;Acrobats;alleyn;Le Bourgeois Gentilhomme;Vice Versa;Spanish Tragedy;Act III;Le Malade Imaginaire;Giorgio Padoan;Shakespeare's Richard III;Delle Commedie;Pastor Fido;Moliere Play;Lope De Vega;Theatre Du Marais;Jacques Callot;Vincenza Armani;Piazza
